This Thursday join The BULLY Project and CNN for a day of action against bullying! Set your DVR’s for 10pm EST, as CNN’s Anderson Cooper 360 will be debuting the hour long special “The BULLY Effect”, a chronicle of how BULLY as a raw, powerful documentary helped ignite an inspirational, grassroots anti-bullying social movement over the course of a year.
Last spring, tastemakers around the globe joined together to amplify the message that bullying impacts over 13 million children per year. That action in partnership with Twitter reached over 232 Million People – making it one of the most effective organic actions ever on Twitter. We must continue building on this momentum to help end bullying and this Thursday, we will do just that with your help.
Be a part of the conversation by getting on twitter and tweeting the following throughout the day on Thursday:
I’m standing with @AC360 & @bullymovie by joining the movement to end bullying in our generation! RT now bit.ly/feBbaH #bullyeffect
Don’t forget that our Educator’s DVD and Toolkit is now available for pre-order! It comes with an in-school public screening license, as well as tools to help you powerfully use BULLY in your schools, and resources to help create year round lasting change that are FREE to implement – and much more! Valued at over $200.00, we are making the Educator’s DVD and Toolkit available for only $29.99 with your pledge to implement the tools within the kit. Pre-order now, shipping begins March 25th!
Thank you so much for your continued support! We very much look forward to your participation as we continue to grow this movement and stand up to bullying in our communities!
Warm regards,
Lee Hirsch
Director/Producer
The BULLY Project
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Tag Archives: Entertainment/Culture
“BULLY” it’s time to take a stand!
Check out the new poster for “MONSTERS UNIVERSITY”
Ever since college-bound Mike Wazowski (voice of Billy Crystal) was a little monster, he has dreamed of becoming a Scarer—and he knows better than anyone that the best Scarers come from Monsters University (MU). But during his first semester at MU, Mike’s plans are derailed when he crosses paths with hotshot James P. Sullivan, “Sulley” (voice of John Goodman), a natural-born Scarer. The pair’s out-of-control competitive spirit gets them both kicked out of the University’s elite Scare Program. To make matters worse, they realize they will have to work together, along with an odd bunch of misfit monsters, if they ever hope to make things right.
Screaming with laughter and oozing with heart, Disney•Pixar’s “Monsters University” is directed by Dan Scanlon (“Cars,” “Mater and the Ghostlight,” “Tracy”), produced by Kori Rae (“Up,” “The Incredibles,” “Monsters, Inc.”) and features music from future Rock-and-Roll-Hall-of-Fame–inductee and award winning composer Randy Newman (“Monsters, Inc.,” “Toy Story 3”). The film opens in U.S. theaters on June 21, 2013, and will be shown in Disney Digital 3D™ in select theaters.
Mike Wazowski’s (voice of Billy Crystal) lifelong dreams of becoming a Scarer are derailed during his first semester at Monsters University when he crosses paths with hotshot James P. Sullivan, “Sulley” (voice of John Goodman), and their out-of-control competitive spirit gets them both kicked out of the University’s elite Scare Program.
“Like” MONSTERS UNIVERSITY on Facebook: http://facebook.com/PixarMonstersUniversity
“Follow” Disney/Pixar on Twitter: http://www.twitter.com/DisneyPixar
Visit the website: http://www.Disney.com/MonstersU
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AXS TV Presents Carrie Underwood’s “Blown Away Tour”
Six time GRAMMY winner Carrie Underwood will bring her critically acclaimed ‘Blown Away Tour’ to AXS TV for a LIVE full concert performance from Citizens Business Bank Arena in Ontario, California on Sunday, March 3rd.
Named the top female country touring artist of 2012, Underwood is currently on the second leg of the highly successful ‘Blown Away Tour,’ which continues through May throughout the U.S., Canada, and across the pond to the UK and Ireland.
‘The Blown Away Tour’ Live 2013 is not Underwood?s first appearance on AXS TV. The multiple award-winning artist gave the network’s nightly live music news, trends and interview program, AXSLive, an exclusive backstage interview and live look in to ‘The Blown Away Tour’ when it stopped at STAPLES CENTER located in the heart of the network’s home campus, L.A. LIVE. Video: http://youtu.be/hBmlPBv3YTA.
Underwood says, “I’ve had the opportunity to play in so many wonderful cities and venues on this tour and still have many more to go, but I am so excited that AXS TV has given us the opportunity to be able to share the concert experience live with fans at home. It’s going to be a great night!”
“Carrie Underwood and AXS TV share two undeniable traits: a love for live music and passionate country music fans. I am thrilled to personally welcome Carrie to the AXS TV cadre of live LIVE artists. Fans will not be disappointed by the front row seat we give them to The Blown Away Tour on March 3rd,” said AXS TV Chairman Mark Cuban.
Concert review critics praised Carrie throughout ‘The Blown Away Tour’s’ 2012 run?
‘Carrie Underwood very well may be the most powerful vocalist in all of country music- not just right now, when she?s considered the reigning queen of the genre, but of the last decade or two.’ -Orange County Register.
‘Underwood is, without question, one of her generation?s most formidable vocalists.’
-Fort Worth Star Telegram
‘Underwood showed why she is one of popular music’s most widely celebrated and adored performers with brow-raising notes few can hit, much less consistently sustain. Each note on her range, belted high or softly sung, showed why she was the best in the country and continues to grow.’
-Tulsa World
AXS TV is the premier destination for 100% live concerts on television. With more pure live events than any other network, AXS TV brings fans an unparalleled music experience designed specifically [...]
Directors Guild of America today announced that the 66th Annual DGA Awards will take place on Saturday, January 25, 2014
The Directors Guild of America today announced that the 66th Annual DGA Awards will take place on Saturday, January 25, 2014 in the Ray Dolby Ballroom at Hollywood & Highland in Los Angeles.
77 years since its founding in 1936, the DGA has fought for the economic and creative rights of its members; protected their ability to financially benefit from the reuse of their work; established strong pension and health plans; and established jurisdiction in new technologies and distribution platforms. Today we represent 15,000 directors and members of the directorial team working in film, television, commercials, new media and other audiovisual media.
In the
Feature Films on Kodak Dominate Academy Awards®
Argo’s best picture win topped off a successful night at the Academy Awards® for movies originating on Kodak film. In the 85-year history of the awards, no Oscar®-winning best picture has ever been made without motion picture film technology.
In addition to best picture, films on Kodak also won Oscars® in all four acting categories, as well as adapted and original screenplay, among others. In all, movies produced on Kodak stock took home the gold statue in 12 of the 19 narrative feature categories (non-animated). Six of the nine best picture nominees told their memorable stories on celluloid (Argo, Lincoln, Silver Linings Playbook, Django Unchained, Beasts of the Southern Wild, and Les Miserables).
“We take great pride in our rich history with the Academy Awards®, and this year is no exception,” says Andrew Evenski, president and general manager of Kodak’s Entertainment and Commercial Films Group. “You can listen to all the hype, but the truth is that motion picture film continues to be the gold standard, and last night was certainly proof of that.”
Earlier in the weekend, Film Independent’s Spirit Awards also named a best picture winner, Silver Linings Playbook, which originated on Kodak film. Four of the five nominees in that category also chose Kodak emulsions (Beasts of the Southern Wild, Keep the Lights On, Moonrise Kingdom, and Silver Linings Playbook).
Silver Linings Playbook also won in the directing, adapted screenplay, and best actress categories at the Spirit Awards, while best cinematography honors went to Ben Richardson for Beasts of the Southern Wild. Richardson’s palette was Kodak Super 16 mm film.
Evenski notes that the company is committed to providing filmmakers a range of products. “Filmmakers want creative options. We are as committed as ever to providing them with a choice for telling stories. We are currently making billions of feet of film and, who knows, maybe next year’s best winner is already being shot on Kodak film.”
Kodak’s Entertainment Imaging Division is the world-class leader in providing film, digital and hybrid motion imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion.
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2013 Oscars: Congratulations to the Nominees and Honorees
Congratulations to the 2013 Oscar nominees and winners… for complete list of winners pls scroll down.
Best Supporting Actor:
Christoph Waltz – “Django Unchained”
Best Animated Short:
“Paperman” – John Kahrs
Best Animated Feature:
“Brave” – Mark Andrews and Brenda Chapman
Cinematography:
“Life of Pi” – Claudio Miranda
Visual Effects:
“Life of Pi” – Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
Costume Design:
“Anna Karenina” – Jacqueline Durran
Makeup/Hairstyling:
“Les Misérables” – Lisa Westcott and Julie Dartnell
Live Action Film:
“Curfew” – Shawn Christensen
Documentary Short Subject:
“Inocente” – Sean Fine and Andrea Nix Fine
Documentary Feature:
“Searching for Sugar Man”
Sound Mixing:
“Les Misérables” – Andy Nelson, Mark Paterson and Simon Hayes
Sound Editing:
“Zero Dark Thirty” – Paul N.J. Ottosson
Supporting Actress:
Anne Hathaway – “Les Miserables”
Film Editing:
“Argo” – William Goldenberg
Original Score:
Mychael Danna, “Life of Pi”
Original Song:
Adele – “Skyfall”
Adapted Screenplay:
Chris Terrio, “Argo”
Original Screenplay:
Quentin Tarantino, “Django Unchained”
Director:
Ang Lee, “Life of Pi”
Best Actress:
Jennifer Lawrence, “Silver Linings Playbook”
Best Picture:
“Argo”
For the first time, viewers in the U.S. will be able to stream tonight’s Oscars show in its entirety across multiple platforms including ABC.com, the ABC Player app, and the free, ad-supported Hulu and Hulu Plus subscription service. The show will also be available via ABC On Demand, the network’s fast forward-disabled VOD service.
The Oscars, in its entirety, will be available to stream within hours of its broadcast completion, beginning Monday, Feb. 25th at 6:00 a.m. EST through Wednesday, February 27, at midnight EST.
“Tonight’s show included remarkable performances that will surely have people talking. This is an easy, convenient way for anyone who missed the show to catch up and join the conversation,” said Karin Gilford, Senior Vice President of Digital Media, ABC Entertainment. “It’s also perfect for anyone who just wants to relive the most magical moments of the night.”
“Our goal is to give fans as many ways to enjoy and engage with the Oscars as possible and this will provide another great opportunity for them,” said Christina Kounelias, the Academy’s Chief Marketing Officer.
The full streaming will be advertiser supported with :15 or :30 video spots running intermittingly from Blue Diamond, Diet Coke, Hyundai, JC Penney, Samsung and The University of Phoenix.
Additionally, during the telecast, Oscar.com offered a plethora of “Real Time Oscar Highlights” to viewers almost instantly after they debuted on the live broadcast. Those special moments from telecast as well as numerous highlights from the Red Carpet and backstage during the show, are currently available on the show’s official site, Oscar.com.
Oscar.com and the official Oscars app [...]
‘Identity Thief’ tops weekend box office again
I can’t confirm this offhand, but I’m pretty sure Snitch has the biggest opening weekend of all time for a film based on a Frontline documentary.
The ‘mandatory minimum sentences are evil’ action drama debuted with $13 million this weekend. That’s not a huge figure, but it’s above the sub-$8 million debuts from Sylvester Stallone, Arnold Schwarzenegger, and Jason Statham in the last two months. Lionsgate/Summit procured the film for just $5 million, so this is a solid win all-around. The picture played 77% 18-49 and 53% male, earning a B from Cinemascore.
The solid 3.17x weekend multiplier, especially considering the predicted Oscar drop today, means that the film may have legs and an outside shot at $45 million. It’s not a massive success, and it means that Dwayne Johnson needs a viable franchise to be ‘box office’, but for a film with nothing but The Rock to sell, this isn’t a bad debut at all (it’s higher than the $8 million debut for 2010′s Faster, for example). Johnson still has G.I. Joe: Retaliation next month and the sure to be *huge* Fast & Furious 6 on tap for May, so this almost qualifies as his “one for me” art film. It’s a good movie that I hope finds an audience and it’s clearly a better choice for action junkies than A Good Day to Die Hard.
To read more go to Mendelson’s Memos
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Quvenzhané Wallis, the star of Beasts of the Southern Wild, in the title role of Annie
Overbrook Entertainment, Marcy Media, director Will Gluck and Sony Pictures Entertainment have cast Academy Award® nominee Quvenzhané Wallis, the star of Beasts of the Southern Wild, in the title role of Annie, it was announced today by Doug Belgrad, president of Columbia Pictures, and Hannah Minghella, president of Production for the studio.
Commenting on the announcement, Minghella said, ‘With the recent Academy Award® nomination and critical acclaim, Quvenzhané Wallis is a true star and we believe her portrayal as Annie will make her a true worldwide star. She is an extraordinary young talent with an amazing range, not only as an actress but as a singer and dancer, and we can’t wait for audiences to further discover her.’
Annie will be released during the winter holiday season in 2014. The film is being directed by Gluck and produced by James Lassiter, Jada Pinkett Smith, and Will Smith through Overbrook Entertainment, and by Shawn ‘JAY Z’ Carter, Jay Brown, and Tyran ‘Ty Ty’ Smith through Marcy Media. Gluck is currently revising the film’s screenplay, which was written by Emma Thompson and rewritten by Aline Brosh McKenna based on the musical stage play ‘Annie,’ book by Thomas Meehan, music by Charles Strouse, lyrics by Martin Charnin, and on ‘Little Orphan Annie,’ © and ® Tribune Media Services, Inc. The film is being overseen at the studio by Andrea Giannetti and Devon Franklin.
QUVENZHANÉ WALLIS’ favorite pastimes are reading, singing, dancing, acting, and playing her iPod and Nintendo DS. Her favorite TV stars/singers are China McClain, Selena Gomez, and Miley Cyrus. Her favorite sports are basketball, volleyball, dance and cheerleading. Her upcoming films include a role in Twelve Years a Slave with Brad Pitt, Michael Fassbender and director Steve McQueen.
About Sony Pictures Entertainment
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in 159 countries. For additional information, go to http://www.sonypictures.com/
About Overbrook Entertainment
Overbrook Entertainment, founded by partners James Lassiter, Will Smith and run along with partner Jada Pinkett Smith, is committed to offering the highest quality entertainment focused in film and television and has produced a diverse [...]
“Silver Linings Playbook” cleans up at the Spirit Awards
David O. Russell’s “Silver Linings Playbook” swept the Film Independent Spirit Awards this afternoon in Santa Monica on the beach. Russell won Best Director and Adapted Screenplay, Jennifer Lawrence won Best Actress, the film won Best Picture. It was quite a moment for this little romantic comedy with serious underpinnings.
The only big award lost was Bradley Cooper, who was just as pleased to see veteran John Hawkes pick up Best Actor for “The Sessions.” Helen Hunt won Best Supporting Actress for “The Sessions” as well. And “The Invisible War” won Best Documentary. “Amour” won Best Foreign Language Film.
Andy Samberg was sort of brilliant as host of the show, which airs tonight on the IFC Channel. He gave a classy tip of the hat to long time show host John Waters. The Spirit Awards run much fast now as they are taped without commercials, then show the same evening. There are no messy breaks.
The Spirit Awards are not exactlu an augur for the Oscars. They’re really for movies that cost less than $20 million to make. Still, repeats are not unusual. And the wins here mean that “Silver Linings” has a lot of support. This may translate into bigger things at the Oscars on Sunday.
Because the Spirit Awards are for free spirits, the show offered Jameson Irish Whiskey on the rocks to anyone coming onto the red carpet. Major amounts of liquor flowed all through the afternoon, which made for some uneasy moments. Chief among these was the writer of “Safety Not Guaranteed,” a young man named Derek Connolly. He got so toasted that by the time he won Best First Screenplay he was in trouble.
Connolly gave an incoherent rambling speech and finally had to be cut off by actress Kerry Washington. When he left the stage Connolly was so out of it he had to be carried out of the main tent where the ceremony continued without him.
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Joaquin Phoenix about the Oscars: “I didn’t know I had a choice”
Twas the night before Oscars and all through the town, everyone was stirring and no one was down. Indeed, Hollywood seemed ebullient on Saturday night as limos careened back and forth up and down Sunset Blvd. from the Chateau Marmont to Soho House and up to the Beverly Hills Hotel carrying actors, actresses, and celebrities. Meanwhile, at the Dolby Theater, in rehearsal, you could hear the cast of “Les Miserables” and a 48 person strong chorus belting out show tunes, and Dame Shirley Bassey polishing up her “Goldfinger” for the big event.
At Madeo’s on Beverly Boulevard, Charles Finch held his annual pre Oscar dinner, sponsored by Chanel, and featuring Oscar nominee Jessica Chastain. Finch, the British impresario, is also the son of late great actor Peter Finch, and he knows a thing or two about theater. The result is that his parties are like little presentations, cozily lit, super-salons.
And who did we see? Rebecca Gayheart and Eric Dane, Ioann Grufudd and Alice Ryan, producer Ed Pressman and wife Annie with producer Laura Bickford, Jared Harris and producer Cassian Elwes and so on, sprinkled in among fashionistas. Livia Firth, Colin’s wife, explained her Oscar winning husband was abroad shooting his second film in a row with Nicole Kidman. Cool.
And all through the low ceilinged room of Madeo’s you could hear the word “Argo” burbling along. Chastain, a pragmatist, told me: “I’m not going to win, and it’s fine.” She and her Italian boyfriend — Gian Luca Passi de Preposulo– are headed to Milan next week for a break before Jessica begins work on her next film. Between “Zero Dark Thirty” and “The Heiress” on Broadway, Chastain has had an extraordinary run this year.
Some other guests included writer Brett Easton Ellis, and married actors Alessandro Nivola and Emily Mortimer.
Meantime, back at the newly refreshed and just reopened Polo Lounge, Warren Beatty caused a stir when he walked in– and headed straight over to a table hosted by producer Brian Grazer. Soon it was clear that Ron Burkle and Steve Bing were also there, and some attractive young ladies filled in the extra seats. But the Polo was buzzing. Brett Ratner arrived in a wool cap.
“Dark Knight” director Christopher Nolan had the table for eight right next to the Beatty-Bing-Grazer, while Alanna Stewart got her own table., Phillippe Dauman, the man who runs Viacom, was fully ensonced in a banquette. And the in [...]


