Green Book, Viggo Mortensen, Mahershala Ali, Peter Farrelly to receive Honors at Hollywood Film Awards                Taking a look at potential Best Foreign Language Feature contenders                Can we learn anything about this year's Oscar race from the Gotham nominations?                "What They Had" finds welcome humor in a tragic setting                Glenn Close, Hugh Jackman and Director Damien Chazelle to Receive Hollywood Film Awards                Ben Foster continues a hot streak with “Galveston”                Paul Dano and Zoe Kazan have captured brilliance with "Wildlife"                Amandla Stenberg, John David Washington, Yalitza Aparicio, Felix Van Groeningen & Crazy Rich Asians To Receive Hollywood Film Awards                David Gordon Green puts his stamp on "Halloween" and crafts a terrific sequel                "Can You Ever Forgive Me?" deliciously pairs Richard E. Grant with Melissa McCarthy                "22 July" sees Paul Greengrass effectively depict another tragic historical event                Timothée Chalamet and Rachel Weisz to be Honored at Hollywood Film Awards                Steve Carell and Timothée Chalamet are gunning for awards with "Beautiful Boy"                "Bad Times At The El Royale" is overstuffed yet pulpy fun from Drew Goddard                87 films will contend for Best Foreign Language Feature this year        

Sundance Failures: “Ledge,” “Cedar Rapids,” “Salvation,” “Future”

By Roger Friedman I told you all about the really good films we saw at Sundance 11 –”The Details,” “The Devil’s Double,” “Higher Ground,” the Morgan Spurlock and Harry Belafonte docs, etc– and some of the even mildly interesting ones– “Martha Marcy Ray Marlene,” and so on. Here are a few of the failures, even those now bought for distribution.

Agonizing and disappointing is the only way to describe Miranda July’s “The Future.” Her “Me and You and Everyone We Know” was so much fun a few years ago. And “The Future” had promise galore. It’s narrated by a cat, so you know it’s eccentric. But it is a ghastly enterprise that has a little promise and goes nowhere. With July (real name Miranda Grossinger) and Hamish Linklater, it seems like the couple is cute and so is the premise. But there’s no there there. The movie also jumps the shark when Miranda’s character, for no reason, cheats on Hamish with a stranger. Just pfeh.

“The Ledge” was a mystery to me. Charlie Hunnam and Terrence Howard alternate storylines. The former wants to commit suicide. The latter was cuckolded by his wife. Enter Liv Tyler, who needs to pick better material. (She has so much potential, but no defined screen persona.) This film also has the worst lighting and production values. Yikes. None of it makes sense. I won’t give the ending away, but you will never see it either. This was a script either not thought through, or birthed in a haze of substances.

I could barely tolerate “Cedar Rapids,” a forthcoming Fox Searchlight film that seems like a branch of “The Office.” Fox Searchlight did pick up the very interesting “Another Earth” and “Homework,” two strong titles. They also debuted Tom McCarthy‘s “Win Win” which is a win win. You can’t have everything. As usual, Ed Helms from “The Office” is a naif. John C. Reilly is a lout. The whole thing looks and sounds like an airplane movie. Sigourney Weaver, I know it’s tough out there, but really this is not necessary. Anne Heche needs to do serious dramatic work in indies. I still believe in her.

Equally quease-making was Greg Kinnear in “The Convincer,” with Alan Arkin helping to make this “Little Miss Sunshine” reunion collapse. This is supposed to be a ‘sting’ kinda movie with a big reveal toward the end. It’s too late. Bad title, and weird plot line about a rare violin. I don’t want to see Greg Kinnear thinking up any more get rich quick schemes, okay? Bob Balaban was very good as the violin appraiser. Otherwise, “The Convincer” strikes a sour note.

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