"The Sisters Brothers" spins a unique Western yarn                "Colette" is another period piece showcase for Kiera Knightley                John C. Reilly looks like a late breaking Academy Award player in the Trailer for "Stan & Ollie"                Brie Larson saves the day in the First Trailer for "Captain Marvel"                The Toronto International Film Festival boosts "Green Book" with its Top Prize                Updated Academy Award predictions for early September                "White Boy Rick" is a compelling character study and period piece                Taking a look at potential Best Supporting Actress contenders                Shane Black gives "The Predator" his signature clever spin                Venice Film Festival award winners include "The Favourite" and "Roma"                Taking a look at potential Best Supporting Actor contenders                Watch out for Ben Foster in Best Supporting Actor for "Leave No Trace"                "The Favourite" releases a new Trailer to build off of its positive festival buzz                "All About Nina" and "Fahrenheit 11/9": Films to look forward to in September                Trailer for "The Front Runner" and Buzz from Telluride suggest another Oscar player for Jason Reitman        

On the Road (***) Film Review

After what feels like just about an eternity, I finally saw ‘On the Road’ back in early October at one of the first screenings post Toronto. This is a film that’s been on the verge of release so long it’s almost become an annual joke between Clayton and myself about including it in predictions at the start of each season. Well, this is the year that we can finally talk about the adaptation of Jack Kerouac’s legendary book and where it stands in the Oscar race. The verdict on the awards front is that it’s a long shot at best in most categories.

Aside from that though, this is a pretty good, if difficult, road trip drama with some notably strong acting from Garret Hedlund and Kristen Stewart especially. Sam Riley is very solid too, but those first two really shine. Walter Salles has shot an absolutely beautiful movie and along with scribe Jose Rivera has captured the words of Kerouac about as well as one could have hoped for (by using the original scroll, actually), even dating back to the days of Francis Ford Coppola seeking to adapt the seminal novel.

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About Joey Magidson

A graduate of Stony Brook University (where he studied Cinema and Cultural Studies), resides in Brooklyn, New York. He also contributes to several other film-related websites.

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