February 25, 2017
        Final Predictions for the Academy Awards                Just how many Oscars can "La La Land" potentially win?                "Get Out" is a very promising filmmaking debut for Jordan Peele                Film Independent Spirit Award predictions                WGA winners include "Arrival" and "Moonlight"                Penultimate Oscar predictions                2016 films that will stand the test of time                "A Cure for Wellness" is a beautiful looking and haunting mess                Potential upsets to consider for Oscar night                BAFTA spreads the love with its awards                Updated Oscar predictions as February rolls along                "The LEGO Batman Movie" is a surprising delight                VES Awards are dominated by "The Jungle Book"                Where does the race for Best Picture stand?                The Directors Guild of America rewards Damien Chazelle for "La La Land"        

Underestimating the box office potential of films featuring actors of color – ‘The Call’ Halle Berry

There is an amusing phenomenon, going back at least as long as I can remember, to underestimate the box office potential of films featuring actors of color. We don’t see it coming, we’re shocked when it happens, and then studios don’t actually factor this new information into their production slate.

Anyway, The Call was the top new release of the weekend, earning $17.2 million. Yes the film played strongly among African Americans, at least partially because the movie bothered to feature a few (Halle Berry and Morris Chestnut among many others) in more than just token roles. Tracking this debut compared to Berry’s previous efforts is tough because she has had co-starring roles in stuff like Die Another Day ($47 million debut), The Flintstones ($29 million), and the X-Men trilogy ($54m, $85m, and $102m).

In terms of starring vehicles, this is bigger than the likes of Catwoman ($16 million), and A Perfect Stranger ($11 million), but below Gothica ($19 million). The marketing smartly highlighted that it was a film about one woman rescuing another woman from peril, with no clear male lead. It played 61% female and 53% over-30. The picture cost just WWE just $13 million before selling the rights to Sony and earned a B+ from Cinemascore, so it may just have legs. Even if its appeal is about “black audiences have nothing for them right now”, Warner Bros’ Jackie Robinson biopic 42 doesn’t open until April 12th.

To read more go to Mendelson’s Memos

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About Scott Mendelson

Mendelson's Memos: The basics - 30 years old, married with one child, currently residing in Woodland Hills, CA. I am simply a longtime film critic and pundit of sorts, especially in the realm of box office. The main content will be film reviews, trailer reviews, essays, and box office analysis and comparison. I also syndicate myself at The Huffington Post and Open Salon. I will update as often as my schedule allows. Yes, I'm on Facebook/Twitter/LinkIn, so feel free to find me there. All comments are appreciated, just be civil and try to keep a level discourse, as I will make every effort to do the same. Read more at Mendelson's Memos:

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