"Can You Ever Forgive Me?" deliciously pairs Richard E. Grant with Melissa McCarthy                "22 July" sees Paul Greengrass effectively depict another tragic historical event                Timothée Chalamet and Rachel Weisz to be Honored at Hollywood Film Awards                Steve Carell and Timothée Chalamet are gunning for awards with "Beautiful Boy"                "Bad Times At The El Royale" is overstuffed yet pulpy fun from Drew Goddard                87 films will contend for Best Foreign Language Feature this year                "First Man" is another stunning achievement for Damien Chazelle and Ryan Gosling                Updated Academy Award predictions for early October                Bradley Cooper makes a stunning directorial debut with the Oscar frontrunner "A Star Is Born"                Trailer for 'Vice' reveals Adam McKay's biopic of Dick Cheney                Taking a look at potential Best Original Screenplay contenders                Nicole Kidman to Receive Hollywood Film Award                “First Man” and “A Star Is Born”: Films to see in October                Taking a look at potential Best Adapted Screenplay contenders                Could we be seeing a rematch of Damien Chazelle vs Barry Jenkins this year?        

‘Die Hard 5’ tops weekend box office

Thanks to an unexpectedly strong second-weekend showing of Identity Thief, there’s going to be a lot of wrangling about rank this weekend.

But as you know, I don’t care about rank, so let’s just get into the numbers. The biggest opener of the weekend was the stunningly terrible A Good Day To Die Hard, which earned an estimated $25 million for the Fri-Sun weekend, $31 million over the four-day Presidents’ Day holiday, and a projected $36 million since opening on Thursday the 14th.

This was the first Die Hard film to open outside of summer, and it’s arguable that Fox knew full-well that it had a turkey on its hands.

There were no press screenings until the last minute and Fox didn’t even bother to attach a teaser to The Wolverine to prints this weekend, which seemed like a no-brainer save for the danger of being associated with just a stunningly bad film. Nonetheless, the brand is still somewhat strong, although it’s obviously waning.

To read more go to Mendelson’s Memos

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