October 20, 2016
        "Manchester by the Sea" leads the Gotham Award nominations                Tom Ford, Marc Platt and Kenneth Lonergan to be Honored at 20th Annual Hollywood Film Awards                Tom Cruise is in his action hero comfort zone with "Jack Reacher: Never Go Back"                "Moonlight" could be A24's big Oscar horse this year                Ewan McGregor steps behind the camera with "American Pastoral"                Hollywood Contenders: A second crack at Golden Globe predictions for 2016                "The Accountant" seeks to help give Ben Affleck another blockbuster                85 countries will be competing for Best Foreign Language Feature nominations at the Oscars                Tom Hanks to receive Hollywood Actor Award for "Sully" @ Hollywood Film Awards                "Certain Women" showcases Laura Dern, Kristen Stewart, and Michelle Williams                Ben Affleck is perhaps Hollywood's biggest and most diverse superstar                "The Birth of a Nation" looks to survive controversy and contend for awards                "The Girl on the Train" hopes to transport Emily Blunt to the Oscar race                "The Jungle Book," "Zootopia" and Craft Artists to be Honored at the 20th Annual Hollywood Film Awards                Ben Affleck's "Live By Night" officially is a 2016 contender        

Exclusive “Let Me In” clip sinks its teeth into Internet

By Sean O’Connell
Hollywoodnews.com: We’re keeping a close eye on Matt Reeves’ “Let Me In,” a remake of Tomas Alfredson’s killer vampire flick that stars Kodi Smit-McPhee of “The Road” as a lonely young boy who befriends a young girl in his apartment complex (Chloe Moretz) and eventually learns her deadly secret.

The film will play Toronto next week before heading to Austin to hold court at Fantastic Fest. This morning, though, we have an exclusive clip from the film courtesy of the cleverly titled Web site Enter Under Penalty of Death.

Click here to view it.

Reeves certainly has his work cut out for him. The tremendous original, titled “Let the Right One In,” has a relatively strong cult audience. And it only came out in 2008, meaning it’s still very fresh in people’s mind, so comparisons – positive and negative – will be easy to make.

That being said, if Reeves can duplicate the mood of the first film, he has a chance to introduce a tender and terrifying story to a larger, American audience who don’t like reading subtitles.

“Let Me In” opens everywhere on Oct. 1.

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About Sean O'Connell

Sean O'Connell is a nationally recognized film critic. His reviews have been published in print ('The Washington Post,' 'USA Today') and online (AMC FilmCritic.com, MSN's Citysearch) since 1996. He's a weekly contributor to several national radio programs. He is a longstanding member of the Broadcast Film Critics Association (BFCA), the Online Film Critics Society (OFCS), and the Southeastern Film Critics View all articles by Sean O'Connell Association (SEFCA).

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One Comment

  • September 3, 2010 | Permalink |

    Well besides getting a corrupted and watered down story, to that of the original. There is this.

    “American audience who don’t like reading subtitles.”

    We shouldn’t promote or reward lazy.

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