Brie Larson saves the day in the First Trailer for "Captain Marvel"                The Toronto International Film Festival boosts "Green Book" with its Top Prize                Updated Academy Award predictions for early September                "White Boy Rick" is a compelling character study and period piece                Taking a look at potential Best Supporting Actress contenders                Shane Black gives "The Predator" his signature clever spin                Venice Film Festival award winners include "The Favourite" and "Roma"                Taking a look at potential Best Supporting Actor contenders                Watch out for Ben Foster in Best Supporting Actor for "Leave No Trace"                "The Favourite" releases a new Trailer to build off of its positive festival buzz                "All About Nina" and "Fahrenheit 11/9": Films to look forward to in September                Trailer for "The Front Runner" and Buzz from Telluride suggest another Oscar player for Jason Reitman                Taking a look at potential Best Actress contenders                "First Man" launches a New Trailer after a soaring debut at the Venice Film Festival                A late August update to Academy Award predictions        

“Moneyball,” “Drive” posters arrive online – AWARDS ALLEY

By Sean O’Connell Trailers may be guilty these days of giving away too much. One-sheets, however, serve one purpose: Alert casual audience members to the presence of a star.

Posters for fall film festival attendees “Moneyball” and “Drive” arrived online and they immediately call attention to each film’s chief selling point – Brad Pitt and Ryan Gosling, respectively.

Sure, if you look closer at the details of the sparse posters, you’ll notice Pitt, playing Oakland A’s general manager Billy Beane, is at a major league baseball field watching from the empty stands. The image conveys a sense of place, while also avoiding the traditional in-game baseball imagery, letting you know (subtly) that director Bennett Miller’s action largely takes place off the field.

Gosling, meanwhile, can be seen behind the wheel of his getaway car. Deep in thought, his character (named Driver) probably is contemplating who chose the pink “Risky Business” font for the poster’s title treatment.

Since Nicolas Winding Refn’s “Drive” hits theaters a few weeks before “Moneyball,” FilmDistrict also has released a bevy of stills to help promote the thriller, which also stars Carey Mulligan, Christina Hendricks, Bryan Cranston, Ron Perlman and Albert Brooks.

Will either film find a way into the awards season? Both have strong shots. “Drive” has been scooping up critical raves ever since its debut in Cannes, while “Moneyball” reads like a who’s who of awards veterans, from Miller (who directed “Capote”) to screenwriters Steve Zaillan and Aaron Sorkin. We’ll know more about Miller’s number-crunching baseball drama after it’s premiere in Toronto.

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