April 22, 2014

Tag Archives: Cinema of the United States

Craig Zadan and Neil Meron will return to produce the Oscars

Motion picture, television and theater producing team Craig Zadan and Neil Meron will return to produce the Oscars for a third consecutive year, Academy President Cheryl Boone Isaacs announced today. The 87th Oscars will air live on the ABC Television Network on Oscar® Sunday, February 22, 2015.
“We couldn’t be more thrilled to have Craig and Neil back to produce the Oscars again in 2015,” said Boone Isaacs. “Their showmanship has elevated the show to new heights and we are excited to keep the momentum going with this creative partnership.”

“This year’s show reached viewers of all ages and set social media records, proving that Craig and Neil are masters at tapping into the zeitgeist and capturing the hearts of movie fans around the world,” said Academy CEO Dawn Hudson.
“We are delighted to work with Cheryl, Dawn and the Academy to produce the Oscars for a third time,” said Zadan and Meron. “We’re proud of the show’s success over the last two years and are eager to embark on another entertaining show to honor this year’s motion pictures.”
The 86th Oscars on March 2, marked the return of host Ellen DeGeneres, and featured memorable musical performances by artists including Pharrell Williams and U2, a tribute to “The Wizard of Oz” by Pink, and a star-studded, record-breaking selfie seen around the world.
The show drew an average audience of 45.4 million total viewers, delivering a 13.7 rating among adults 18–49 (Live+7), and reached 74.6 million viewers watching 6+ minutes, the best since 2004. The Oscars were TV’s most-watched entertainment telecast in 10 years and attracted the biggest viewership in 14 years. The show helped drive increases for the second consecutive year, marking a seven-year high for adults 18–34 (+3%); a nine-year high for teens 12–17 (+13%); and an eight-year high for kids 2–11 (+13%). Social media activity was particularly robust with more than one billion impressions generated on Twitter and 25 million interactions happening on Facebook on Oscar® Sunday. Additionally, DeGeneres’s selfie became the most retweeted photo of all time with 32.8 million views.
Zadan and Meron’s feature film, television and theater productions have earned a total of six Oscars, 11 Emmy® Awards, two Tony® Awards, a Grammy® Award, five Golden Globes®, two Peabody Awards, five GLAAD Awards and two NAACP Image Awards. For film, they executive produced the 2002 Best Picture winner “Chicago,” which won Oscars in six of the 13 categories in which it [...]

Bowling for Columbine: The Top 25 (Best Documentary Feature)

Continuing the weekly series I’m doing here on the site, we’re talking the top 25 Oscar winners in just about all of the Academy Award categories out there for us to discuss. Aside from the short form categories and likely something much harder to rank like Best Sound Editing or Best Sound Mixing as I’ve mentioned in the weeks prior, I’ll be hitting them all over the coming weeks, including of course the big eight categories, a few of which have already received this treatment. I’m also potentially going to do one that doesn’t really exist (a fictitious/wishful thinking Best Ensemble category), but that’s just an idea I currently am toying with. We’ll see about that one, but for now, we’ll stick to reality.
Today I’ll be going ahead and knocking off another one of the in between categories (though technically a technical category, if you’ll excuse the phrasing), with this one being the Best Documentary Feature field. Depending on the category in question, I may wind up discussing the individual winners I’m citing specifically or just giving a broad overview of the winners. Like I said over the past few weeks though, in all honesty, you mostly just want to see the list anyway, so I have no problem obliging you there in that regard. All you have to do is just be patient over the next couple of paragraphs…
This time around, I’m just going with the overview route again, though many of these documentaries are well worth having more said about them. Personally, I’ve favored a lot of the more recent winners in this category, but that’s just me. Some of you might be fans of the early winners. I certainly don’t exclude them, but I feel that in the last decade and change, some of the very best winners have been released, plain and simple.
I’ll just discuss my top ten a bit now before getting to the list itself. My number one pick might be a bit controversial for some, but I’m a big Michael Moore fan and feel that he really hit a home run with Bowling for Columbine. Issues documentaries often speak to me, hence the high placement of modern winners like The Cove and An Inconvenient Truth, as well as an older one like The Times of Harvey Milk. Rounding out the rest of the top ten we have The Fog of War, Harlan County [...]

Red Carpet: “A Haunted House 2″

There’s nothing worse than an ex-girlfriend scorned. Unless it’s a demonic ex-girlfriend scorned.
Marlon Wayans, Jaime Pressly, Gabriel Iglesias and Cedric the Entertainer were among the film’s cast on the red carpet Wednesday night at LALive for the premiere of “A Haunted House 2.” No one was frightened away from this sequel, which opens Friday and is expected to scare up some tidy box office grosses for distributor Open Road Films.
Fans lined the block to try and get a glimpse of their favorites,who included a variety of celebrity names like singer-actress Brandy, musicexec Russell Simmons, former football great Shawne Merriman as well as welterweightboxing legend Floyd Mayweather, Jr., who, with his full Money Team entourage, tooktime out getting ready for his upcoming fight to support his friend, Wayans. Ablizzard of flashes went off when the two embraced on the carpet in front ofphotographers.
Wayans was taking red carpet selfies and live tweeting to fans todrum up the base. He’s a pro at this, considering his other “Scary Movie” franchise and it’s success. Wayans and producing partner Rick Alvarez wrote and produced “A Haunted House 2,”
Directed by Michael Tiddes, the ‘?Hauned House’ sequel revolves a round Wayans’ character, Malcolm, who moves with his new girlfriend and hertwo children into their dream house only to find the place plagued by bizarreparanormal events.

Academy Announces Key Dates for Oscars®

The Academy of Motion Picture Arts and Sciences and the ABC Television Network today announced the dates for the 87th Oscars. The Academy Awards® presentation will air live on ABC on Oscar® Sunday, February 22, 2015.
Key dates for the Awards season are:
Saturday, November 8, 2014 The Governors Awards
Wednesday, December 3, 2014 Official Screen Credits and music submissions due
Monday, December 29, 2014 Nominations voting begins 8 a.m. PT
Thursday, January 8, 2015 Nominations voting ends 5 p.m. PT
Thursday, January 15, 2015 Oscar nominations announced
Monday, February 2, 2015 Oscar Nominees Luncheon
Friday, February 6, 2015 Final voting begins 8 a.m. PT
Saturday, February 7, 2015 Scientific and Technical Awards
Tuesday, February 17, 2015 Final voting ends 5 p.m. PT
Oscar Sunday, February 22, 2015 87th Academy Awards begins 7 p.m. ET/ 4 p.m. PT
The Oscars will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.
# # #
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners–Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history.
Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars

Transcendence – Johnny Depp, Paul Bettany, Rebecca Hall, Kate Mara, Morgan Freeman, Cole Hauser, Cillian Murphy

Directed by: Wally Pfister
Written by: Jack Paglen
Main Cast: Johnny Depp, Paul Bettany, Rebecca Hall, Kate Mara, Morgan Freeman, Cole Hauser, Cillian Murphy, and others
Past Oscar relations: Pfister won Best Cinematography for Inception and Morgan Freeman won Best Supporting Actor for Million Dollar Baby
Here now we have the next article in this series on 2014 contenders hoping to compete for Oscar attention at the Academy Award ceremony in 2015. Next up is DP turned filmmaker Wally Pfister’s directorial debut Transcendence, which hopes to more or less establish Pfister as the next Christopher Nolan (especially since he’s Nolan’s longtime cinematographer), though that may be a somewhat overly optimistic ambition. There’s clearly a bit of Nolan in Pfister though, so we’ll see. He’s got a top notch cast in place here, including Johnny Depp, Paul Bettany, Rebecca Hall, Kate Mara, Morgan Freeman (a Nolan veteran), Cole Hauser, and Cillian Murphy (ditto), so that’s a big help. If Pfister can take scribe Jack Paglen’s well regarded script and make it into something special, perhaps this can be the sort of smart blockbuster that the Academy notices?
What this flick has going in its favor is mainly its pedigree. From the A list cast to the directorial debut of one of the best cinematographers in the business to the hot script that got this all start, hopes have been high from day one here. There’s also the allure of seeing Depp in a role that doesn’t require massive amounts of make up, so older fans of his may be intrigued by this more than many of his recent Disney outings. Followers of Nolan also know Pfister pretty well, so there’s some level of anticipation of him getting to helm his own movie. There’s an original premise on display as well, which is sort of rare these days. This all adds up to a film with lots of potential.
Working against Transcendence is that it appears to be caught between the worlds of heady science fiction and summer blockbuster action. The film could be too talky for the crowd who wants to see things blow up and it could be too reliant on adding spectacle for those who are looking to really get into the nitty gritty of the story here. Honestly, the release date makes me think that Warner Brothers themselves aren’t quite sure how this will all play out, so unless there are top notch [...]

Critics’ Choice: Joey Berlin from BFCA

Joey Berlin from the Broadcast Film Critics Association – Critics’ Choice Awards
By ROBERT W. WELKOS
In 1995, Joey Berlin and Rod Lurie, two entertainment reporters and film critics who had written for rival publications, joined forces to create the Broadcast Film Critics Assn.
While Lurie would go on to carve out a successful Hollywood career as a screenwriter and director with such films as “The Contender” and “The Last Castle,” Berlin hasn’t faired too badly, either, as the president of the BFCA.
Starting with 44 members the first year, the BFCA’s voting membership today hovers between 285 and 290 and the organization bills itself as the largest film critics group in the U.S. and Canada.
At the same time, the BFCA created the Critics’ Choice Awards, a glitzy tux-and-gown gala now televised on the CW Network that features red carpet celebrity arrivals, drawing worldwide media attention and plenty of Oscar buzz since the show coincides with the run-up to the Academy Awards.
But as the show has catapulted the broadcast critics into the Oscar conversation each movies awards season, tax records show that the nonprofit group Berlin leads has paid his privately-owned company, Berlin Entertainment, Inc., hundreds of thousands of dollars each year for production services.
Read prior Broadcast Film Critics Association story here at Hollywoodnews.com
IRS Form 990 filings list Berlin Entertainment, Inc., receiving a combined $992,270 from the nonprofit between fiscal 2009 and 2011.
Berlin notes that his members seem to be satisfied with the job he’s doing since he has been repeatedly re-elected president every two years.
The tax files show that Berlin’s base compensation and benefits were a combined $1,297,133 for the three-year period spanning fiscal 2009 to 2011. But his compensation is listed as coming from “related organizations” and not directly from the BFCA, according to the Form 990 documents, which all nonprofits are required to file with the IRS to qualify for tax-exempt status.
When asked about his sizeable compensation, Berlin told HollywoodNews.com in a recent telephone interview: “I did this for five years for zero compensation, but this is what I do all day, every day. I’m really proud of what we’ve built and accomplished….
“My compensation has grown with the growth of the show,” he adds without apology. “The television show is an incredible benefit to the members.” He notes that these benefits include such things as access and awards screeners. “That seems a comfortable arrangement for everybody.”
One [...]

Carlos de Abreu: Founder of the Hollywood Film Awards

Celebrating 20 years of success. Carlos de Abreu is a “New York Times” bestselling author, producer, screenwriter, brand marketing expert and Internet pioneer.
Carlos de Abreu is of Portuguese descent and was born in Mozambique. He was a jet pilot in the Portuguese Air Force and studied economics at the University of Witwatersrand, South Africa, and film at UCLA.
His vast experience in brand marketing earned him executive positions and contracts with Cartier International, American Express, and the Italian Government among others. He also co-founded the North American Marketing Services, Ltd., an international luxury goods corporation with offices in three continents; North America, Asia and Europe.

In addition, he launched the Hollywood Network® online, an ecosystem of “verticalized” web models, focused on entertainment and Hollywood. Mr. de Abreu’s multiple websites include HollywoodNews.com (http://www.hollywoodnews.com)

Mr. de Abreu’s organization, the Hollywood Network Inc., is an entertainment marketing company – awards, film conferences, festivals, Internet content, live events – which mandate is bridging the gap between established Hollywood and the global creative community and produces/co-produces live events including the prestigious “Hollywood Film Awards®,” and the “Hollywood Gives Back®” project – highlighting and assisting important local and national causes.
According to the “Los Angeles Times” the “Hollywood Film Awards®,” “launch the push toward Oscar and are the kickoff for the awards season.”
He is the co-author of the national and “New York Times” bestseller, “Husband, Lover, Spy: A True Story,” St. Martin’s Press, and “Opening The Doors To Hollywood,” Crown Publishing.
Presently he is writing the novel “The Soulshaker.” His prior works include two screenplays: Mozambique: The Last Good-Bye and Sworn To Silence.

Specialties: Specialized in the Internet, intelligence gathering, entertainment space, live events production – awards, conferences, festivals, plus branding and distribution of luxury goods and jewelry both in the U.S.A. and the global markets.

Robin Wright: Who’s overdue for their first Academy Award nomination?

Much like I wrote about the actors, actresses, and filmmakers in Hollywood who are overdue to win an Oscar a few weeks ago, there are tons in the industry who are way overdue merely for their first nomination by the Academy. Some of them have gotten close in the past, while others have yet to really sniff that sort of acclaim. They’re both newcomers to the business and old hands, with plenty of in between as well. In my eyes, there are some really overdue ones in particular, and I figured I’d cite some of them here in this article. Narrowing it down to just ten is really difficult, but I wanted to mix and match between different members of the industry and attempt to include some who will have 2014 releases in contention, as you’ll see momentarily…
Below you’ll find ten members of the industry who have yet to receive an Oscar nomination, but who I think are closing in on one, perhaps even within the next year. Take a look:
10. Channing Tatum – I know his name raises some eyebrows, and up until recently I wasn’t his biggest fan, but he’s going to have a big Oscar contender in Foxcatcher this year, so while Steve Carell (who we’ll be talking about shortly) and Mark Ruffalo as more likely nominees, it’s hardly out of the question for Tatum to make it in. In fact, if he’s a standout, it’ll be one of those more youth skewing nominations that the Academy sometimes likes to sneak in.
9. Joseph Gordon-Levitt – I’ve long been saying that Gordon-Levitt is overdue for a nomination, despite his relative youth. His writing and directing debut Don Jon only showed off more of his talents, so while he couldn’t make it in for something like (500) Days of Summer, the next few years should most likely result in him joining the Academy as a nominee. I’d be shocked if he wasn’t nominated by the end of the decade.
8. Kevin Smith – While Smith is probably past the point of making things that will appeal to Oscar voters, that doesn’t make him any less overdue in my eyes. I’ll be talking about him in a Spotlight on the Stars piece soon, but his best chance was probably for the Chasing Amy screenplay. A few years ago he made a great film that nobody saw called Red State too, so [...]

Oscars®: Draft Day – What’s up with the 2015 Awards Race

Directed by: Ivan Reitman
Written by: Rajiv Joseph and Scott Rothman
Main Cast: Kevin Costner, Chadwick Boseman, Jennifer Garner, Frank Langella, Denis Leary, Tom Welling, and many others
Past Oscar relations: Ivan Reitman was nominated for co-producing Up in the Air and Kevin Costner won Best Picture and Best Director Oscars for Dances with Wolves
Here now we have the next article in this series on 2014 contenders hoping to compete for Oscar attention at the 2015 ceremony. Next up is Ivan Reitman’s Draft Day, which hopes to essentially be the next Moneyball, just with the NFL Draft as its focus. That film was a bit of an aberration, but this one has a bit in common with it, so perhaps the Academy is more open to sports movies than they have been in the past? Reitman has sports film icon Kevin Costner in the lead role, so that’s certainly a plus, along with a strong ensemble that includes Chadwick Boseman, Jennifer Garner, Frank Langella, and Denis Leary, to name a few. They’re in the service of a fine film, one of the better ones to come out this year so far, in my humble opinion. Being a quality bit of cinema is the first step towards becoming a contender.
What this flick has going in its favor is a crowd pleasing plot and a top notch script, not to mention a great role for Costner to sink his teeth into. Costner always is great in sports films, and this is no exception. Reitman also shows an able hand at drama, something he’s rarely attempted during his illustrious career. As for the screenplay, Black List winning scribes Rajiv Joseph and Scott Rothman have crafted something that both hardcore football fans like myself and newbies can enjoy equally. Moneyball was able to do this, and that screenplay damn near won an Oscar, so especially in the writing field, this movie should have a chance to contend for a nomination.
Working against Draft Day is that it is a sports movie without an awards centric pedigree. Yes, it has a Black List winning script, but that doesn’t always make a huge difference. Costner also has never been nominated for one of his sports outings, so it’s likely that he won’t break that trend here. That makes it Best Original Screenplay or nada in all likelihood, and having that narrow a focus makes it a dicey proposition. Draft Day [...]

Spotlight on the Stars: Kevin Costner

Here we go with another installment of my Spotlight on the Stars series. Each week, I’ll look at an actor/actress/filmmaker that I’d like to celebrate in some kind of a way. It could be due to something of theirs coming out that weekend (like last week and this week, for example) or just because I feel they deserve to have a moment in the sun, but each time it’ll be a bit of positivity about someone who I’d like to pay tribute to.
For this week’s piece (number three overall so far), I wanted to take a look at our first male actor…Kevin Costner. Some see him as a bit of a has been, but I disagree and not only still see a movie star, but an underrated actor as well. Costner is a throwback to an older generation of actor. Very much a man’s man and a real movie star, but one with a softness to him as well. His best performances have perfectly highlighted that. He can be an excellent action hero, that’s for sure, but I’ve always preferred him as a bit more of a working man, be it as a baseball player or just a middle class Joe like he was in The Company Men.

Yes, his best films often involve sports (particularly baseball), but how is that a knock against him? Especially with the very good Draft Day hitting theaters this weekend, it’s just evidence of him knowing where he really fits and playing to that. From Bull Durham to Field of Dreams to For Love of the Game and Tin Cup (and also The Upside of Anger, where he plays a retired player), the sports genre really seems to serve him well. That being said, he’s hardly out of his element when removed from athletics.
Costner has usually challenged himself more than he’s been given credit for, especially considering his directorial career. He won Best Director and Best Picture for Dances with Wolves, and even his projects that were deemed unsuccessful weren’t for a lack of ambition. He can be a risk taker behind the camera, even as he’s a calming and grounded presence in front of it. That’s particularly on display with Draft Day, even when his character is far from calm.
Overall, Costner is am underrated actor with an undeniable screen presence, like I mentioned above. As he begins to enter somewhat of a Hollywood elder [...]

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