"Colette" is another period piece showcase for Kiera Knightley                John C. Reilly looks like a late breaking Academy Award player in the Trailer for "Stan & Ollie"                Brie Larson saves the day in the First Trailer for "Captain Marvel"                The Toronto International Film Festival boosts "Green Book" with its Top Prize                Updated Academy Award predictions for early September                "White Boy Rick" is a compelling character study and period piece                Taking a look at potential Best Supporting Actress contenders                Shane Black gives "The Predator" his signature clever spin                Venice Film Festival award winners include "The Favourite" and "Roma"                Taking a look at potential Best Supporting Actor contenders                Watch out for Ben Foster in Best Supporting Actor for "Leave No Trace"                "The Favourite" releases a new Trailer to build off of its positive festival buzz                "All About Nina" and "Fahrenheit 11/9": Films to look forward to in September                Trailer for "The Front Runner" and Buzz from Telluride suggest another Oscar player for Jason Reitman                Taking a look at potential Best Actress contenders        

Dreamworks Animation: Quality and Variety

HollywoodNews.com: As the initial reviews for Pixar’s Brave roll in (again, I’m waiting till opening day to take the kid), it’s clear that the film is both pretty solid and somewhat disappointing considering the uber-high standards that Pixar has set for itself. I personally think it’s almost dangerous to go into a Pixar film expecting each one to be as good as Up, but I digress. One of the running themes of said reviews is that the film is merely ‘Dreamworks good’.

If you think that’s supposed to be an insult, it is. The meme for the last decade or so is that Dreamworks is not just inferior to Pixar (probably true over all), but a genuinely mediocre producer of mass-market animated films that constantly engages in some of the worst practices of mainstream animation. But as we examine the last fourteen years of Dreamworks Animation, it becomes clear that their reputation is somewhat unfair, akin to judging Pixar based on Cars.

Dreamworks Animation may not have the sheer number of masterpieces as Pixar, but their 24 animated features (double Pixar’s output) show a remarkable range of both quality and variety. They truly are more than just the worst parts of Shrek the Third and the best parts of How to Train Your Dragon.

To read more go to Mendelson’s Memos

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