"The Sisters Brothers" spins a unique Western yarn                "Colette" is another period piece showcase for Kiera Knightley                John C. Reilly looks like a late breaking Academy Award player in the Trailer for "Stan & Ollie"                Brie Larson saves the day in the First Trailer for "Captain Marvel"                The Toronto International Film Festival boosts "Green Book" with its Top Prize                Updated Academy Award predictions for early September                "White Boy Rick" is a compelling character study and period piece                Taking a look at potential Best Supporting Actress contenders                Shane Black gives "The Predator" his signature clever spin                Venice Film Festival award winners include "The Favourite" and "Roma"                Taking a look at potential Best Supporting Actor contenders                Watch out for Ben Foster in Best Supporting Actor for "Leave No Trace"                "The Favourite" releases a new Trailer to build off of its positive festival buzz                "All About Nina" and "Fahrenheit 11/9": Films to look forward to in September                Trailer for "The Front Runner" and Buzz from Telluride suggest another Oscar player for Jason Reitman        

Lars von Trier really isn’t sorry for those Nazi comments

By Sean O’Connell
Hollywoodnews.com: I miss the days when we spent more time talking about the images Lars von Trier put up on the screen rather than the comments he makes in the post-screening press conference.

The “Melancholia” director put his foot in his mouth in Cannes earlier this year by stating he sympathized with Adolf Hitler and telling the press corps that he believed he was a Nazi. The mortified look on starlet Kirsten Dunst’s face as she sat beside her director said it all. The comments got Von Trier banned from Cannes … but he shows few signs of slowing down.

In an extensive interview with GQ, the Danish filmmaker clarifies his controversial statements with his best Popeye impersonation.

“I am what I am!,” Von Trier said. “I can’t be sorry for what I said — it’s against my nature, but that’s maybe where I’m really sick in my mind. You can’t be sorry about something that’s fundamentally you. Maybe I’m a freak in that sense.”

Possibly. Or maybe Von Trier, who stays off the radar in between films, just hopes to keep generating buzz for his somber drama, which played the Toronto International Film Festival recently and left with very little buzz.

As for the apology issued post-Nazi comments, Von Trier says he really didn’t mean it.

“To say I’m sorry for what I said is to say I’m sorry for what kind of a person I am, [and that] I’m sorry for my morals, and that would destroy me as a person,” he tells GQ.

“It’s not true. I’m not sorry. I am not sorry for what I said. I’m sorry that it didn’t come out more clearly. I’m not sorry that I made a joke. But I’m sorry that I didn’t make it clear that it was a joke.”

Last we heard, “Melancholia” will be available via Video-On-Demand on Oct. 7, with a theatrical release to follow on Nov. 11.

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