October 28, 2016
        "Live By Night', "Passengers", and "Silence": What still hasn't screened this year?                Justin Timberlake to be Honored at 20th Annual Hollywood Film Awards: “CAN’T STOP THE FEELING!”                Ten Contenders will compete for Best Documentary Short Subject                "The Circle" and "The Lost City of Z": Which potential 2016 contenders got bumped to 2017?                Natalie Portman, Janelle Monáe, Matthew McConaughey, Bryce Dallas Howard, Edgar Ramirez, Stacy Keach at Hollywood Film Awards                Viola Davis will be campaigned in Best Supporting Actress for "Fences"                Mel Gibson to be Honored with the Hollywood Director Award at the 20th Annual Hollywood Film Awards                Michael Moore drops a surprise new film with "Michael Moore in TrumpLand"                Hollywood Contenders: New Oscar Predictions for October                Nicole Kidman, Hugh Grant, Naomie Harris, Lily Collins get Honors at 20th Annual Hollywood Film Awards                "Manchester by the Sea" leads the Gotham Award nominations                Tom Ford, Marc Platt and Kenneth Lonergan to be Honored at 20th Annual Hollywood Film Awards                Tom Cruise is in his action hero comfort zone with "Jack Reacher: Never Go Back"                "Moonlight" could be A24's big Oscar horse this year                Ewan McGregor steps behind the camera with "American Pastoral"        

Hollywood Movie Roundup: Enter Sandman (but make way for the ladies)

By Kevin Crust

HollywoodNews.com: The summer’s first three-day weekend features a pair of films that figure to split demographically along gender lines with the women taking the top spot at the box-office. Memorial Day is traditionally one of the biggest holiday weekends at the movies, but without a behemoth to soak up most of the attention, attendance figures to be widely distributed with many people using the extra time to catch up with movies that have been out for a few weeks.


Jake Gyllenhaal straps on sword and sandals for his action hero debut, starring as a renegade royal seeking a powerful ancient dagger.  Rising British star Gemma Arterton portrays the enigmatic princess he teams with. Sir Ben Kingsley and Alfred Molina are also along for the ride. Director Mike Newell (“Harry Potter and the Goblet of Fire,” “Four Weddings and a Funeral”) attempts to brings a little magic to the popular video game, while Boaz YakinDoug Miro and Carlo Bernard did the adaptation.

A few critics — including Entertainment Weekly’s Lisa Schwarzbaum and the Chicago Tribune’s Michael Phillips — found some fun in the film, but Phillips’ Windy City counterpart, Roger Ebert of the Sun-Times, fashions a more typical response, labeling the film’s leads as “not inspired” and the special effects, “irritating.” Manohla Dargis of the New York Times calls the movie, “perfectly painless mush,” while the Wall Street Journal’s Joe Morgenstern finds that the pumped-up “Prince” proves his thesis that bigger is not better when it comes to the digital realm.

The movie hasn’t garnered the kind of must-see buzz to launch it into the stratosphere. Despite a fanboy base from its VG progenitor, “Prince” already looks like an also-ran at the box office, which has not been kind to action epics of late. Not only will it lose out the top spot to a bunch of well-heeled girls, its predicted take of $35-44 million may not even be enough to hold off “Shrek 4” for second place.


Carrie Bradshaw and company reunite for a romp through Abu Dhabi with stars Sarah Jessica Parker, Kim Cattrall, Kristin Davis and Cynthia Nixon back for a return engagement. Writer-director Michael Patrick King attempts to mine more from Candace Bushnell’s stylish, sassy characters but he may have finally hit bottom.

There’s little love from critics for SATC2. Some bemoan the tired state of the franchise, while others are offended by its tone-deaf approach to geo-poltics and Middle East culture. Betsy Sharkey of the Los Angeles Times writes that “the satire is sagging, the irony’s atrophied and the funny is flabby.” Joe Morgenstern of the Wall Street Journal calls the film “callow, garish, ghastly, grisly … grotesque” and “borderline-interminable” and the New York Times’ A.O. Scott opines that “the ugly smell of unexamined privilege hangs over this film like the smoke from cheap incense.”

“Sex” got a jump on things with a Thursday opening and prognosticators figure it to clock in at $65-70M for the three day weekend and as much as $83M over the four days. Scathing reviews could keep its tally in the lower register.

About Kevin Crust

KEVIN CRUST is a Southern California-based writer and editor of the Eclectic Odeon Review, an online guide to seeing movies in Los Angeles, launching in March 2010. In 18 years at the Los Angeles Times, he worked as a copy editor, senior researcher and staff writer. For most of the past decade, he was a key part of the Times' award-winning film department, coordinating the Calendar section's popular Sneaks issues, writing columns on alternative cinema and DVDs, and reviewing hundreds of movies. His work has also appeared in the San Francisco Chronicle.

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