Review: Round-Up: "At Eternity's Gate", "The Clovehitch Killer", "Jonathan", and "The Last Race"                "Green Book" is a crowd pleaser of the highest order and a definite Oscar contender                Steve McQueen and a phenomenal ensemble cast help make "Widows" look effortless                "The Ballad of Buster Scruggs" offers something for every type of Coen Brothers fan                Updated Academy Award predictions for early November                Review Round-Up: "Dr. Seuss' The Grinch", "El Angel" "The Long Dumb Road", and "Outlaw King"                Taking a look at potential Best Documentary Feature contenders                "The Front Runner" is a terrific and timely film for right around Election Day                Hollywood Film Awards Marked the Launch of Awards Season                Taking a first crack at Golden Globe predictions                “The Favourite” and “The Front Runner”: Films to see in November                Awkwafina to Host 22nd Hollywood Film Awards                Review Round-Up: "Bodied", "The Nutcracker and the Four Realms", and "The Other Side of the Wind"                Rosamund Pike is a force to be reckoned with in "A Private War"                Black Panther, Incredibles 2 to Receive Hollywood Film Awards        

Awards Season Roundup: Will Kidman’s ‘Rabbit Hole’ open in time to thrust her into the race?


By Sean O’Connell
Hollywoodnews.com: HollywoodNews.com’s Awards Season Roundup collects insights from around the Internet on films that are running in the Oscar race.

Sasha Stone takes a look at the Best Picture race, emphasizing the current buzz surrounding “The King’s Speech” and “127 Hours.”

Writing for Deadline, Pete Hammond wonders if films like “Rabbit Hole” or “The Conspirator,” which each might have awards potential in them, will be released in time to matter.

As we mentioned earlier, David Fincher’s “The Social Network” started collecting a handful of extremely positive reviews. The Wrap rounds most of them up for one lengthy post.

Meanwhile, Dave Karger draws comparisons between TIFF 2008 (which also had a lot of Oscar buzz for new movies by Aronofsky and Boyle) and TIFF 2010.

And the first reviews I read for David Schwimmer’s “Trust” were negative, but The Hollywood Reporter disagrees. Ray Bennett writes that “forceful performances” from Clive Owen and Catherine Keener “drive a well-balanced tale about dangers of online friendships.”

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