"Colette" is another period piece showcase for Kiera Knightley                John C. Reilly looks like a late breaking Academy Award player in the Trailer for "Stan & Ollie"                Brie Larson saves the day in the First Trailer for "Captain Marvel"                The Toronto International Film Festival boosts "Green Book" with its Top Prize                Updated Academy Award predictions for early September                "White Boy Rick" is a compelling character study and period piece                Taking a look at potential Best Supporting Actress contenders                Shane Black gives "The Predator" his signature clever spin                Venice Film Festival award winners include "The Favourite" and "Roma"                Taking a look at potential Best Supporting Actor contenders                Watch out for Ben Foster in Best Supporting Actor for "Leave No Trace"                "The Favourite" releases a new Trailer to build off of its positive festival buzz                "All About Nina" and "Fahrenheit 11/9": Films to look forward to in September                Trailer for "The Front Runner" and Buzz from Telluride suggest another Oscar player for Jason Reitman                Taking a look at potential Best Actress contenders        

Baz Luhrmann’s “The Great Gatsby” exits the Oscar race – ANALYSIS


By Sean O’Connell
Hollywoodnews.com: Once the awards season gets underway (which annually happens right around this time), we spend a decent amount of our time separating the titles with Oscar potential from the titles with simple Oscar hopes. Usually, this requires a screening of the film, we can judge its awards potential on merit. But every once in a while, a studio makes the decision for us by removing a particular movie out of the Oscar heat, for various reasons.

That appears to be what has happened with Baz Luhrmann’s “The Great Gatsby,” which officially moved its release date from the Oscar-friendly Dec. 25 to an undisclosed date in Summer 2013, according to a Warner Bros. release.

“Based on what we’ve seen, Baz Luhrmann’s incredible work is all we anticipated and so much more. It truly brings Fitzgerald’s American classic to life in a completely immersive, visually stunning and exciting way. We think moviegoers of all ages are going to embrace it, and it makes sense to ensure this unique film reaches the largest audience possible,” said Dan Fellman, President of Domestic Distribution for Warner Bros. Pictures.

In one sense, “Gatsby” is getting away from some very stiff competition. Quentin Tarantino’s “Django Unchained” and Seth Rogen’s “The Guilt Trip” were set to open on that day. They also are arriving in theaters one week after Paramount’s “Jack Reacher” (with Tom Cruise), Judd Apatow’s “This is 40,” and Kathryn Bigelow’s untitled Hunt for Osama Bin Laden thriller.

“Gatsby” also would be competing for Oscar eyeballs against “Les Miserables” (Dec. 14), Peter Jackson’s “The Hobbit” (Dec. 14), and Focus Features’ “Hyde Park on the Hudson” (in limited release on Dec. 7).

So “Gatsby” is out of this year’s Oscar race, where a colleague and I recently argued it would compete for technical nominations, at the very least, and the big prizes – Picture, Director, Actor and so on – if it connected on all levels.

And the race rolls on.

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