October 21, 2016
        "Manchester by the Sea" leads the Gotham Award nominations                Tom Ford, Marc Platt and Kenneth Lonergan to be Honored at 20th Annual Hollywood Film Awards                Tom Cruise is in his action hero comfort zone with "Jack Reacher: Never Go Back"                "Moonlight" could be A24's big Oscar horse this year                Ewan McGregor steps behind the camera with "American Pastoral"                Hollywood Contenders: A second crack at Golden Globe predictions for 2016                "The Accountant" seeks to help give Ben Affleck another blockbuster                85 countries will be competing for Best Foreign Language Feature nominations at the Oscars                Tom Hanks to receive Hollywood Actor Award for "Sully" @ Hollywood Film Awards                "Certain Women" showcases Laura Dern, Kristen Stewart, and Michelle Williams                Ben Affleck is perhaps Hollywood's biggest and most diverse superstar                "The Birth of a Nation" looks to survive controversy and contend for awards                "The Girl on the Train" hopes to transport Emily Blunt to the Oscar race                "The Jungle Book," "Zootopia" and Craft Artists to be Honored at the 20th Annual Hollywood Film Awards                Ben Affleck's "Live By Night" officially is a 2016 contender        

Writers worry: are studios engaged in “sweepstakes pitching?”


“Sweepstakes pitching” debated as WGA surveys members about economic downturn.

It’s an issue that could again strain relations between Hollywood studios and screenwriters, but just how prevalent it is in the movie and TV industry is subject of debate.

The practice is called “sweepstakes pitching” and here is how it works:
Four or five writers will be asked individually to pitch a studio executive. The executive will then cherry-pick the ideas he or she likes best, package them and re-pitch them to yet another writer, crediting no one.

It’s only after writers start to compare notes over lunch (as many of these A-listers know each other) that they realize a studio executive has taken ideas from several writers and then assigned them to other writers.

Guild spokesman Neal Sacharow said: “I have not heard anything about (sweepstakes pitching) but it doesn’t mean this doesn’t go on in the industry.”

Still, sources told HollywoodNews.com that the issue was sparked after the Writers Guild of America sent a survey to many of its members asking them to gauge the effects of the economic downturn on writing jobs in Hollywood. Some A-list writers are concerned that studios are using the recession to pilfer movie ideas at pitch sessions and then hand them to other writers to develop without giving credit where credit is due.

Sacharow said the findings of the survey were still being tabulated and he didn’t know what the results would be.

Two veteran screenwriters interviewed by HollywoodNews.com said that while they personally have not experienced “sweepstakes pitching,” they are aware of the concerns being raised about the practice.
“In the economically compressed Hollywood that we are living in today, (studios) want something for nothing and they want something that they don’t want to shell out a lot of bucks for,” said Charles Edward Pogue, whose credits include “Dragonheart” and “The Fly.” “I think there is always a concern about material being stolen,” he added, noting: “I always have a paper trail. I’ve never gone into a pitch without a written pitch already prepared.”

“I don’t know if it’s a legal issue or a contractual issue? it’s an ethical issue,” said Ed Solomon, who wrote “Men in Black” and who is currently working on “Hardy Men.” Solomon said if a writer has 75 or 80 percent of a script written and it’s a good story but is missing a few things, and a studio executive hears a couple of gems from other writers, it’s human nature not to convey to the writer they choose to hire.”

As for the survey itself, Sacharow said it was sent out to guild members working in feature film, long-form TV and movies of the week. The survey seeks to gauge how the economic downturn is affecting writing jobs in Hollywood and the impact the recession is having on film and TV production.

The results “will help us better understand what challenges screenwriters face in the present market, how working conditions have changed and whether the WGAW is appropriately prioritizing the concerns of working screenwriters,” Sacharow added.

Asked if the results would be made public, he replied: “Our plan is to share the results with our members.”

About Robert W. Welkos

Executive Editor: Robert W. Welkos is an award-winning journalist who covered the entertainment industry for 15 years as a staff writer for the Los Angeles Times. During this span, he wrote extensively about the movie industry from turmoil in the executive suites, the Academy Awards and Golden Globes, and box office hits and bombs to visits to movie sets as well as profiles of top stars and A-list directors, cutting edge features on the newest indie films and visits to famous film festivals like Sundance and Cannes. Prior to entertainment, Welkos worked as a reporter and assistant city editor in The Times’ Metro section where he undertook major investigations for the paper as well as covering breaking news and writing in-depth features. Before joining The Times, he worked for the Associated Press in Reno, Nevada, and City News Service in Los Angeles.

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  • January 21, 2010 | Permalink |

    Dish Network Deals…

    I really don’t believe at this point either one is capable of turning around this team. Passing yards are pathetic as is the play calling….

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