September 04, 2015

Tag Archives: brad pitt

Brad Pitt and Angelina Jolie: “By The Sea” New video

Written, directed and produced by Academy Award® winner Angelina Jolie Pitt, By the Sea serves as her directorial follow-up to Universal Pictures’ epic Unbroken. The dramatic film stars Brad Pitt and Jolie Pitt, who are supported by an international ensemble led by Mélanie Laurent, Melvil Poupaud, Niels Arestrup and Richard Bohringer.
By the Sea follows an American writer named Roland (Pitt) and his wife, Vanessa (Jolie Pitt), who arrive in a tranquil and picturesque seaside resort in 1970s France, their marriage in apparent crisis. As they spend time with fellow travelers, including young newlyweds Lea (Laurent) and François (Poupaud), and village locals Michel (Arestrup) and Patrice (Bohringer), the couple begins to come to terms with unresolved issues in their own lives. In its style, and its treatment of themes of the human experience, By the Sea is inspired by European cinema and theater of the ’60s and ’70s.

Jolie Pitt is joined behind the scenes by a key crew that includes cinematographer Christian Berger (The White Ribbon), who used his Cine Reflect Lighting System to shoot the film; production designer Jon Hutman (Unbroken); editor Patricia Rommel (The Lives of Others); and costume designer Ellen Mirojnick (Wall Street: Money Never Sleeps). Pitt joins her in production duties, while Chris Brigham (Inception), Holly Goline-Sadowski (Unbroken) and Michael Vieira (Unbroken) serve as executive producers.

Cast: Brad Pitt, Angelina Jolie Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup and Richard Bohringer

Leonardo DiCaprio: Looking at potential Best Actor contenders

Folks, as you all know from last year as well as my articles again so far this year, it’s one thing to read early Academy Award predictions at this point in the year in order to see what folks like myself think will happen six or so months from now, but it’s another thing entirely to actually know something about what will be in contention. To help out in that regard, I’m once again running down some of the major contenders in each Oscar category in order to prep you all for the season to come. Basically, the format will have me saying a few words about what/who I feel are the top tier contenders right now in said categories, along with a longer list afterwards of many of the other hopefuls that the Academy might take a shine to. Consider this a sort of before the awards season cheat sheet to have in your back pocket. It’s old hat to you by now, I’m sure, but hey…
Today I’m continuing with another of the bigger ones that’s out there for us…the Best Actor category.

Here are the ten gentlemen that I have in play for Best Actor, with the top five cracking the lineup at this point:
1. Leonardo DiCaprio (The Revenant) – Everyone pretty much agrees that DiCaprio will win an Oscar one day, it’s just a matter of when. Could it be this year? He’s the odds on favorite for many, and while I’m not sure it will happen, I can’t argue that he seems to be the most likely contender right now. The Trailer we saw suggests a physical and intense role, so if he can impress as much as we think he potentially can here, it might just be his time.
2. Michael Fassbender (The Light Between Oceans or Macbeth or Steve Jobs) – A lot will depend on which film asserts itself as Fassbender’s prime vehicle. Steve Jobs seems like it’ll be the one most likely to work for him, but that remains to be seen. I can’t shake the feeling that Fassbender isn’t going to win for that role, so perhaps The Light Between Oceans or Macbeth will wind up making a late charge? His candidacy is one of the more interesting subplots in this year’s Best Actor race, if you ask me…
3. Matt Damon (The Martian) – Perhaps a bit of wishful thinking on my part, […]

Brad Pitt – “Moneyball”: The Best Baseball Films of All Time

Play ball! With Baseball season coming next week, I wanted to do something a little bit fun and look at not just the best sports movies, but the best baseball movies ever made. There’s more than a few to choose from, with a solid handful starring Kevin Costner, I might add. I’m even going to make some potentially controversial choices, as you’ll see below. It’s all in good fun though, and as I get set to spend another year getting my heart broken by the New York Mets, I wanted to put this out there for you all. Enjoy and get ready for baseball…
Here are the ten best baseball movies of all time:
10. Rookie of the Year – Perhaps a lot of this is nostalgia fueling the pick, but I have a real soft spot for the story of a kid who winds up pitching for the Chicago Cubs. It’s wish fulfillment for pre teen boys and a little on the scattershot side, but it’s certainly got a charm. I couldn’t resist putting this on my list, since it’s, you know…my list.
9. Major League – Baseball often transitions to comedy, with this film perhaps being the most successful pure comedic outing of the lot. The sports movie cliches and elements are handled well here, but they’re buoyed by the laughs that are liberally spread out through the entire film. It’s just a ton of fun.
8. Fever Pitch – I really dug the look at baseball fandom contained within this romantic comedy. I’m not sure how appealing it is to die hard baseball fans of sole rom-com nuts, but if you have an affinity for both sides, this merges the two worlds surprisingly well. I think it’s incredibly underrated, quite frankly.
7. Little Big League – The slightly more mature version of Rookie of the Year’s wish fulfillment, this movie looks more at coaching and the front office than at playing ball. It’s still plenty silly, but the premise gets a little bit more gravitas, as it were. Still, nostalgia is at work here, no doubt about that.
6. The Natural – An undisputed classic, I’m not quite a high on it as most others, but I still recognize it for what it is. This is a great film that perhaps suffers a small bit from heavy praise, but clearly deserves its place in history all the same. I like it a lot, […]

The tenuous nature of being an early Academy Award frontrunner

It’s hardly a brand new sentiment to express, but you really can never script Oscar season. No matter how you think the awards race is going to go, at least to some degree it always turns out different. This year is obviously no exception, so today I wanted to take a look at how the various frontrunner have changed throughout the season. In some cases, we’ve seen top tier contenders hold strong all year, but the frontrunners have shifted for sure. In a few instances, the early favorites didn’t wind up nominated at all. That’s just how the season goes. We’re deep into phase two now, so it’s a perfect time to look back at what things were like at the start of 2014.
Obviously, you never truly know what’s going to happen during an Oscar race, especially when you start out in the early days of the season basically just going on log line or pedigree. Every so often you can hit on one fairly early on (like Argo in my case, which was the rare occasion when I was out front on something), or at least suspect that it could turn into a winner (with 12 Years a Slave), but most of the time the ones you think will be nominees don’t even come close. It’s the uniqueness of trying to predict what a voting body will like a year in advance. As you’ll see below, some of the main Academy Award categories this year could have had a very different look to them than we ultimately had.

Take a look:
Best Picture – There was a time when Unbroken was thought to be almost unbeatable in the Best Picture category. Other non nominees heavily spoken of early on were Big Eyes, Fury, Gone Girl, Interstellar, Into the Woods, Jersey Boys, and so on. Of course, once Cannes hit we all thought Foxcatcher was a surefire nominee, and we all saw what happened then. Boyhood was something I and many others figured would get in, but the frontrunner? Never in a million years would that have been a smart bet. Go figure.
Best Director – It’s pretty much the same her with Best Director. Names like David Ayer (Fury), Tim Burton (Big Eyes), Clint Eastwood (Jersey Boys), David Fincher (Gone Girl), Rob Marshall (Into the Woods), and Christopher Nolan (Interstellar) were bandied about, but this appeared to be Angelina Jolie’s to lose […]

2015 releases to look forward to

Happy New Year! With 2014 now just a memory, we turn our attention to 2015 and what cinematic treasures the next 12 months will hold. Between now and the end of January we’ll have all manner of films hitting screens, from franchise reboots to sequels, with the occasional original property thrown in for good measure. Of course, there’s plenty of Oscar hopefuls in the mix as well, as you might imagine. There are untold amounts of independent awards contenders that we don’t even know exist yet, so it’s impossible to guess what will hit as this moment, but speculation is always welcome. As such, I’ll be going over a bunch of the 2015 releases worth being excited about, with just about all of them potential Academy Award players. Enjoy!
Here now are a sampling of the films to be excited about this year, separated by category:
Indies – The problem with trying to speculate about indies is you never know what’s going to happen with distribution. For example, we have a Terrence Malick film in Knight of Cups that presumably will come out this year, but we’ve been fooled by his potential release dates before. There’s also at least one Kevin Smith film to look forward to (the teen centric action comedy Yoga Hosers), though he shoots so quickly these days there might be more than one. Notable as well is Richard Linklater’s follow up to Boyhood, the spiritual sequel to Dazed and Confused that is That’s What I’m Talking About. Matthew McConaughey also looks for another Oscar nomination in Gus Van Sant’s Sea of Trees, and that’s just a small sample.
Prestige players – These are the ones that even a year out, you can clearly see want to be embraced by the Academy. First and foremost, we have film masters in Martin Scorsese (Silence), Steven Spielberg (Untitled Cold War Spy Thriller, which stars Tom Hanks), and Quentin Tarantino (The Hateful Eight), and that doesn’t even include the now Oscar darling that is David O. Russell (Joy). There’s also another directorial outing by Angelina Jolie (By the Sea), one that stars her and hubby Brad Pitt. There are tons more but two others worth mentioning are Jake Gyllenhaal’s attempt to win an Academy Award by teaming up with Jean-Marc Valle (Demolition) and the Steve Jobs biopic (Jobs). Expect at least a few of these to wind up getting Best Picture nominations.
Sequels – […]

Spotlight on the Stars: Brad Pitt

For this week’s spotlight piece, I wanted to take a look at one of Hollywood’s absolute bigger stars. He’s about as A-list as the A-list gets…the name? Well, Brad Pitt of course. Not only is he a movie star with all capital letters (MOVIE STAR!) and a top tier celebrity, he’s also developed into one of the industry’s best and most interesting actors as well. Pitt is the type of star that doesn’t rest on his laurels and often seems to attach himself to challenging material, something that will win the man an acting Oscar one day (he already won his first one last year for helping to produce Best Picture winner 12 Years a Slave). As high as he’s soared already, the best could still be to come.
Pitt got his noticeable start in the business (after some uncredited acting jobs on the big screen and small spots on TV shows like 21 Jump Street, Another World, Dallas, and Growing Pains) with a supporting role in Thelma & Louise. The next year or so brought roles in films like Johnny Suede, Kalifornia, A River Runs Through It, and True Romance, but it was Interview with the Vampire: The Vampire Chronicles that really began his ascent to the A-list. He certainly didn’t hurt his cause with work like Legends of the Fall, Se7en, and Twelve Monkeys (which got him his first Academy Awards nomination for Best Supporting Actor). Factor in other work like The Devil’s Own, Meet Joe Black, Seven Years in Tibet, and Sleepers…well, the end result is that the man was a star.
Pitt has really become an A-lister with work like Fight Club. Ocean’s Eleven, Snatch, and Spy Game. That elevated him and allowed him to become a megastar in things such as Mr. and Mrs. Smith, Ocean’s Twelve, and Troy. He also made Babel, which helped signal that he’d be interested in helping auteurs tell stories as well. Sure, he cultivated celebrity status with Ocean’s Thirteen, but in the same breath he’d make The Assassination of Jesse James by the Coward Robert Ford and Burn After Reading as well. The young A-list movie star Pitt was now officially one of the most respected actors in Hollywood. Since then, he’s continued to lend his talents to interesting work, including The Curious Case of Benjamin Button, Inglourious Basterds, Killing Them Softly, Moneyball, and The Tree of Life, just to name […]

“Fury” announces itself as a potentially big time Oscar contender

Earlier on today, the embargo lifted on David Ayer’s new film, the World War II tank tale Fury. While some critics weren’t blown away by the movie, plenty of others were like myself and very fond of the flick. In fact, for the most part, Ayer’s film, which stars Brad Pitt as a tank commander in the final days of the second World War, has established itself as an awards contender. After all, Oscar loves WWII and killing Nazis, something this movie has in spades. One might be tempted to take the lack of unanimous praise as a warning sign, but I think the combination of prestige, likely box office, and subject matter will make this something a voter heavily considers.
For those who don’t know anything about Fury, it’s a World War II set action-drama that depicts a 24 hour period during the final days of the war. Set deep in Germany, a tank commander played by Pitt takes part in the last of the fighting. Along with his remaining regular crew, played by Jon Bernthal, Shia LaBeouf, and Michael Pena, plus his newest addition played by Logan Lerman, their tank (aptly named Fury) moves forward, taking out whatever Nazis they can find. Of course, despite victory being imminent, that’s easier said than done. Ayer writes and directs, showing off much of the same skill that made End of Watch an underrated classic in my eyes.
There’s a solid cast on display in this film, with memorable performances from Lerman and Pitt, in addition to the best turn from LaBeouf in some time. While the Best Actor race is far too crowded for Pitt to have any hope of a nod, a Best Supporting Actor nom for Lerman certainly isn’t out of the question. The cast play their parts as closely to those from classic war films as possible, while also attempting to bring something new to the roles. For the most part, they succeed too.
One of the best elements of Fury is the technical prowess that it shows off. From the costumes and production design to the cinematography to the film editing (done by End of Watch alum Roman Vasyanov), not to mention the score (from last year’s category winner Steven Price), sound effects, and visual effects, it’s all top notch. I wouldn’t be shocked at all if the movie managed to score a handful of nominations in those fields, […]

Re-ranking the contenders in Best Actor

As I mentioned last week and the week prior to that, with the festival season well underway and a good portion of the major contenders for the Academy Awards having screened or about to screen, now seems like as good a time as any to take a look at the big eight categories and see what’s what in an updated and more expanded fashion. I did this with the major categories a couple of months back, but that was when almost everything was still speculation. We have some facts to go on now, so while much of this is still just an educated guess, I’m not completely relying on overt hunches this time around. It’s more of an even mix, depending on the film/director/performer in question, of course. Today I’m turning my attention once again to the Best Actor field, which won’t necessarily match up with Best Picture in any major way, but perhaps won’t be too far off either. Read on to see what I mean…
One special note about Best Actor this year is that it’s as deep as I’ve ever seen it to be at this point in the season. Each of the ten men that I have cited as the ones with the best chance at a nomination could presumably even wind up winning, and I’d go so far as to say that extends to the next few as well. When have we been basically in October previously and had a dozen viable contenders to win an Oscar? Besides that, you can go nearly 20 deep in terms of who could legitimately wind up getting nominated. It’s going to be a bloodbath when we whittle this down to the ultimate lineup…
Here are the ten gentlemen that I have in play for Best Actor currently, with the top five cracking the lineup at this point and time:
1. Michael Keaton (Birdman or the Unexpected Virtue of Ignorance) – You really can’t write a better narrative for a comeback performance than this one. Not only is Keaton a former typecast superhero turned critical darling in this film, his character is an actor trying to emerge from the shadow of the hero that he played. It’s the perfect storm not just to get him nominated, which almost surely will happen now, but the right combination of things to result in a win. Right now, he makes the most sense for this […]

Joaquin Phoenix: Oscar veterans hoping for another nomination this year

Each and every single awards season, there are tons of both newcomers and veterans to the Oscar game. Tomorrow I’ll be taking a bit of a look at those seeking their first nominations from the Academy, but today I’m going to be going ahead and listing some of the major players who’ve already been nominated before, and in some cases are already winners. It’s leading up to me re-ranking the contenders in the major categories next week, but right now it’s just going to be a preview of which old hands to the Oscar ranch are saddling up for another ride on the awards season pony.
In the Best Actor race, the highest profile former nominee is Joaquin Phoenix, who will look for his first win this year with Inherent Vice. He represents the most likely non first time nominee who could win the Oscar in this category, though one level down we have Bradley Cooper for American Sniper and Bill Murray for St. Vincent, with Jake Gyllenhaal for Nightcrawler and Brad Pitt for Fury as other possibilities, plus Ben Affleck, who I’m counting here since he’s an Oscar winner, even if he’s never received an acting citation to date. Longer shots for nominations who’ve been to the dance before include Christian Bale for Exodus: Gods and Kings, Ralph Fiennes for The Grand Budapest Hotel, Philip Seymour Hoffman for A Most Wanted Man, Matthew McConaughey for Interstellar, Al Pacino for Manglehorn, Jeremy Renner for Kill the Messenger, and Mark Walhberg for The Gambler. Those fellas will be fighting it out with a bunch of first timers in this category, and it’s going to be a bloodbath.
Over in Best Actress, we have perennial bridesmaid Amy Adams hoping that this year she’ll finally be the bride with her work in Big Eyes. She’s going to be getting a challenge from both Jessica Chastain (for either The Disappearance of Eleanor Rigby, Miss Julie, or A Most Violent Year) and Reese Witherspoon for Wild though. One level down you have Julianne Moore for Still Alice and Meryl Streep for Into the Woods, with other former nominees/winner on the hunt including Marion Cotillard for The Immigrant or Two Days One Night, Keira Knightley for Begin Again, Hilary Swank for The Homesman, Kate Winslet for A Little Chaos, and Robin Wright for The Congress. The newbies could seriously vie for a win here, but the vets have […]

The 84th Academy Awards: If I had been a voter

Once again today I’m going to be taking a look back at a recent Oscar lineup and explaining what my vote would have been in each of the big eight categories we all follow so intently each season. I previously mentioned that potentially I could do this once a week with previous Academy Award ceremonies, and while I’m going to be truing to do that, time will still tell. Again, if nothing else, this gives you an interesting look into my cinematic tastes. Over the course of the year you can sort of get a feel for what my current favorites are, but now we can look to the past a bit more.
Alright, here goes nothing:
Best Picture – Moneyball
The nominees here for this ceremony were The Artist, The Descendants, Extremely Loud and Incredibly Close, The Help, Hugo, Midnight in Paris, Moneyball, The Tree of Life, and War Horse. Obviously The Artist took it in real life, and Drive would have been my clear pick had it been nominated, but if I had been a voter my choice would have been between The Descendants, Midnight in Paris, and Moneyball. At the time, The Descendants would have been my pick, but now I think I lean towards Moneyball, so that would wind up getting my vote for Best Picture.
Best Director – Alexander Payne for The Descendants
I’d have voted for Nicolas Winding Refn here for Drive, but unsurprisingly he wasn’t nominated. The actual nominees were Woody Allen for Midnight in Paris, Michel Hazanavicius for The Artist, Terrence Malick for The Tree of Life, Alexander Payne for The Descendants, and Martin Scorsese for Hugo. Without Refn, I don’t have anyone I’m too wild about, but I think Payne might be the best of the bunch. The aforementioned Refn is easily my personal pick overall, but Payne is my choice of the actual nominees.
Best Actor – Brad Pitt for Moneyball
In a perfect world, I’d have seen either Michael Fassbender rewarded for Shame, Ryan Gosling in the lineup for Drive, Tom Hardy cited for Warrior, or Michael Parks in for Red State and subsequently any of them would have been my vote (likely Fassbender), but such is life. The actual nominees here though were Demián Bichir for A Better Life, George Clooney for The Descendants, Jean Dujardin for The Artist, Gary Oldman for Tinker Tailor Soldier Spy, and Brad Pitt for Moneyball. The choice of these […]

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