The Perks of Being a Wallflower explodes at the Box Office
Hollywoodnews.com: It wasn’t so much a ‘something for everyone’ weekend as it was ‘multiple things for the same general audience’ as four wide releases aimed at thrill-hungry moviegoers and/or adults debuted on the same day, creating a clear case of mutually assured destruction. The top three movies are basically tied, but as always rank is irrelevant next to the actual hard numbers (why rank doesn’t matter).
For the moment, the top debut of the weekend may be End of Watch, a ‘found footage’-style LA cop drama, parlayed strong reviews into a solid $13 million opening, which is the second-biggest debut for Open Roads outside of The Grey ($20 million) back in January. The $7 million film (purchased for $2 million) had a marketing and distribution cost of around $20 million, so even a $40 million final total will get this film in the black before home video. It also proves that Jake Gyllenhaal is a decent mid-range opener. He’s useful when the film you’re selling doesn’t cost $200 million ala Prince of Persia. End of Watch is yet another installment in writer David Ayers’s ‘two volatile men in a car’ sub-genre, which includes the likes of The Fast and the Furious, Training Day and Harsh Times (an underrated Christian Bale vehicle which he also directed). He wrote but did not direct the the LA Riots-set cop melodrama Dark Blue while directing but not writing the frankly mediocre Keanu Reeves cop melodrama Street Kings. Among films he directed, End of Watch should easily top the $26 million gross of Street Kings while it will be fifth (out of seven) if it can merely surpass the $9 million gross of Kurt Russell’s Dark Blue. Fourth place is the $76 million-grossing Training Day, which is too far a bridge to cross at this point.
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