December 04, 2016

Tom Cruise’s biggest global hit ever – Mission: Impossible – Ghost Protocol

By Scott Mendelson

HollywoodNews.com: As of yesterday, Mission: Impossible – Ghost Protocol has earned $594 million worldwide, meaning that it has surpassed the $591 million earned in 2005 by War of the Worlds to become the biggest worldwide grosser in Tom Cruise’s career. Domestically, the film sits at $203 million, or behind the $215 million grossing Mission: Impossible II and the $234 million-grossing War of the Worlds. On the domestic front, it’s still ninth in terms of inflation, but the Tom Cruise films of the 1980s and 1990s didn’t have to deal with losing 1,600 screens in two weeks despite strong legs. It is beyond unfortunate that even a film as ‘leggy’ as Mission: Impossible IV has to contend with arbitrarily losing screens due to the 2-5 new releases that drop each and every weekend. The jam-packed schedule of mainstream movie releases, as well as the absence of a viable second-run market, has kneecapped any number of films over the last 5-10 years and resulted in screen-bleed and depressed total grosses even if the films didn’t exhibit the usual ‘quick-kill blockbuster’ behavior.

But, if I may be a bit more positive, we have a film that has grossed $200 million in the US from an $12.7 million opening weekend. There are just a handful of movies that have posted lower wide or even semi-wide opening weekends which still ended up with $200 million on their initial release in record history, and it’s pretty prestigious company. They are Jaws ($7 million semi-wide release opening weekend), The Empire Strikes Back ($10.8 million wide release opening), Raiders of the Lost Ark ($8.3 million), Back to the Future ($11.1 million), Ghost ($12.1 million), and My Big Fat Greek Wedding (wide release opening – $3 million). Heck, if you don’t want to count the IMAX sneak preview as the film’s opening, you still have a mere $29 million Fri-Sun debut, the kind of figure that, even in the holiday season, often isn’t enough to get a film to $150 million, let alone $200 million. This is an uncommon feat in a front-loaded era, and a real win for all parties, and a divisive strike for the idea that opening weekends don’t need to be the be all/end all of domestic box office.

To read more go to Mendelson’s Memo

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About Scott Mendelson

Mendelson's Memos: The basics - 30 years old, married with one child, currently residing in Woodland Hills, CA. I am simply a longtime film critic and pundit of sorts, especially in the realm of box office. The main content will be film reviews, trailer reviews, essays, and box office analysis and comparison. I also syndicate myself at The Huffington Post and Open Salon. I will update as often as my schedule allows. Yes, I'm on Facebook/Twitter/LinkIn, so feel free to find me there. All comments are appreciated, just be civil and try to keep a level discourse, as I will make every effort to do the same. Read more at Mendelson's Memos:

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