July 11, 2015

Tag Archives: academy award

SNOWDEN starring Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto

The TEASER TRAILER for Open Road Film’s upcoming thriller, SNOWDEN, has arrived. Written and directed by Academy Award®-Winning Director Oliver Stone, SNOWDEN features an all-star cast including Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto, Tom Wilkinson, Rhys Ifans and Nicolas Cage. The script is based on the books The Snowden Files: The Inside Story of the World’s Most Wanted Man by Luke Harding and Time of the Octopus by Anatoly Kucherena.
SNOWDEN stars Joseph Gordon-Levitt and is written and directed by Academy Award®-Winning Director Oliver Stone. The script is based on the books The Snowden Files: The Inside Story of the World’s Most Wanted Man by Luke Harding and Time of the Octopus by Anatoly Kucherena.

RELEASE DATE: December 25, 2015
CAST: Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto, Tom Wilkinson, Rhys Ifans, Nicolas Cage
DIRECTOR: Oliver Stone
PRODUCERS: Moritz Borman, Eric Kopeloff, Philip Schulz-Deyle
WRITER: Kieran Fitzgerald, Oliver Stone
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SNOWDEN Official Social Channels
Twitter: Twitter.com/snowdenthemovie
Facebook: Facebook.com/Snowdenthemovie
Instagram: Instagram.com/SnowdenTheMovie
Snapchat: SnowdenTheMovie
Website: snowdenfilm.com

SELF/LESS starring Ryan Reynolds

In this provocative psychological science fiction thriller, an extremely wealthy man (Academy Award winner Ben Kingsley) dying from cancer undergoes a radical medical procedure that transfers his consciousness into the body of a healthy young man (Ryan Reynolds). But all is not as it seems when he starts to uncover the mystery of the body’s origin and the organization that will kill to protect its cause.

Director: Tarsem Singh (“The Cell”, “Immortals”)
Writers: Alex Pastor & David Pastor (“Carriers,” “The Last Days”)
Cast: Ryan Reynolds (“Deadpool”), Natalie Martinez (“Secrets and Lies”), Matthew Goode (“The Good Wife,” “The Imitation Game”), Victor Garber (“The Flash”), Derek Luke (“Empire”), Michelle Dockery (“Downton Abbey”), and Academy Award winner Ben Kingsley
Producers: Ram Bergman, James D. Stern, Peter Schlessel
Distributor: Gramercy Pictures

INSIDE OUT- New Film Clip

Do you ever look at someone and wonder what is going on inside their head? Disney•Pixar’s original new film “Inside Out” ventures inside the mind to find out.
Based in Headquarters, the control center inside 11-year-old Riley’s mind, five Emotions are hard at work, led by lighthearted optimist Joy (voice of Amy Poehler), whose mission is to make sure Riley stays happy. Fear (voice of Bill Hader) heads up safety, Anger (voice of Lewis Black) ensures all is fair and Disgust (voice of Mindy Kaling) prevents Riley from getting poisoned—both physically and socially. Sadness (voice of Phyllis Smith) isn’t exactly sure what her role is, and frankly, neither is anyone else.

When Riley’s family relocates to a scary new city, the Emotions are on the job, eager to help guide her through the difficult transition. But when Joy and Sadness are inadvertently swept into the far reaches of Riley’s mind—taking some of her core memories with them—Fear, Anger and Disgust are left reluctantly in charge. Joy and Sadness must venture through unfamiliar places—Long Term Memory, Imagination Land, Abstract Thought and Dream Productions—in a desperate effort to get back to Headquarters, and Riley.
Directed by Academy Award® winner Pete Docter (“Monsters, Inc.”, “Up”), produced by Jonas Rivera, p.g.a. (“Up”) and featuring an original score by Michael Giacchino (“The Incredibles,” “Ratatouille,” “Up”), Disney•Pixar’s “Inside Out” opens in theaters on June 19, 2015.

Notes:
· Director Pete Docter is the Academy Award®-winning director of “Up.” He made his directorial debut with Disney•Pixar‘s smash hit “Monsters, Inc.,” which was nominated for an Academy Award for best animated feature film. Along with John Lasseter and Andrew Stanton, Docter developed the story and characters for “Toy Story,” Pixar‘s first full-length feature film, for which he also served as supervising animator. He served as a storyboard artist on “A Bug’s Life” and wrote the initial story treatment for “Toy Story 2.” As one of Pixar Animation Studios’ key creative contributors, Docter garnered an Academy Award nomination for his original story credit on Disney•Pixar’s Golden Globe®- and Oscar®-winning “WALL•E.”
· Jonas Rivera produced the Academy Award®-winning “Up,” for which he was nominated for best picture. Prior to “Up,” he had worked on nearly every Pixar film since joining Pixar Animation Studios in 1994, beginning with “Toy Story” for which he served as production office assistant. His subsequent credits include “A Bug’s Life” (as art department coordinator), “Toy Story 2” (as […]

Steven Spielberg’s “Bridge of Spies” gets a compelling Trailer

It’s been a pretty good week for Trailers, I must say that. We’ve already gotten looks at a number of potential Academy Award players, including Everest and The Walk, but now Steven Spielberg and Tom Hanks throw their hat into the ring with Bridge of Spies. This dramatic Cold War thriller, which got a Poster just yesterday, is considered by many to be the Oscar frontrunner in a number of categories, including Best Picture. As such, this was looked at with much anticipation, to say the least. You’ll be able to see the Trailer below, but take it from me…this looks like a contender to reckon with folks.
The story here has an American attorney (Hanks) being recruited by the CIA during the height of the Cold War to help rescue a downed pilot detained in the Soviet Union, while also negotiating the swap of a Soviet prison held by the United States. Hanks leads the charge, with Alan Alda, Domenick Lombardozzi, Billy Magnussen, Amy Ryan, Mark Rylance, and Austin Stowell also in the cast. Spielberg obviously directs, with Matt Charman having written the script that was then polished up by Joel Coen and Ethan Coen (yes, the Coen Brothers along with Hanks and Spielberg). Janusz Kaminski is the cinematographer here and Thomas Newman composes the score, making for a truly A-list crop of talent involved in this one.
From the Trailer, it appears that Spielberg is working well within his comfort zone, albeit with a superb master’s touch. Hanks looks great, while the thriller nature of it will surely be a box office draw. They may not be reinventing the wheel here, but it appears to be smart adult cinema that will more than satisfy in the fall. There’s no doubt that this is poised to be something pitched directly at members of the Academy. You can’t possibly know if voters will respond just yet, but there’s no reason to amend any predictions after this first look. Everything suggests an Oscar contender from the word go.
Awards wise, the possibilities are basically limitless here. Best Picture obviously comes to mind, including pseudo frontrunner status, but that’s not all. There’s also Best Director (for Spielberg), Best Actor (for Hanks) Best Actress or Best Supporting Actress (for Ryan), Best Supporting Actor (for Alda, Magnussen, or Rylance), Best Original Screenplay (for Charman and the Coens), Best Production Design, Best Cinematography, Best Film Editing, Best Makeup, […]

TOMORROWLAND in these new featurettes starring George Clooney, Britt Robertson and Director Brad Bird!

From Disney comes two-time Oscar® winner Brad Bird’s “Tomorrowland,” a riveting mystery adventure starring Academy Award® winner George Clooney. Bound by a shared destiny, former boy-genius Frank (Clooney), jaded by disillusionment, and Casey (Britt Robertson), a bright, optimistic teen bursting with scientific curiosity, embark on a danger-filled mission to unearth the secrets of an enigmatic place somewhere in time and space known only as “Tomorrowland.” What they must do there changes the world—and them—forever.
Featuring a screenplay by “Lost” writer and co-creator Damon Lindelof and Brad Bird, from a story by Lindelof & Bird & Jeff Jensen, “Tomorrowland” promises to take audiences on a thrill ride of nonstop adventures through new dimensions that have only been dreamed of.
The film also stars Hugh Laurie as brilliant scientist David Nix, Raffey Cassidy, Tim McGraw, Kathryn Hahn, Keegan-Michael Key and Thomas Robinson.
“Tomorrowland” is produced by Damon Lindelof, Brad Bird and Jeffrey Chernov and directed by Brad Bird, with John Walker, Bernard Bellew, Jeff Jensen and Brigham Taylor serving as executive producers. “Tomorrowland” opens in U.S. theaters on May 22, 2015.

“Inside Out” heading to the 68th annual Cannes Film Festival for its World Premiere

Academy Award® winner Pete Docter, who helmed Disney/Pixar’s ‘Up’ (the first animated film ever to be the Festival’s Opening-Ceremony film), directs ‘Inside Out,’ an original new movie from Pixar Animation Studios. Docter, producer Jonas Rivera (‘Up’), and co-director Ronnie Del Carmen (‘Up’) will be on hand in Cannes, along with members of the all-star English-language voice cast.
“We are overjoyed at being included in this year’s official selection at Cannes,” said Docter. “With ‘Inside Out,’ we spent years imagining and then building never-before-seen settings and characters within the mind. It was an incredible, fun and exciting challenge and now we can’t wait to share it with the world.”

ABOUT THE MOVIE
Do you ever look at someone and wonder what is going on inside their head? Disney?Pixar?s original new film ?Inside Out? ventures inside the mind to find out.
Based in Headquarters, the control center inside 11-year-old Riley?s mind, five Emotions are hard at work, led by lighthearted optimist Joy (voice of Amy Poehler), whose mission is to make sure Riley stays happy. Fear (voice of Bill Hader) heads up safety, Anger (voice of Lewis Black) ensures all is fair and Disgust (voice of Mindy Kaling) prevents Riley from getting poisoned?both physically and socially. Sadness (voice of Phyllis Smith) isn’t exactly sure what her role is, and frankly, neither is anyone else.
When Riley’s family relocates to a scary new city, the Emotions are on the job, eager to help guide her through the difficult transition. But when Joy and Sadness are inadvertently swept into the far reaches of Riley’s mind?taking some of her core memories with them?Fear, Anger and Disgust are left reluctantly in charge. Joy and Sadness must venture through unfamiliar places?Long Term Memory, Imagination Land, Abstract Thought and Dream Productions in a desperate effort to get back to Headquarters, and Riley.
Directed by Academy Award® winner Pete Docter (“Monsters, Inc.”, “Up”), produced by Jonas Rivera, p.g.a. (“Up”), co-directed by Ronnie Del Carmen (“Up”) and featuring an original score by Michael Giacchino (“The Incredibles,” “Ratatouille,” “Up”), Disney?Pixar’s “Inside Out” opens in U.S. theaters on June 19, 2015.

Oscars highlight next generation of filmmakers

The Academy is now accepting entries for its 2015 Student Academy Awards competition. All Student Academy Award® winners become eligible for Oscars consideration. The 42nd Student Academy Awards presentation will be held on Friday, September 18, at the Academy’s Samuel Goldwyn Theater in Beverly Hills.
Beginning this year, students are able to submit their films online using FilmFreeway, a widely used festival and competition platform. Also new this year, the entry deadline has moved to June 1, and the awards ceremony date has been changed from June to September to better align the competition with the academic calendar.
Complete rules and a link to the online submission platform are available at www.oscars.org/saa.
Past winners have gone on to receive 47 Oscar nominations and have won or shared eight awards. Two previous Student Academy Award winners received 2014 Oscar nominations: J. Christian Jensen, a 2014 Silver Medal winner, received a nomination for Documentary Short Subject for “White Earth,” and Talkhon Hamzavi, a 2013 Silver Medal winner, received a nomination (with Stefan Eichenberger) for Live Action Short Film for “Parvaneh.” Past Student Academy Award winners include such acclaimed filmmakers as Pete Docter, John Lasseter, Spike Lee, Trey Parker and Robert Zemeckis.
Awards may be presented to student filmmakers in the following categories: Alternative, Animation, Narrative, Documentary and Foreign Film.
The Student Academy Awards U.S. competition is open to all full-time undergraduate and graduate students whose films are made within the curricular structure of an eligible accredited institution. In the Foreign Film category, eligible schools are allowed to submit one film to the competition. The deadline to submit entries is Monday, June 1, 2015. For a list of eligibility requirements, visit www.oscars.org/saa.
In 1972, the Academy established the Student Academy Awards to provide a platform for emerging global talent by creating opportunities within the industry to showcase their work.
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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners — the Academy presents a diverse year-round slate of public programs, exhibitions and events; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and […]

Why the Academy shouldn’t go back to five Best Picture nominees

One of the most fiercely debated subjects when it comes to the Oscars, aside from the actual films and performances in contention, is what the Academy should do with the size of their Best Picture slates. Recently, rumors have been swirling that AMPAS members have been considering again adjusting the potential lineup, perhaps even going back to having five nominees in Picture. I know there are plenty of fans out there who back that idea, while there are plenty more who want Oscar to go back to a straight ten. I certainly know which one I prefer, but I don’t agree that either idea beats the sliding scale that we currently have. Personally, I feel that going back to five would be a big mistake. In fact, I want them to do the exact opposite.
Why do I say that? Well, I truly believe that a bigger group of Best Picture nominees leads to better selections. There’s a ripple effect that I’ll discuss in the next paragraph, but when more films are in contention, it creates a better group overall. Especially when there was a guaranteed ten, you knew that voters were looking at their favorite movies of the year and keeping their minds open about what they traditionally thought a Best Picture nominee should be. That got us District 9 in a lineup, for example. I also reject the notion that it led to poor choices. If The Blind Side and Extremely Loud and Incredibly Close are the worst nominees in an expanded field, we’re still doing pretty well. They’re weaker nominees, but far from bad ones. The Academy has plenty of history with ten nominees, if not quite as much as it does with five. It’s just the sliding scale that’s new and not well liked. If Oscar goes back to five, it runs the risk of diluting the overall field, in a way I’m not sure they’re even considering.
For example, the biggest issue with going back to five is how much it would impact the smaller contenders. Look at just this past year and consider the case of Whiplash. If there were only five spots, I doubt it gets a big campaign coming out of Sundance like it did, leading to perhaps only J.K. Simmons getting in, if that. No nomination for Best Picture. It definitely doesn’t overcome category confusion to show up in Best Adapted Screenplay. The […]

Hollywood Costume Exhibition: Last chance to visit

The critically acclaimed exhibition Hollywood Costume, in the final days of its worldwide tour at Los Angeles’s historic Wilshire May Company building, will have extended hours through its closing on Monday, March 2. Presented by the Victoria and Albert Museum, London, and the Academy of Motion Picture Arts and Sciences, Hollywood Costume celebrates and examines costume design as an essential tool of cinematic storytelling. It brings together more than 150 iconic costumes from Hollywood’s Golden Age to the present, including such treasures as the Academy’s pair of the original ruby slippers from “The Wizard of Oz,” (Adrian, 1939) shown with Dorothy’s blue and white gingham pinafore dress.
Hollywood Costume is sponsored by Swarovski and curated by Deborah Nadoolman Landis, Academy Award®-nominated costume designer and founding director of UCLA’s David C. Copley Center for the Study of Costume Design.
EXTENDED HOURS FOR FINAL DAYS:
Thursday, February 26, 11 a.m.–7 p.m.
Friday, February 27, 11 a.m.–8 p.m.
Saturday, February 28, 10 a.m.–7 p.m.
Sunday, March 1, 10 a.m.–7 p.m.
Monday, March 2, 11 a.m.–5 p.m.
Visitors who purchase tickets to Hollywood Costume will receive free admission to Hollywood Costume-related public programs held on the same day at the Bing Theater, a short walk from the exhibition on the LACMA campus.
EXHIBITION-RELATED PUBLIC PROGRAMS:
The Art of the Costume Designer: Spotlight on James Acheson
Friday, February 27, 7:30 p.m.
The Academy celebrates the work of three-time Oscar®-winning costume designer James Acheson (“Monty Python’s The Meaning of Life,” “The Last Emperor,” “Dangerous Liaisons,” “Spider-Man”) with an evening tribute to his remarkable career. Acheson will engage in a far-ranging discussion with Hollywood Costume curator Deborah Nadoolman Landis about his body of work.
Two Sides of a Costume Designer: Irene Sharaff
Saturday, February 28
“Meet Me in St. Louis” – 5 p.m.
“West Side Story” – 7:30 p.m.
The Academy’s Saturday evening series concludes with a double feature highlighting the impressive and varied work of five-time Oscar winner Irene Sharaff in two of her most beloved films from strikingly different eras of filmmaking.
TICKETING
Exhibition tickets for Hollywood Costume are on sale now at www.oscars.org/HC. Admission: $20 Adults ? $15 Seniors (62+) ? $10 for students with ID and children under 13.
Visitors who purchase tickets to Hollywood Costume will receive free admission to Hollywood Costume public programs held on the same day. Visitors must present their Hollywood Costume ticket at a LACMA Ticket Office to redeem their complimentary public program ticket.
Public program tickets are $5 for the general public, $3 for Academy members, LACMA […]

Are the Oscars too broken to be fixed?

“When a show goes so wrong (and has for so long), it’s not just the result of a few tactical errors. It’s not even because of alleged strong differences of opinion between the producers and host Harris (the rumor mill started even before the show had ended). Rather, it’s the culmination of problems that have been festering for years. There’s an increasing gulf between the moviegoing public’s tastes and the Academy’s. And there’s a decreasing relation between the artfulness of the Oscar films and their box-office performance,” says the Hollywood Reporter’s Stephen Galloway.
As a lover of Hollywood cinema since I was 5 years old, it hurts me that the Oscars keep sliding and not soaring. No other film event can ever be the Oscars. However, if the Academy’s leadership continues chasing the “young demographics” instead of putting on an entertaining show that focus on honoring quality “cinema” and the art of filmmaking in all its disciplines, the Oscars destiny will be continued erosion that soon will reach the point of no return.
Let’s turn this around… we still have time.

To read more go to HollywoodReporter.com
Photos by PRPHOTOS.COM

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