"The Sisters Brothers" spins a unique Western yarn                "Colette" is another period piece showcase for Kiera Knightley                John C. Reilly looks like a late breaking Academy Award player in the Trailer for "Stan & Ollie"                Brie Larson saves the day in the First Trailer for "Captain Marvel"                The Toronto International Film Festival boosts "Green Book" with its Top Prize                Updated Academy Award predictions for early September                "White Boy Rick" is a compelling character study and period piece                Taking a look at potential Best Supporting Actress contenders                Shane Black gives "The Predator" his signature clever spin                Venice Film Festival award winners include "The Favourite" and "Roma"                Taking a look at potential Best Supporting Actor contenders                Watch out for Ben Foster in Best Supporting Actor for "Leave No Trace"                "The Favourite" releases a new Trailer to build off of its positive festival buzz                "All About Nina" and "Fahrenheit 11/9": Films to look forward to in September                Trailer for "The Front Runner" and Buzz from Telluride suggest another Oscar player for Jason Reitman        

Oscar voters “profoundly confused” by new ballots


By Sean O’Connell
hollywoodnews.com: When the Academy shifted its rules regarding the Best Picture race – making it a more fluid process while eliminating the minimum number of films that might make it into the competition – those tracking the annual Oscar marathon predicted confusion once the ballots were in voters’ hands.

As such, THR Oscarologist Scott Feinberg now says that Academy members he’s hearing from are “profoundly confused by the new voting system,” which asks them to pick only five films for Best Picture, even though there could end up being as many as 10 (or as few as five) nominated.

“The reason that voters are only being asked to name five films instead of 10 is that the current ‘preferential’ voting system rewards films that appear highly on the most ballots, not films that merely appear somewhere on the most ballots,” Feinberg explains in his piece. “In other words, it seeks to identify films that many people love, not that most people like.”

This, as I’ve always feared, will cost a film that voters might like, but not enough to put it high on their ballot. A film will have to be universally supported to get into the as-yet-undetermined number of Best Picture slots.

“On most ballots, the number one movie carries the real weight, although second and third choices could well come into play. Fourth and fifth choices will play a much more minimal role in the selection process,” fellow THR reporter Gregg Kilday wrote.

Hopefully there won’t be a deserving film sitting on the outside of the Oscar race looking in. Will this new system introduce the “twist” the Academy desires, or cost a film that many like but might not love as strongly as they need to in order to get it into the competition?

Awards Alley brings you the best Oscar coverage. Click below to read our exclusive interviews with:
Harvey Weinstein
– The cast of “The Artist.”
Kenneth Branagh for “My Week With Marilyn.”
Sir Ben Kingsley and Chloe Grace Moretz for “Hugo.”
Tilda Swinton for “We Need to Talk About Kevin.”
David Fincher, Daniel Craig and Rooney Mara on “The Girl With the Dragon Tattoo.”
Viola Davis and Octavia Spencer for “The Help.”
Tate Taylor for “The Help.”
Gavin O’Connor for “Warrior.”
Gary Oldman and Colin Firth for “Tinker, Tailor, Soldier, Spy.”
Charlize Theron, Patton Oswalt, Jason Reitman and Diablo Cody for “Young Adult.”
Steve McQueen for “Shame.”
Glenn Close for “Albert Nobbs.”
Seth Rogen and Will Reiser for “50/50.”

For complete Oscar and Film Festival coverage, visit our Awards Alley for the latest news items, reviews and interviews all season long.

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