Glenn Close, Hugh Jackman and Director Damien Chazelle to Receive Hollywood Film Awards                Ben Foster continues a hot streak with “Galveston”                Paul Dano and Zoe Kazan have captured brilliance with "Wildlife"                Amandla Stenberg, John David Washington, Yalitza Aparicio, Felix Van Groeningen & Crazy Rich Asians To Receive Hollywood Film Awards                David Gordon Green puts his stamp on "Halloween" and crafts a terrific sequel                "Can You Ever Forgive Me?" deliciously pairs Richard E. Grant with Melissa McCarthy                "22 July" sees Paul Greengrass effectively depict another tragic historical event                Timothée Chalamet and Rachel Weisz to be Honored at Hollywood Film Awards                Steve Carell and Timothée Chalamet are gunning for awards with "Beautiful Boy"                "Bad Times At The El Royale" is overstuffed yet pulpy fun from Drew Goddard                87 films will contend for Best Foreign Language Feature this year                "First Man" is another stunning achievement for Damien Chazelle and Ryan Gosling                Updated Academy Award predictions for early October                Bradley Cooper makes a stunning directorial debut with the Oscar frontrunner "A Star Is Born"                Trailer for 'Vice' reveals Adam McKay's biopic of Dick Cheney        

Rebooting the Spider-Man franchise

HollywoodNews.com: It’s no secret that I have had major issues with the very idea of quickly rebooting the Spider-Man franchise. If the film was a smash, I have argued, then studios would basically spend the next few decades merely rebooting the same dozen franchises over and over again.

Well, the Marc Webb-helmed reboot is here, and it fails in fundamental ways despite not being an outright terrible film. It fails by both not being different enough from Sam Raimi’s Spider-Man and not being better than Sam Raimi’s Spider-Man. While it is preferred to view (and review) films in a vacuum, the circumstances in this case not only prevent that but discourage it. At its core, it is an unofficial loose remake of a prior film being sold as an ‘untold story’ while the studio attempts to sell used goods as a new product. It is astonishingly cynical gambit and the idea behind its construction turn what is by-itself a moderately entertaining superhero origin story into something downright insidious.

To read more go to Mendelson’s Memos
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