September 19, 2015
        “Inside Out”: Looking at potential Best Animated Feature Contenders                "Black Mass" could get Johnny Depp back in the Oscar game                J.J. Abrams and Denis Villeneuve: Ten potential first time writer/director nominees for Oscar in 2015                Roger Deakins offers up some of his very best cinematography in "Sicario"                "The Martian" launches itself as an awards hopeful at the Toronto Film Festival                "Steve Jobs": Oscar predictions for September                "Sleeping with Other People" is one of the most charming films of 2015                Sandra Bullock looks like a contender in the Trailer for "Our Brand is Crisis"                Sam Smith will sing the theme song for the upcoming 007 film "Spectre"                Richard Gere is an under the radar Best Actor contender for "Time Out of Mind"                Telluride and Venice launch festival debuts into the Oscar race                “The Hateful Eight”: Looking at potential Best Original Screenplay Contenders                David O. Russell and Ridley Scott: Which filmmaking contenders this year are most due for their first win?                Telluride Announces 2015 Lineup - Steve Jobs, Black Mass, Suffragette                “Sicario”: Ten Films to see in September        

Leonardo DiCaprio’s ‘Inception’ is a movie you have to see twice

By Roger Friedman “Is it okay to like a film but not really understand it?”

That’s what someone asked yesterday after the afternoon screening of Chris Nolan’s “Inception.”

The answer is yes, of course. And “Inception” is a movie you will have to see at least twice. It’s “Memento” meets Kubrick, and not easy to navigate under the best of circumstances. But this much is clear: “Inception,” which evolves at one point into three simultaneous films, is gorgeous, provocative, and mesmerizing. Does it make sense? Hard to say. Is it fascinating to watch? Definitely. You will leave the theater totally captivate and throttled by it.

First of all, it’s a film with a lot of inside jokes. Here are a couple: in the first 20 minutes, which are really nuts, Leonardo DiCaprio’s Cobb propels out a window on a bungee cord and then repels up the side of the building. I am not sure whether this is intentional, but the whole sequence looks like it’s borrowed from the “Batman” TV series of the 1960s. Nolan, of course, directed the hit film, “Batman Begins.”

And: Marion Cotillard plays Leo’s dead wife in the movie. Cotillard also won an Oscar for playing Edith Piaf. In “Inception,” every time Joseph Gordon Levitt puts his Walkman or IPod on, it’s playing Piaf. Loudly.

The plot of “Inception” also involves something that looks like what Michael Jackson used to do with Propofol. Leo and co. knock people out with IV drugs, then explore their subconscious. It’s about dreams, and their layers.

“Avatar” looks like it was made with Crayolas compared to the oil painting going on in “Inception.” Talk about 3D–the characters in “Inception” are constantly diving three dreams deep into consciousness to untangle their problems.
Early reviews of “Inception” called it genius. Then the backlash started, with some weekly reviewers ready to pounce all over it. I have to say, during the first 20 minute sequence, “Inception” requires more attention than any other film of the last 20 years.

More even than “Memento,” Nolan’s masterwork. Like “Memento,” “Inception” is a puzzle, and needs time to ponder before solving. It gets so involved and complex that when Ellen Page asks DiCaprio for a plot recap–”Wait? Whose subconscious are going into?”–that the audience breaks out in a knowing laugh.

Award News, Breaking News, Entertainment News, Movie News, Music News, Hollywood News

To read more go to

About Roger Friedman

Roger Friedman began his column in April after 10 years with Fox News where he helped create Friedman’s prior experience on the Internet is with MSN’s Cinemania column. Friedman also wrote the Intelligencer column as a contributing editor at "New York Magazine," where he covered the O.J. Simpson criminal trial. In addition, Friedman has been involved in book publishing and filmmaking (Only the Strong Survive). For more about Roger go to

Follow us

Breaking Hollywood News   


One Comment

  • September 4, 2010 | Permalink |

    This film is just really really awesome!!!!!…..BEST MOVIE EVER…
    It aint just a film,u got to be IN to understand it!!!…even got a guy at the end of the movie asking what the end meaning…lol… i just love this movie!!

Leave a comment

You must be logged in to post a comment.