"The Sisters Brothers" spins a unique Western yarn                "Colette" is another period piece showcase for Kiera Knightley                John C. Reilly looks like a late breaking Academy Award player in the Trailer for "Stan & Ollie"                Brie Larson saves the day in the First Trailer for "Captain Marvel"                The Toronto International Film Festival boosts "Green Book" with its Top Prize                Updated Academy Award predictions for early September                "White Boy Rick" is a compelling character study and period piece                Taking a look at potential Best Supporting Actress contenders                Shane Black gives "The Predator" his signature clever spin                Venice Film Festival award winners include "The Favourite" and "Roma"                Taking a look at potential Best Supporting Actor contenders                Watch out for Ben Foster in Best Supporting Actor for "Leave No Trace"                "The Favourite" releases a new Trailer to build off of its positive festival buzz                "All About Nina" and "Fahrenheit 11/9": Films to look forward to in September                Trailer for "The Front Runner" and Buzz from Telluride suggest another Oscar player for Jason Reitman        

Aaron Sorkin: 2011’s comeback kid


By Kim Palacios

hollywoodnews.com: News of a pilot order from HBO for a new series that chronicles the backstage drama at a cable news station is the latest signal that writer Aaron Sorkin is coming back into favor. The first this year were his Golden Globe win and Oscar nod for his work as the screenwriter for “The Social Network”.

Sorkin’s good news comes at the end of a three-year hiatus begun after what many see as the only failure of his career. His 2007 network television series, “Studio 60 on the Sunset Strip” was an epic and unexpected failure given Sorkin’s track record with shows such as “The West Wing” and “Sports Night”, and the film “A Few Good Men”.

So, how will Sorkin’s new series fare compared to the failed “Studio 60”? At this point it is too early to tell. The central theme—of exposing what happens off camera at a television station—sounds suspiciously similar to that of “Studio 60”, which dramatized the private lives of the cast and writers of a show similar to Saturday Night Live. However, most credit the failure of the 2007 series not to poor writing, but bad timing (specifically, competition from shows like “30 Rock”, which took a more mainstream approach than Sorkin to profiling the sketch comedy show). Fans of Sorkin will be looking for more of the sharp-tongued, quick-witted characters who made the writer famous, as well as memorable details that expose Sorkin’s knowledge of the inner workings of curious things.

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