Alfonso Cuarón tells a deeply personal story with absolute precision in "Roma"                "Creed II" is an outstanding sequel and one of the year's best films                Strong showings for "Eighth Grade" and "You Were Never Really Here" highlight the Independent Spirit Award nominations                Review: Round-Up: "At Eternity's Gate", "The Clovehitch Killer", "Jonathan", and "The Last Race"                "Green Book" is a crowd pleaser of the highest order and a definite Oscar contender                Steve McQueen and a phenomenal ensemble cast help make "Widows" look effortless                "The Ballad of Buster Scruggs" offers something for every type of Coen Brothers fan                Updated Academy Award predictions for early November                Review Round-Up: "Dr. Seuss' The Grinch", "El Angel" "The Long Dumb Road", and "Outlaw King"                Taking a look at potential Best Documentary Feature contenders                "The Front Runner" is a terrific and timely film for right around Election Day                Hollywood Film Awards Marked the Launch of Awards Season                Taking a first crack at Golden Globe predictions                “The Favourite” and “The Front Runner”: Films to see in November                Awkwafina to Host 22nd Hollywood Film Awards        

Golden Globes Got Lots Right: But Not With Ricky Gervais

By Michael Russnow The Golden Globes awards show is reputed to be the most fun of all the industry events, because it mixes motion pictures and TV, focuses on glamour rather than technical categories and everyone is sitting at dinner tables, drinking and table hopping throughout the night.

The winners are often surprises, too, and many times, to my mind, get it right even when the organization differs from its more prestigious cousin, The Academy Awards. So, we won’t know if Christian Bale will beat Geoffrey Rush at the Oscars, nor Melissa Leo over Mila Kunis. But I hope these wonderful actors from The Fighter prevail.

Indeed, I was pleased with most of the victors, but where the Hollywood Foreign Press Association failed was in its decision to invite Ricky Gervais back to host the show broadcast last night on NBC. Last year I thought he was bad, and this year he was God awful.

From his opening monologue and lame jokes about The Tourist and tasteless barbs aimed at Cher and Hugh Hefner, it was clear the man who often gave us side-splitting moments as a presenter at past awards shows can’t seem to connect when he takes the helm of such a program.

I can’t figure it out, because I like raunchy humor and was delighted in past occasions when he came forth with zingers that were spot-on, but there’s something about hosting the show that makes him lose focus. It’s almost as if he’s trying too hard because he’s now the center of our attention, and it was clear by the audience’s reaction, which got more and more muted over the course of the evening, that his jokes were far from appreciated.

It even appeared the stage manager might have given him a signal to stop soon after a joke clearly aimed at Tom Cruise went literally nowhere, because he ended his routine much sooner than usually expected for the monologue. Look, Gervais is very clever, and it’s shocking that he’s descended to such a level two years in a row. I don’t know why, but until he’s back in form let’s hope the Hollywood Foreign Press Association finds someone who might combine pointed comedy along with a little dignity. Someone like Ellen Degeneres, who you might recall somehow managed to elicit hysterics from the Emmy audience even with a joke satirizing the perpetrators of the horrific 2001 events in New York and Washington only a month or so after the tragedy. She knew just how far to go and reaped peals of laughter.

I was also delighted when Katey Sagal won for Sons of Anarchy, a terrific drama in its fourth season on FX. Pity, they put her in the “cheap” seats on the second tier and it took forever for her to get to the stage.

Kudos also for Chris Colfer’s win for Fox’ Glee, and for his encouragement to kids confronted by mindless bullies.

But then we had to listen to Gervais again, this time putting down Robert Downey. Perhaps he thought it was funny juxtaposing the actor’s tragic experiences leading to the Betty Ford Clinic and prison. There might have been a way to do so, but Gervais faltered in his attempt. Contrast that with Downey’s clearly rehearsed routine wanting to sleep with the actresses who were nominated for Best Comedy. It was risque but hit the mark.

I was happy to see Robert De Niro get his lifetime achievement award, but after his initial remarks he, too, seemed to go on and on with what are by now standard put-downs of the members of the Hollywood Foreign Press Association. One or two jokes might have been fun, but he didn’t know when to stop and crossed the line — in particular as the organization had just gifted him with their highest honor.

Plus, a pet peeve is that writer nominees were not shown, but the directors were, as if people really know who David Fincher and Tom Hooper are, as opposed to Aaron Sorkin and David Seidler. This happens at the Emmys and Oscars, too, and it’s time the organizations gave parity. There are very few directors who are recognizable, such as Spielberg, Scorsese and the late Alfred Hitchcock, and, as there were no nominated directors whose faces are truly familiar to the public there was no reason to treat them like celebrities.

Another thing, strangely, was that True Grit wasn’t nominated for anything, and while it wasn’t my favorite film — The Fighter and Black Swan were — I was still surprised.

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  • January 17, 2011 | Permalink |

    I think Gervaise with rapier wit took an axe to the decades of accumulated mendacity that has been sticking to the whole Hollywood movie machine and gumming up the creative works until what comes out now, more often than not is molasses, something flaccid and faintly tasteless, that is a travesty of some of the great work of past decades. There is a reason that fewer and fewer people are watching Hollywood’s output and not buy into the self-absorbed PR gunk of so-called stars – and that is the quality of films nowadays is almost overwhelmingly atrocious and thoroughly corporate-driven with little regard for intelligence, risk-taking, honesty and creativity. Gervaise merely atriculated what millions have been suspecting for a long time. It was entirely predictabke that the status quo in the industry, who slavishly feed its ego and support its duplicity for their own puny needs, were to round on Gervaise. The irony is that his very iconclasm might actually spur renewed interest in the defunct awards program format. Way to go Ricky. Mr Russnow, it must suck to be a journalist for a Hollywood PR rag. I wonder if you secretly have dreams at night about writing interesting, truthful copy? Maybe not. That woudl be too honest.

  • January 17, 2011 | Permalink |

    Michael Russnow – ass kisser to the stars. Give me a break. He didn’t say anything that hasn’t been said on any late night talk show or stand up routine. Do we have to bow at the feet of these people while they accept awards given to them by them or, in this case, a dubious group of star f*cking half whits and their “journalistic” sycophants (yeah you) who cant take a joke.

  • January 17, 2011 | Permalink |

    Gervais was brilliant.

  • January 17, 2011 | Permalink |

    i like to joke about people. but i think people should draw a line when it comes to being funny and mean. i think that people in hollywood are really spoilt and rotten but gervais didnt do it with class. he sounded like a bully.

    robert downey was able to clean up his act so there’s no need to make fun of whatever he did when he was younger. tom cruise and travolta has always been decent (ahem, christian bale) and nice to fans and to people that they’ve worked with. i dont think these people deserve to be lambasted like that. yeah, in prints and blogs and on TV – but not in front of their peers.

    i used to like gervais, until he became another one of those attention seeking comedians. there’s just a lot them now. a dime a dozen.

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