Strong showings for "Eighth Grade" and "You Were Never Really Here" highlight the Independent Spirit Award nominations                Review: Round-Up: "At Eternity's Gate", "The Clovehitch Killer", "Jonathan", and "The Last Race"                "Green Book" is a crowd pleaser of the highest order and a definite Oscar contender                Steve McQueen and a phenomenal ensemble cast help make "Widows" look effortless                "The Ballad of Buster Scruggs" offers something for every type of Coen Brothers fan                Updated Academy Award predictions for early November                Review Round-Up: "Dr. Seuss' The Grinch", "El Angel" "The Long Dumb Road", and "Outlaw King"                Taking a look at potential Best Documentary Feature contenders                "The Front Runner" is a terrific and timely film for right around Election Day                Hollywood Film Awards Marked the Launch of Awards Season                Taking a first crack at Golden Globe predictions                “The Favourite” and “The Front Runner”: Films to see in November                Awkwafina to Host 22nd Hollywood Film Awards                Review Round-Up: "Bodied", "The Nutcracker and the Four Realms", and "The Other Side of the Wind"                Rosamund Pike is a force to be reckoned with in "A Private War"        

Dreamworks Animation: Quality and Variety

HollywoodNews.com: As the initial reviews for Pixar’s Brave roll in (again, I’m waiting till opening day to take the kid), it’s clear that the film is both pretty solid and somewhat disappointing considering the uber-high standards that Pixar has set for itself. I personally think it’s almost dangerous to go into a Pixar film expecting each one to be as good as Up, but I digress. One of the running themes of said reviews is that the film is merely ‘Dreamworks good’.

If you think that’s supposed to be an insult, it is. The meme for the last decade or so is that Dreamworks is not just inferior to Pixar (probably true over all), but a genuinely mediocre producer of mass-market animated films that constantly engages in some of the worst practices of mainstream animation. But as we examine the last fourteen years of Dreamworks Animation, it becomes clear that their reputation is somewhat unfair, akin to judging Pixar based on Cars.

Dreamworks Animation may not have the sheer number of masterpieces as Pixar, but their 24 animated features (double Pixar’s output) show a remarkable range of both quality and variety. They truly are more than just the worst parts of Shrek the Third and the best parts of How to Train Your Dragon.

To read more go to Mendelson’s Memos

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