April 17, 2014

Tag Archives: academy awards

Academy Announces Key Dates for Oscars®

The Academy of Motion Picture Arts and Sciences and the ABC Television Network today announced the dates for the 87th Oscars. The Academy Awards® presentation will air live on ABC on Oscar® Sunday, February 22, 2015.
Key dates for the Awards season are:
Saturday, November 8, 2014 The Governors Awards
Wednesday, December 3, 2014 Official Screen Credits and music submissions due
Monday, December 29, 2014 Nominations voting begins 8 a.m. PT
Thursday, January 8, 2015 Nominations voting ends 5 p.m. PT
Thursday, January 15, 2015 Oscar nominations announced
Monday, February 2, 2015 Oscar Nominees Luncheon
Friday, February 6, 2015 Final voting begins 8 a.m. PT
Saturday, February 7, 2015 Scientific and Technical Awards
Tuesday, February 17, 2015 Final voting ends 5 p.m. PT
Oscar Sunday, February 22, 2015 87th Academy Awards begins 7 p.m. ET/ 4 p.m. PT
The Oscars will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.
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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners–Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history.
Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars

Critics’ Choice: Joey Berlin from BFCA

Joey Berlin from the Broadcast Film Critics Association – Critics’ Choice Awards
By ROBERT W. WELKOS
In 1995, Joey Berlin and Rod Lurie, two entertainment reporters and film critics who had written for rival publications, joined forces to create the Broadcast Film Critics Assn.
While Lurie would go on to carve out a successful Hollywood career as a screenwriter and director with such films as “The Contender” and “The Last Castle,” Berlin hasn’t faired too badly, either, as the president of the BFCA.
Starting with 44 members the first year, the BFCA’s voting membership today hovers between 285 and 290 and the organization bills itself as the largest film critics group in the U.S. and Canada.
At the same time, the BFCA created the Critics’ Choice Awards, a glitzy tux-and-gown gala now televised on the CW Network that features red carpet celebrity arrivals, drawing worldwide media attention and plenty of Oscar buzz since the show coincides with the run-up to the Academy Awards.
But as the show has catapulted the broadcast critics into the Oscar conversation each movies awards season, tax records show that the nonprofit group Berlin leads has paid his privately-owned company, Berlin Entertainment, Inc., hundreds of thousands of dollars each year for production services.
IRS Form 990 filings list Berlin Entertainment, Inc., receiving a combined $992,270 from the nonprofit between fiscal 2009 and 2011.
Berlin notes that his members seem to be satisfied with the job he’s doing since he has been repeatedly re-elected president every two years.
The tax files show that Berlin’s base compensation and benefits were a combined $1,297,133 for the three-year period spanning fiscal 2009 to 2011. But his compensation is listed as coming from “related organizations” and not directly from the BFCA, according to the Form 990 documents, which all nonprofits are required to file with the IRS to qualify for tax-exempt status.
When asked about his sizeable compensation, Berlin told HollywoodNews.com in a recent telephone interview: “I did this for five years for zero compensation, but this is what I do all day, every day. I’m really proud of what we’ve built and accomplished….
“My compensation has grown with the growth of the show,” he adds without apology. “The television show is an incredible benefit to the members.” He notes that these benefits include such things as access and awards screeners. “That seems a comfortable arrangement for everybody.”
One plus for maintaining membership in the BFCA is that—much like [...]

The Matrix: The Top 25 (Best Film Editing)

Continuing onward with this weekly series I’m doing here on the site, we’re talking about the top 25 Oscar winners in just about every single one of the Academy Award categories out there for us to talk about. Aside from the short categories and likely something a bit harder to rank like Best Sound Editing or Best Sound Mixing as I’ve mentioned before, I’ll be hitting them all over the coming weeks, including of course the big eight categories, two of which have already received this particular treatment. I’m also potentially going to do one that doesn’t actually exist (a fictitious Best Ensemble category), but that’s just an idea I’m currently toying with. We’ll see about that one, but for now, we’ll stick to reality and the categories currently endorsed by the Academy.
Today I’ll be knocking off one more of the technical categories, with this one being the somewhat unsexy but still essential Best Film Editing field. Depending on the category in question, I may wind up discussing the individual winners I’m citing rather specifically or just giving a more broad overview of the winners. Like I’ve been saying over the past few weeks, in all honesty, you really just want to see the end result list anyway, so I have no problem obliging you there in that regard. All you have to do is just be patient over the next couple paragraphs…
This time around, I’m again just going with the overview route. Film Editing is another type of category where you sort of know it’s good by seeing it in the films themselves. There are a few different types of editing that the Academy has honored, though sometimes they can fall into the trap of going for “most” instead of best, if that makes sense. For example, you can see in certain winners that the editing is smooth and you’re almost not meant to notice it all, while other winners want to constantly impress you with their flashy approach to editing. I’m not particularly partial to either one, basically just going for what fits the movies best. Sometimes I don’t want to notice the editing at all in the flick, and sometimes I want it to be front and center. It all just depends.
I’ll discuss my top ten a bit now before getting to the list itself. The winner that I think is the best ever happens to be [...]

Oscars: Why ‘American Hustle’ went home empty handed

One of the more interesting and unlikely developments from this past weekend’s Academy Awards telecast was David O. Russell’s film American Hustle managing to lose in each of the ten categories it was nominated in. Historically, 0-fors almost never happen. Recent examples include Gangs of New York and True Grit, but by and large, if your movie is among the most nominated of the year, it winds up going home with at least a token win. So, how did American Hustle wind up being shut out, and why exactly did it happen?
In short, it was mainly due to the competition. The flick wasn’t nominated in any one particular category where it had an easy road to a win. Maybe if you took away The Great Gatsby from contention, maybe Best Costume Design would have been the place? American Hustle was the runner up in a lot of places, likely including Best Supporting Actress and Best Original Screenplay, but there wasn’t an obvious place to reward it, so a concerted effort was never made to just honor it in one particular place. The closest things to that was the Supporting Actress race, where Jennifer Lawrence nearly upset Lupita Nyong’o, but that was always going to be a toss up category.
American Hustle probably also suffered to some degree because of the Olympics. That stretched out the season and gave members of the Academy extra time to get around to 12 Years a Slave and to revisit films like Gravity, The Great Gatsby, and Her. With a shorter decision time, Oscar voters who were flirting with Russell’s movie might have just up and committed to it, instead of holding back and ultimately going in a different direction. You never can be sure about something like this, but I have a feeling that over the last week or two, the flick really had its momentum come to a screeching halt.
Personally, I liked the film more than a lot of my colleagues did, so I take no enjoyment in seeing it go home empty handed. That’s just the nature of the business though. There are only so many awards to be given out, and in a super competitive year like this one, something had to give. In a very literal way, the nominations turned out to be the reward for American Hustle.
You have to give the film a great deal of credit though for going [...]

The Oscars® were no enormous shame, a few good jokes, no great shocks

I’m a big fan of Ellen DeGeneres and her understated, often brilliant humor. This was most evident when she hosted the 2001 Emmy Awards after the horrific events in New York and Washington that year. The show was postponed twice, and when it finally aired a couple of months later the big question was how it could be entertaining?
Almost from the outset Ellen delivered. To paraphrase what she said, it was something like the terrorists could not break our spirit. Then she paused and deadpanned that only network executives could do that.

It was funny, unexpected yet absolutely true. It related to the events just passed, but broke the ice and allowed the show to go on to its true purpose after the long delay.

The Oscars Rate a B-Minus.
I wish I could say Ellen’s performance last night rose to that occasion. Though it generally retained the dignity and glamour that audiences expect, something lost in last year’s show hosted by Seth MacFarlane, it was mostly bland with repetitive jokes and occasional good moments. Having said that, I cringed a bit when Ellen repeated out loud and very slowly a compliment to Nebraska supporting actress nominee June Squibb, whom Ellen had termed the oldest Oscar nominee ever, as if the actress were almost deaf and needed careful attention to hear her remarks.

Throughout the ABC show, Ellen drew from a past playbook and redid bits from the last time she hosted in 2007, often appearing in the audience, talking with this celebrity or that and taking photos. In one segment she asked if anyone was hungry, which drew very few responses and went on much too long. However, when a pizza man arrived later in the show, though only with three pizzas, it was amusing to see how many celebrities accepted a slice, including Meryl Streep, Julia Roberts and Harrison Ford. And that no one initially responded to Ellen’s request for donations to pay the man.
To read Michael Russnow’s latest book, “Hollywood on the Danube,” go to www.createspace.com/4497564

I’d thought sometime later it would have been funny if the delivery man, denied payment, started taking back the pizza slices from Meryl, Julia and the others. However, they eventually paid the bit off when Ellen passed a hat into which producer Harvey Weinstein threw two hundred dollars and several celebrities forked over twenty or more dollars each. By my count that was over three hundred [...]

Oscars: Get to know the Best Actress race

Best Actress
Nominees: Amy Adams for American Hustle, Cate Blanchett for Blue Jasmine, Sandra Bullock for Gravity, Judi Dench for Philomena, and Meryl Streep for August: Osage County
Notable precursor wins: Adams wins Golden Globe Award (Comedy), while Blanchett wins BAFTA, Broadcast Film Critics, Golden Globe (Drama), and Screen Actors Guild Awards, while McConaughey wins Broadcast Film Critics Association, Golden Globe (Drama), and Screen Actors Guild Awards
Current frontrunner: Cate Blanchett
Next in line: Amy Adams
Dark horse: Judi Dench
Continuing on with my “Get to know” series, we now turn our attention to the Best Actress race today. As you can no doubt see above, the ladies making up this category are Amy Adams for American Hustle, Cate Blanchett for Blue Jasmine, Sandra Bullock for Gravity, Judi Dench for Philomena, and Meryl Streep for August: Osage County. From the very beginning, it always appeared to be an Adams vs Blanchett race, and that’s what’s come to pass, though most thought it would be closer than it’s turned out to be. Right now, Blanchett looks like a lock to take home the Oscar.
From the start, Blanchett has basically swept the precursors, with Adams really only scoring when the Actress field is split up between Comedy and Drama. There was a brief moment before the awards started coming in where it seemed like someone could step up to beat here, with the buzz mainly surrounding Adams, but time after time when they’ve gone up against each other, Blanchett has come out on top. That leads me to believe that she’s more assured of a win than some claim.
Now, unless somehow Woody Allen’s recent bad publicity has an effect, Blanchett is going to win her second Oscar. If she winds up being beaten, the upset is going to come from Adams, though there’s a small chance that it could be the late charging Dench that wins, but realistically it’s going to be Blanchett. She’s a pretty safe bet here too.
Stay tuned for the rest of the acting categories this week, with Best Supporting Actor up next!

The many facets of Leo DiCaprio: The Wolf of Wall Street

By Michael Russnow
As Oscar voters continue to mark their ballots until this Wednesday, I wonder what goes into their thinking? Do they vote specifically for what they believe is the best achievement of last year, a surprising performance and accomplishment or is it a cumulative assessment of someone’s career?
For all these reasons, and not just one, I’m going against the grain of what appears to be the general consensus and strongly suggest that Leonardo DiCaprio deserves the Oscar this year for The Wolf of Wall Street, even more than favorite Matthew McConaughey.
This doesn’t in any way diminish McConaughey’s performance in Dallas Buyers Club. It was terrific, and the subject matter of the film made it that much more compelling. However, DiCaprio’s execution, in my view, was even more powerful, in particular as it was a totally different characterization and portrayal than we’ve ever seen from the actor before.
It’s hard to realize sometimes that Leo has been in filmdom’s consciousness for twenty-one years, since he was elevated from his sitcom supporting role in ABC’s Growing Pains to the wow factor engendered in his major debut role opposite Robert De Niro in This Boy’s Life. Later in 1993 that respect was magnified when he stole What’s Eating Gilbert Grape from Johnny Depp and was rewarded with his first Oscar nomination at the age of nineteen.
For the next several years, he continued to intrigue audiences with a different assortment of characters, sometimes in mixed films such as Basketball Diaries and Total Eclipse, in more respected fare such as Marvin’s Room and Romeo and Juliet, and finally emerging as a superstar in Titanic.
Since then he has won fans and critical plaudits for his work in Catch Me If You Can, a young Howard Hughes in The Aviator, as a South African in Blood Diamond and an undercover policeman in The Departed, sometimes Oscar nominated, more times not and sometimes robbed of a nod as in the case of J. Edgar and last year’s Django Unchained.
Through it all, he has mostly been acclaimed for quirky dramatic performances until finally his well-known personal impishness came forth comedically in The Wolf of Wall Street. In this film, which I mostly liked but not entirely, Leo displayed so many facets, delivering emotional high points while also sometimes hysterically funny, that I wonder if his excellence has become so expected we don’t realize how different the role is and [...]

Channing Tatum Announced the “Team Oscar” winners on The Ellen DeGeneres Show today

A nice little announcement was made earlier today by the Academy of Motion Picture Arts and Sciences (or AMPAS), as they named the winners of the “Team Oscar” contest. This was done on The Ellen DeGeneres Show by actor Channing Tatum, Oscar ceremony producers Neil Meron and Craig Zadan, along with DeGeneres herself, who will be hosting the show next month.
The “Team Oscar” contest was basically a college search that looked for film fans who could be potential Academy Award winners in the future, with contestants having to make an entry video that could catch the eye of those making the selections. The six students chosen will get to give the Oscar statues to the celebrities who will be presenting those awards during the telecast. That’s pretty cool, if you ask me.
I’m sure these half dozen college students will be buoyed by this pat on the back from AMPAS and use it as fuel/motivation to get their careers going when they graduate. Who knows, maybe we’ll see them accepting an Oscar in the next few decades? Anything is possible…
 

Here’s the press release from The Academy:
BEVERLY HILLS, CA — Channing Tatum, The Academy, and Oscars Producers Craig Zadan and Neil Meron today announced the winners of the “Team Oscar” college search on “The Ellen DeGeneres Show,” along with this year’s Oscars host, Ellen DeGeneres. The winners will deliver Oscar statuettes to celebrity presenters at the Oscars on Sunday, March 2, 2014, live on ABC.
“We created this contest last year to give students who are passionate about film, the opportunity to set their sights on the future,” said Craig Zadan and Neil Meron. “We received so many inspiring submissions this year that it made for a difficult choice, but the talent and stories of these six winners really represent what Team Oscar is all about and convinced us that they are a perfect fit for the Oscar stage.”
The “Team Oscar” winners are:
Zaineb Abdul-Nabi – University of Michigan (MI) – Hometown: Bronx, NY
Tayo Amos – Stanford University (CA) – Hometown: Mountain View, CA
Nathan Flanagan-Frankl – Chapman University (CA) – Hometown: Northbrook, IL
Jeanpaul Isaacs – Rutgers University (NJ) – Hometown: South Brunswick, NJ
Bryson Kemp – Muhlenberg College (PA) – Hometown: North East, MD
Mackenna Millet – Pepperdine University (CA) – Hometown: Laguna Niguel, CA
The winner’s videos can be viewed here.
“I was blown away by the quality of the videos the students created, and more importantly, [...]

Congratulations to all Oscar® Nominees

Congratulations to all Oscar® nominees, as well as the Hollywood Film Awards® honorees: Matthew McConaughey (Dallas Buyer Club),Sandra Bullock (Gravity), Julia Roberts (August: Osage County), Jared Leto (Dallas Buyer Club), Lupita Nyong’o (12 Year A Slave), Julie Delpy, Ethan Hawke, Richard Linklater (Before Midnight), Michael De Luca (Captain Philipps), Steve McQueen (12 Year A Slave) Michael Wilkinson and Judy Becker (American Hustle), for their well deserved nominations today. Bravo!
Check below complete list of the 2014 Oscar® nominees:
Performance by an actor in a leading role

Christian Bale in “American Hustle”
Bruce Dern in “Nebraska”
Leonardo DiCaprio in “The Wolf of Wall Street”
Chiwetel Ejiofor in “12 Years a Slave”
Matthew McConaughey in “Dallas Buyers Club”

Performance by an actor in a supporting role
Barkhad Abdi in “Captain Phillips”
Bradley Cooper in “American Hustle”
Michael Fassbender in “12 Years a Slave”
Jonah Hill in “The Wolf of Wall Street”
Jared Leto in “Dallas Buyers Club”
Performance by an actress in a leading role
Amy Adams in “American Hustle”
Cate Blanchett in “Blue Jasmine”
Sandra Bullock in “Gravity”
Judi Dench in “Philomena”
Meryl Streep in “August: Osage County”
Performance by an actress in a supporting role
Sally Hawkins in “Blue Jasmine”
Jennifer Lawrence in “American Hustle”
Lupita Nyong’o in “12 Years a Slave”
Julia Roberts in “August: Osage County”
June Squibb in “Nebraska”
Best animated feature film of the year
“The Croods” Chris Sanders, Kirk DeMicco and Kristine Belson
“Despicable Me 2” Chris Renaud, Pierre Coffin and Chris Meledandri
“Ernest & Celestine” Benjamin Renner and Didier Brunner
“Frozen” Chris Buck, Jennifer Lee and Peter Del Vecho
“The Wind Rises” Hayao Miyazaki and Toshio Suzuki
Achievement in cinematography
“The Grandmaster” Philippe Le Sourd
“Gravity” Emmanuel Lubezki
“Inside Llewyn Davis” Bruno Delbonnel
“Nebraska” Phedon Papamichael
“Prisoners” Roger A. Deakins
Achievement in costume design
“American Hustle” Michael Wilkinson
“The Grandmaster” William Chang Suk Ping
“The Great Gatsby” Catherine Martin
“The Invisible Woman” Michael O’Connor
“12 Years a Slave” Patricia Norris
Achievement in directing
“American Hustle” David O. Russell
“Gravity” Alfonso Cuarón
“Nebraska” Alexander Payne
“12 Years a Slave” Steve McQueen
“The Wolf of Wall Street” Martin Scorsese
Best documentary feature
“The Act of Killing”Joshua Oppenheimer and Signe Byrge Sørensen
“Cutie and the Boxer” Zachary Heinzerling and Lydia Dean Pilcher
“Dirty Wars” Richard Rowley and Jeremy Scahill
“The Square” Jehane Noujaim and Karim Amer
“20 Feet from Stardom” Nominees to be determined
Best documentary short subject
“CaveDigger” Jeffrey Karoff
“Facing Fear” Jason Cohen
“Karama Has No Walls” Sara Ishaq
“The Lady in Number 6: Music Saved My Life” Malcolm Clarke and Nicholas Reed
“Prison Terminal: The Last Days of Private Jack Hall” Edgar Barens
Achievement in film editing
“American Hustle” Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” Christopher Rouse
“Dallas Buyers Club” John Mac McMurphy and Martin Pensa
“Gravity” [...]

Hollywood Film Awards Honors Jerry Weintraub with the “Hollywood Legend Award”

The 17th Annual Hollywood Film Awards announced today that it will be honoring Jerry Weintraub, the prolific and celebrated producer behind the Ocean’s Eleven and Karate Kid film series, among others, with the inaugural “Hollywood Legend Award,” a special award of merit bestowed to an individual that has made outstanding contributions to film and the entertainment industry.
The announcement was made today by Carlos de Abreu, founder and executive producer of the Hollywood Film Awards. He said, “It is a great honor to recognize Jerry Weintraub, a visionary and true Hollywood legend, with the inaugural ‘Hollywood Legend Award’.”

The award will be bestowed at the Hollywood Film Awards Gala Ceremony on Monday evening, October 21, 2013 at the Beverly Hilton Hotel in Beverly Hills.
This year Weintraub produced the HBO film Behind the Candelabra, starring Matt Damon and Michael Douglas, which was nominated for an impressive 13 Emmy Awards. His career includes promoting Elvis Presley, Frank Sinatra, Bob Dylan, and Led Zeppelin and managing such talents as John Denver, The Carpenters and The Moody Blues among others. His remarkable list of film hits include Nashville, Diner, The Karate Kid, and the Ocean’s Eleven series.

The Hollywood Film Awards honors cherished stars, filmmakers and up-and-coming talent, and traditionally kicks off the film awards season with the biggest stars and top industry executives in attendance.
“We are very proud to be the first stop of the awards season. In the last ten years, a total of 96 Oscar® nominations and 34 Oscars® were given to the honorees of the Hollywood Film Awards,” said de Abreu.
Last year’s awards show reached a total TV audience of more than 41 million media impressions, in addition to more than 300 million online and print readers’ impressions.
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ABOUT THE HOLLYWOOD FILM AWARDS®
The Hollywood Film Awards® founded in 1997 were created to celebrate Hollywood and launch the awards season. The recipients of [...]

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