"What They Had" finds welcome humor in a tragic setting                Glenn Close, Hugh Jackman and Director Damien Chazelle to Receive Hollywood Film Awards                Ben Foster continues a hot streak with “Galveston”                Paul Dano and Zoe Kazan have captured brilliance with "Wildlife"                Amandla Stenberg, John David Washington, Yalitza Aparicio, Felix Van Groeningen & Crazy Rich Asians To Receive Hollywood Film Awards                David Gordon Green puts his stamp on "Halloween" and crafts a terrific sequel                "Can You Ever Forgive Me?" deliciously pairs Richard E. Grant with Melissa McCarthy                "22 July" sees Paul Greengrass effectively depict another tragic historical event                Timothée Chalamet and Rachel Weisz to be Honored at Hollywood Film Awards                Steve Carell and Timothée Chalamet are gunning for awards with "Beautiful Boy"                "Bad Times At The El Royale" is overstuffed yet pulpy fun from Drew Goddard                87 films will contend for Best Foreign Language Feature this year                "First Man" is another stunning achievement for Damien Chazelle and Ryan Gosling                Updated Academy Award predictions for early October                Bradley Cooper makes a stunning directorial debut with the Oscar frontrunner "A Star Is Born"        

Bradley Cooper makes a stunning directorial debut with the Oscar frontrunner “A Star Is Born”


I’ll admit to rolling my eyes initially when it was announced that Bradley Cooper would be making his directorial debut by helming the latest incarnation of A Star Is Born. Initially pegged to just star when Clint Eastwood wanted to make it, this seemed like an odd choice. Frankly, I’d been more eager to see him adapted Honeymoon with Harry, a book he’d been looking to make into his debut feature previously. However, this is what he chose, opting to star alongside Lady Gaga. Up until the buzz started, I’d been dismissive. The Trailer turned me around, but it wasn’t until last night that I finally understood how wrong I was. Shame on me. This week, it opens and you’ll see why I’m kicking myself for doubting it. This is the best film of the year.

The movie is of course a remake. In fact, it’s the fourth version of the story. Warner Brothers describes this new take on it as such: “Seasoned musician Jackson Maine (Bradley Cooper) discovers-and falls in love with-struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer – until Jack coaxes her into the spotlight. But even as Ally’s career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.” Jackson is slowly heading into the twilight of his career when he meets Ally, an immediate love fueling him even more than the alcohol and drugs. Ally loves Jackson, and vice versa, but she slowly comes to see his demons, something his brother/manager Bobby (Sam Elliott) has been trying to get him to acknowledge. In broad strokes, this follows the same path as previous versions of the film, but with a perfect sense of pacing. Cooper directs and co-writes with Will Fetters and Eric Roth, in addition to starring opposite Gaga. Besides Elliott, the supporting cast includes Dave Chappelle, Andrew Dice Clay, Rafi Gavron, Michael Harney, D.J. ‘Shangela’ Pierce, Anthony Ramos, and more. Matthew Libatique provides the outstanding cinematography, while Cooper and Gaga also co-wrote some of the original songs.


This is a stunning achievement by Cooper and company. Cooper, Elliott, and Gaga give three of the best performances of the year, with each deserving heavy Academy Award consideration. Cooper and Gaga also will be in the race to take home an Oscar for writing songs (Gaga is the frontrunner for Shallow), while the former’s direction is one of the most impressive debuts ever. It’s gem from start to finish. The way he looks at her will make you swoon, the songs are brilliant, and the filmmaking is tremendous. This is, perhaps to your surprise, a masterpiece, and the best version fo A Star Is Born yet.

The Academy is going to fall in love with A Star Is Born, mark my words. Right now, it’s the frontrunner in a number of categories, as well as to lead the overall nomination totals. Warner Brothers should have hearty campaigns in Best Picture, Best Director (for Cooper), Best Actor (also for Cooper), Best Actress (for Gaga), Best Supporting Actor (for Elliott), Best Adapted Screenplay (for Cooper, Fetters, and Roth), Best Production Design, Best Cinematography, Best Costume Design, Best Film Editing, Best Makeup & Hairstyling, Best Sound Editing, Best Sound Mixing, and Best Original Song (times two). A dozen nominations would not be out of the question at all. Hell, right now, it’s the odds on favorite to win Best Picture.

Starting later tonight, audiences will flock to see A Star Is Born, and rightly so. The crowning achievement of 2018, seeing is believing. At just over two hours and 15 minutes, it’s a long film, but you’ll never notice. I’m still reeling from the emotion of the movie. Critical acclaim, box office success, and a whole host of awards will be coming this one’s way. When you see it, you’ll understand. The power of this flick is undeniable. From the soundtrack to the acting, it all works in a big way. This is a must see. Make it your business to see it immediately. You’ll be so glad that you did…


Be sure to check out A Star Is Born, opening in theaters this weekend!

About Joey Magidson

A graduate of Stony Brook University (where he studied Cinema and Cultural Studies), resides in Brooklyn, New York. He also contributes to several other film-related websites.

Follow us

Breaking Hollywood News   


UPDATES BY EMAIL

Comments are closed.