October 28, 2016
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Jean Dujardin speaks! Oscar contender talks silent films, pleasing the audience, and “The Artist” – AWARDS ALLEY

By Sean O’Connell
Hollywoodnews.com: Sometimes they do make them like they used to.

I fell head over heels for Michel Hazanavicius’s “The Artist” at the Toronto International Film Festival. A loving homage to Hollywood’s Golden Age, this black-and-white, silent film follows fading star George Vantin (Jean Dujardin), who sees his cushy lifestyle threatened by the advent of talking pictures.

Dujardin positively delights as the extroverted performer using every other tool in his acting arsenal to convey a wealth of emotions. It was my pleasure to sit down and speak with him about “The Artist,” his working relationship with Hazanavicius, and what he considers “the best prize” of all. Here’s Jean Dujardin:

HollywoodNews.com: “The Artist” continues to win Audience Awards at multiple festivals. Does that hold an additional significance for you, because you’ve made such a crowd-pleasing film?

Jean Dujardin: It’s the best prize around. We make movies for audiences, and we want to entertain them, so yes, that is the best prize. Especially, with this, being a silent, black-and-white movie, it shows that they want to see a movie like this.

HollywoodNews.com: Speaking of silent films, was there a point where you finally became so comfortable with the approach that you no longer missed your voice or the ability to communicate through it in a scene?

No, I never missed it. I never missed the words. There were only advantages to not having them. I would continue only doing silent films, if they’d let me. When you read a script, you imagine the music and create the image in your head for the movie. But on the set, it’s much more dry. You never retrieve that dream that you projected in your mind while you are reading the script. In this case, we were living the film while we dreamt it. We had live music on the set. For the imagination, it was just fantastic. It was carried by the extras, by the Hollywood décor, and the music. I really thought I was George Valentin for a few months. [Laughs]

HollywoodNews.com: Mr. Hazanavicius told me that the AFI Fest screening at the Grauman’s Chinese Theater meant something more to him because of that venue’s ties to Golden Age Hollywood.

Yes, it was like coming home. We shot it herein Los Angeles last year, and it really did feel like bringing it back home.

HollywoodNews.com: How has he grown as a director from the “OSS” films to now?

He’s more assured. He affirms what he wants to accomplish on set as a director more now. He’s just as calm as he was back then, though. He knows exactly what he wants, and he does everything necessary to get what he wants from us.

HollywoodNews.com: What can you tell me about “The Players,” the film you two are working on next?

Ah, it’s actually a film that has been shot and edited already. It will come out in February. There are seven short films directed by seven different directors about masculinity and fidelity.

BELOW JEAN DUJARDIN GETTING HIS “HOLLYWOOD SPOTLIGHT AWARD” at the Hollywood Awards(r) Gala ceremony last October 24, 2011.

For more “Artist” coverage, please read:

– Our interview with Michel Hazanavicius.
– Our interview with Berenice Bejo.

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About Sean O'Connell

Sean O'Connell is a nationally recognized film critic. His reviews have been published in print ('The Washington Post,' 'USA Today') and online (AMC FilmCritic.com, MSN's Citysearch) since 1996. He's a weekly contributor to several national radio programs. He is a longstanding member of the Broadcast Film Critics Association (BFCA), the Online Film Critics Society (OFCS), and the Southeastern Film Critics View all articles by Sean O'Connell Association (SEFCA).

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