October 28, 2016
        "Live By Night', "Passengers", and "Silence": What still hasn't screened this year?                Justin Timberlake to be Honored at 20th Annual Hollywood Film Awards: “CAN’T STOP THE FEELING!”                Ten Contenders will compete for Best Documentary Short Subject                "The Circle" and "The Lost City of Z": Which potential 2016 contenders got bumped to 2017?                Natalie Portman, Janelle Monáe, Matthew McConaughey, Bryce Dallas Howard, Edgar Ramirez, Stacy Keach at Hollywood Film Awards                Viola Davis will be campaigned in Best Supporting Actress for "Fences"                Mel Gibson to be Honored with the Hollywood Director Award at the 20th Annual Hollywood Film Awards                Michael Moore drops a surprise new film with "Michael Moore in TrumpLand"                Hollywood Contenders: New Oscar Predictions for October                Nicole Kidman, Hugh Grant, Naomie Harris, Lily Collins get Honors at 20th Annual Hollywood Film Awards                "Manchester by the Sea" leads the Gotham Award nominations                Tom Ford, Marc Platt and Kenneth Lonergan to be Honored at 20th Annual Hollywood Film Awards                Tom Cruise is in his action hero comfort zone with "Jack Reacher: Never Go Back"                "Moonlight" could be A24's big Oscar horse this year                Ewan McGregor steps behind the camera with "American Pastoral"        

We are not in a slump, our best players are just still in the batting box. Explaining the slow start to summer 2010.

By Scott Mendelson

hollywoodnews.com: Listen people, we are not in a summer box office slump. No matter what “The New York Times” is trying to sell you, audiences have not deserted the multiplexes in favor of other entertainment options. Why has this summer been so middling thus far? Simple, with the exception of Iron Man 2 (which opened with $128 million and just crossed $300 million today or tomorrow), the really big guns haven’t been released yet. Besides, as occasionally is the case, studios were spoiled by the mega-movies that did uncommonly well over the winter and Spring. Aside from Avatar, which made about $400 million of its $749 million over 2010, we had the $332 million-grossing Alice in Wonderland, as well as the solid smash hits in How to Train Your Dragon and Clash of the Titans. As far as the summer season goes, just like the summers of my youth (1988-1995), the real peak season starts in mid-June, or this Friday to be exact. In other words, come this Friday, to quote the last true mid-June giant, “Now… the real game begins now.”

This summer was always going to live or die by what happens between June 18th and July 16th. The Karate Kid breaking out is a gift, an unexpected bonus for a June that should have been uber-quiet save for the mid-June monster that everyone else was running scared from (would YOU open your studio’s biggest movie a weekend before Toy Story 3?). The only real issue is that Iron Man 2 didn’t completely crush everything it is path like it was expected to, and Shrek: The Final Chapter under-opened just a bit. That left holes in the schedule that weren’t meant to be filled. Everything else was just as it looked on paper back in April. Did anyone expect Robin Hood to open to $50 million? Did anyone think that Sex and the City 2 would top the opening of the original, especially opening on a Thursday of family-friendly holiday? Prince of Persia: The Sands of Time was never going to be The Mummy let alone Pirates of the Caribbean: Curse of the Black Pearl. Regardless, these were the B-players for their respective studios. Warner, Disney, and the rest still have their 800 pound gorillas in reserve.

With the exception of Paramount, which unleashed its two big films right at the start (“Iron Man 2” and “Shrek: Forver Afte”r), the studios have been holding their respective aces for later in the season. Come July 19th, if Inception opens to under $40 million, if “Twilight Saga: Eclipse” has grossed under $200 million, if “Toy Story 3” has earned less than “Toy Story 2” ($242m), if “The Last Airbender” hasn’t pulled in $100 million (and/or scored overseas), if “The Karate Kid” has sputtered at $115 million, if “Grown Ups” grosses less than “Don’t Mess with the Zohan,” and “Knight and Day” ends up well below the usual Tom Cruise $25m opening/$105 million finish, then we can all panic. Until all or most of those things happen, cool it. On the other hand, if Inception really does blow our minds, if “Toy Story 3” makes us all weep like infants, if “The Twilight Saga: Eclipse” ups the quality-scale and comes close to or out-grosses “New Moon,” if “The Last Airbender” saves M. Night Shyamalan’s career (the man who wrote and directed “The Sixth Sense” is still in there… somewhere), if Grown Ups and Knight and Day play like normal hits for their respective stars, then we’ll all look pretty silly for panicking just a little over a month into a four-month ballgame.

To read more go to Mendelson’s Memos

About Scott Mendelson

Mendelson's Memos: The basics - 30 years old, married with one child, currently residing in Woodland Hills, CA. I am simply a longtime film critic and pundit of sorts, especially in the realm of box office. The main content will be film reviews, trailer reviews, essays, and box office analysis and comparison. I also syndicate myself at The Huffington Post and Open Salon. I will update as often as my schedule allows. Yes, I'm on Facebook/Twitter/LinkIn, so feel free to find me there. All comments are appreciated, just be civil and try to keep a level discourse, as I will make every effort to do the same. Read more at Mendelson's Memos:

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