Joey Berlin from the Broadcast Film Critics Association – Critics’ Choice Awards
By ROBERT W. WELKOS
In 1995, Joey Berlin and Rod Lurie, two entertainment reporters and film critics who had written for rival publications, joined forces to create the Broadcast Film Critics Assn.
While Lurie would go on to carve out a successful Hollywood career as a screenwriter and director with such films as “The Contender” and “The Last Castle,” Berlin hasn’t faired too badly, either, as the president of the BFCA.
Starting with 44 members the first year, the BFCA’s voting membership today hovers between 285 and 290 and the organization bills itself as the largest film critics group in the U.S. and Canada.
At the same time, the BFCA created the Critics’ Choice Awards, a glitzy tux-and-gown gala now televised on the CW Network that features red carpet celebrity arrivals, drawing worldwide media attention and plenty of Oscar buzz since the show coincides with the run-up to the Academy Awards.
But as the show has catapulted the broadcast critics into the Oscar conversation each movies awards season, tax records show that the nonprofit group Berlin leads has paid his privately-owned company, Berlin Entertainment, Inc., hundreds of thousands of dollars each year for production services.
Read prior Broadcast Film Critics Association story here at Hollywoodnews.com
IRS Form 990 filings list Berlin Entertainment, Inc., receiving a combined $992,270 from the nonprofit between fiscal 2009 and 2011.
Berlin notes that his members seem to be satisfied with the job he’s doing since he has been repeatedly re-elected president every two years.
The tax files show that Berlin’s base compensation and benefits were a combined $1,297,133 for the three-year period spanning fiscal 2009 to 2011. But his compensation is listed as coming from “related organizations” and not directly from the BFCA, according to the Form 990 documents, which all nonprofits are required to file with the IRS to qualify for tax-exempt status.
When asked about his sizeable compensation, Berlin told HollywoodNews.com in a recent telephone interview: “I did this for five years for zero compensation, but this is what I do all day, every day. I’m really proud of what we’ve built and accomplished….
“My compensation has grown with the growth of the show,” he adds without apology. “The television show is an incredible benefit to the members.” He notes that these benefits include such things as access and awards screeners. “That seems a comfortable arrangement for everybody.”
Tag Archives: Entertainment/Culture
Joey Berlin from the Broadcast Film Critics Association – Critics’ Choice Awards
Continuing onward with this weekly series I’m doing here on the site, we’re talking about the top 25 Oscar winners in just about every single one of the Academy Award categories out there for us to talk about. Aside from the short categories and likely something a bit harder to rank like Best Sound Editing or Best Sound Mixing as I’ve mentioned before, I’ll be hitting them all over the coming weeks, including of course the big eight categories, two of which have already received this particular treatment. I’m also potentially going to do one that doesn’t actually exist (a fictitious Best Ensemble category), but that’s just an idea I’m currently toying with. We’ll see about that one, but for now, we’ll stick to reality and the categories currently endorsed by the Academy.
Today I’ll be knocking off one more of the technical categories, with this one being the somewhat unsexy but still essential Best Film Editing field. Depending on the category in question, I may wind up discussing the individual winners I’m citing rather specifically or just giving a more broad overview of the winners. Like I’ve been saying over the past few weeks, in all honesty, you really just want to see the end result list anyway, so I have no problem obliging you there in that regard. All you have to do is just be patient over the next couple paragraphs…
This time around, I’m again just going with the overview route. Film Editing is another type of category where you sort of know it’s good by seeing it in the films themselves. There are a few different types of editing that the Academy has honored, though sometimes they can fall into the trap of going for “most” instead of best, if that makes sense. For example, you can see in certain winners that the editing is smooth and you’re almost not meant to notice it all, while other winners want to constantly impress you with their flashy approach to editing. I’m not particularly partial to either one, basically just going for what fits the movies best. Sometimes I don’t want to notice the editing at all in the flick, and sometimes I want it to be front and center. It all just depends.
I’ll discuss my top ten a bit now before getting to the list itself. The winner that I think is the best ever happens to be [...]
Production is getting under way in New Orleans on the Lionsgate action comedy “American Ultra” starring Jesse Eisenberg and Kristen Stewart.
Directed by Nima Nourizadeh (“Project X”) and written by Max Landis (“Chronicle”), the story revolves around a seemingly hapless and unmotivated stoner (Eisenberg) whose small-town life with his live-in girlfriend (Stewart) is suddenly turned upside down when he discovers that he has a secret past as a highly trained, lethal sleeper agent. In the blink of an eye, he is forced to summon his inner action-hero in order to survive.
The cast also includes Topher Grace, Tony Hale, John Leguizamo, Bill Pullman and Walton Goggins.
A PalmStar/Likely Story/Circle of Confusion production, the film is produced by Anthony Bregman (“Eternal Sunshine of the Spotless Mind”), Kevin Frakes, Raj Brinder Singh, David Alpert (“The Walking Dead”) and Britton Rizzio, with Ray Angelic as executive producer.
“Despicable Me Minion Mayhem,” an original 3D Ultra-HD adventure, and “Super Silly Fun Land,” an immersive carnival setting – both based on Universal Pictures and Illumination Entertainment’s worldwide blockbuster “Despicable Me” franchise – celebrated their dynamic grand opening today at Universal Studios HollywoodSM. Among the many surprises inspired by the beloved films, guests will be “turned into” an army of iconic Minions and embark on a secret training mission.
“Despicable Me Minion Mayhem” officially opens to the public at Universal Studios Hollywood on Saturday, April 12, 2014.
The world premiere was attended by many Minions parading along the yellow carpet, who were joined by Chris Meledandri, founder and CEO of Illumination Entertainment; Ron Meyer, Vice Chairman of NBCUniversal; Tom Williams, Chairman & CEO of Universal Parks & Resorts; and Larry Kurzweil, President of Universal Studios Hollywood. L.A. Mayor Eric Garcetti made a special guest appearance to show support for the theme park’s newest addition, speaking to an enthusiastic crowd about Universal Studios Hollywood’s long-term impact on tourism in the region.
Also in attendance were “Despicable Me” series stars, including Miranda Cosgrove (Margo), Dana Gaier (Edith) and Elsie Fisher (Agnes), who were joined by versatile entertainer and host of EXTRA, Mario Lopez; the cast from NBC’s “Crisis,” including Stevie Lynn Jones, Lance Gross, Joshua Erenberg, Max Martini and Max Schneider; TGT recording artist, Tank; HBO’s “Band of Brothers” star Neal McDonough; Syfy’s “Face Off” host, McKenzie Westmore; and Ultimate Fighting Champion Chuck Lidell.
“The irreverent humor, endearing characters and storyline that have captivated movie-goers worldwide makes ‘Despicable Me’ a perfect match for our theme park,” said Kurzweil. “This imaginative new attraction will not only take guests on a hilarious and heartwarming adventure that captures the spirit of the film, but will also invite them to embrace their ‘inner Minion’ – that mischievous alter-ego that hides within all of us. As the film franchise continues to break new ground as a modern day classic, so too will ‘Despicable Me Minion Mayhem’ as yet another marquee Universal Studios Hollywood attraction.”
Voiced by the film’s original stars, the fully immersive motion-simulator ride features the lovable cast of characters who have resonated with audiences across the globe: (former?) super-villain Gru (Steve Carell), his adorable girls – Margo (Miranda Cosgrove), Edith (Dana Gaier) and Agnes (Elsie Fisher) – and an army of unpredictable Minions, voiced by Pierre Coffin.
“‘Despicable Me Minion Mayhem’ and ‘Super Silly Fun Land’ bring our movies to [...]
Celebrating 20 years of success. Carlos de Abreu is a “New York Times” bestselling author, producer, screenwriter, brand marketing expert and Internet pioneer.
Carlos de Abreu is of Portuguese descent and was born in Mozambique. He was a jet pilot in the Portuguese Air Force and studied economics at the University of Witwatersrand, South Africa, and film at UCLA.
His vast experience in brand marketing earned him executive positions and contracts with Cartier International, American Express, and the Italian Government among others. He also co-founded the North American Marketing Services, Ltd., an international luxury goods corporation with offices in three continents; North America, Asia and Europe.
In addition, he launched the Hollywood Network® online, an ecosystem of “verticalized” web models, focused on entertainment and Hollywood. Mr. de Abreu’s multiple websites include HollywoodNews.com (http://www.hollywoodnews.com)
Mr. de Abreu’s organization, the Hollywood Network Inc., is an entertainment marketing company – awards, film conferences, festivals, Internet content, live events – which mandate is bridging the gap between established Hollywood and the global creative community and produces/co-produces live events including the prestigious “Hollywood Film Awards®,” and the “Hollywood Gives Back®” project – highlighting and assisting important local and national causes.
According to the “Los Angeles Times” the “Hollywood Film Awards®,” “launch the push toward Oscar and are the kickoff for the awards season.”
He is the co-author of the national and “New York Times” bestseller, “Husband, Lover, Spy: A True Story,” St. Martin’s Press, and “Opening The Doors To Hollywood,” Crown Publishing.
Presently he is writing the novel “The Soulshaker.” His prior works include two screenplays: Mozambique: The Last Good-Bye and Sworn To Silence.
Specialties: Specialized in the Internet, intelligence gathering, entertainment space, live events production – awards, conferences, festivals, plus branding and distribution of luxury goods and jewelry both in the U.S.A. and the global markets.
Much like I wrote about the actors, actresses, and filmmakers in Hollywood who are overdue to win an Oscar a few weeks ago, there are tons in the industry who are way overdue merely for their first nomination by the Academy. Some of them have gotten close in the past, while others have yet to really sniff that sort of acclaim. They’re both newcomers to the business and old hands, with plenty of in between as well. In my eyes, there are some really overdue ones in particular, and I figured I’d cite some of them here in this article. Narrowing it down to just ten is really difficult, but I wanted to mix and match between different members of the industry and attempt to include some who will have 2014 releases in contention, as you’ll see momentarily…
Below you’ll find ten members of the industry who have yet to receive an Oscar nomination, but who I think are closing in on one, perhaps even within the next year. Take a look:
10. Channing Tatum – I know his name raises some eyebrows, and up until recently I wasn’t his biggest fan, but he’s going to have a big Oscar contender in Foxcatcher this year, so while Steve Carell (who we’ll be talking about shortly) and Mark Ruffalo as more likely nominees, it’s hardly out of the question for Tatum to make it in. In fact, if he’s a standout, it’ll be one of those more youth skewing nominations that the Academy sometimes likes to sneak in.
9. Joseph Gordon-Levitt – I’ve long been saying that Gordon-Levitt is overdue for a nomination, despite his relative youth. His writing and directing debut Don Jon only showed off more of his talents, so while he couldn’t make it in for something like (500) Days of Summer, the next few years should most likely result in him joining the Academy as a nominee. I’d be shocked if he wasn’t nominated by the end of the decade.
8. Kevin Smith – While Smith is probably past the point of making things that will appeal to Oscar voters, that doesn’t make him any less overdue in my eyes. I’ll be talking about him in a Spotlight on the Stars piece soon, but his best chance was probably for the Chasing Amy screenplay. A few years ago he made a great film that nobody saw called Red State too, so [...]
Magnolia Pictures announced today it has acquired North American rights to White Bird in a Blizzard, a suspenseful drama from writer/director Gregg Araki and starring Shailene Woodley, who is coming off her hit film Divergent, which has grossed $116.6 million to date.
Based on the novel by Laura Kasischke, the story is set in 1988 and revolves around a college-bound teenager whose life is deeply affected by the disappearance of her mother, played by Eva Green.
The ensemble cast also includes Christopher Meloni, Shiloh Fernandez, Gabourey Sidibe, Thomas Jane and Angela Bassett.
The film was produced by Pascal Caucheteux, Sebastien K. Lemercier, Alix Madigan-Yorkin, Pavlina Hatoupis and Gregg Araki (Kaboom). White Bird In a Blizzard is a Why Not Productions / Desperate Pictures / Orange Studio / Wild Bunch co-production.
“We are longtime admirers of the singular Gregg Araki, who brings his unique vision to this funny, sexy and haunting film,” said Magnolia President Eamonn Bowles. “Shailene Woodley truly shines with a bold and fearless performance that showcases the depth of her talent.”
“I’m thrilled for this opportunity to collaborate with Magnolia, one of the boldest, smartest companies around. White Bird is a true labor of love for me and the most amazing family of actors I’ve ever worked with,” said Araki. “I can’t wait for the world to see the film.”
The deal was negotiated for Magnolia by SVP of Acquisitions Dori Begley and VP of Acquisitions Peter Van Steemburg with CAA and Wild Bunch on behalf of the filmmakers. Magnolia is eyeing a release for later this year.
Magnolia Pictures (www.magpictures.com) is the theatrical and home entertainment distribution arm of the Wagner/Cuban Companies, a vertically-integrated group of media properties co-owned by Todd Wagner andMark Cuban that also includes the Landmark Theatres chain and AXS TV. Recent releases include Lars Von Trier’s Nymphomaniac, the killer whale doc Blackfish, Joe Swanberg’s Drinking Buddies, Thomas Vinterberg’s Oscar-Nominated The Hunt, and hit documentaries Muscle Shoals, Jiro Dreams of Sushi and The Queen of Versailles.
Magnolia’s upcoming releases include Richard Ayoade’s dystopian vision The Double, the raucous Alan Partridge starring Steve Coogan, Steve James’ Roger Ebert doc Life Itself, Joe Berlinger’s Whitey Bulger doc Whitey, Lenny Abrahamson’s Frank, Joe Swanberg’s Happy Christmas, Lukas Moodysson’s We Are the Best!, Norwegian thrillers Pioneer and Ragnarok, and more.
Working Title’s romantic drama Theory of Everything starring Eddie Redmayne as theoretical physicist Stephen Hawking has been given a Nov. 7 exclusive engagements domestic release date by Focus Features, CEO Peter Schlessel announced today.
Academy Award winner James Marsh (Man on Wire) helms the film, which explores the excitement of the 1960s for Hawking as he studies at Cambridge University. At the dawn of his brilliant life’s work, Hawking falls passionately in love with arts student Jane Wilde and their relationship leads him through personal and scientific challenges and breakthroughs.
The film is inspired by Wilde’s memoir, Travelling to Infinity: My Life with Stephen with the screenplay written by Anthony McCarten, who is the producer on the film with Lisa Bruce (producer of Working Title’s Mary and Martha) and Working Title co-chairs Tim Bevan and Eric Fellner.
Redmayne (Les Misérables) will play opposite Felicity Jones (Like Crazy) in the lead roles.
The cast of Theory of Everything also includes two-time Academy Award nominee Emily Watson and David Thewlis (Harry Potter). The creative team includes cinematographer Benoît Delhomme (Lawless), production designer John Paul Kelly (About Time), costume designer Steven Noble (Under the Skin), and film editor Jinx Godfrey (marking her seventh feature with Marsh).
Mr. Schlessel commented, “This extraordinary love story between one of the greatest minds of our time, Stephen Hawking, and his first wife Jane is profoundly moving and inspirational, with heart and humor.”
Focus Features’ successful collaborations with Working Title Films have included such hits as The World’s End, Pride & Prejudice, and Tinker, Tailor, Soldier, Spy; and the Academy Award-winning Anna Karenina and Atonement.
Working Title Films, co-chaired by Tim Bevan and Eric Fellner since 1992, is one of the world’s leading film production companies. Founded in 1983, Working Title has made over 100 films that have grossed more than $6 billion worldwide. Its films have won 10 Academy Awards, 35 BAFTA Awards, and prizes at the Cannes and Berlin International Film Festivals.
Focus Features (www.focusfeatures.com) makes, acquires, and releases movies from rising and established talent and filmmakers. The company is moving forward with a diverse slate of films, with most being wide releases appealing to a range of moviegoers. Staying true to the company’s roots, the slate will also include several specialty films each year.
Currently in release from Focus Features is the subversive comedy Bad Words, directed by and starring Jason Bateman. In addition to Theory of Everything, upcoming Focus films [...]
As promised last week, here I am again with some more up to date Oscar predictions. They’re not amazingly different from what I debuted with, but they do already show a change in focus, at least in terms of some of the second tier contenders. We’ve still got a long way to go and these new predictions will likely be completely wrong anyway, but I feel ever so slightly more confident in backing these sorts of horses as opposed to other ones. If nothing else, this sort of shows where I’m going from as the months pass and the race begins to evolve into something actually competitive…
The big difference that you’ll notice besides the changes that I made in each category is that I’m also listing predicted winners now. As such, you can see that films like Angelina Jolie’s Unbroken, Bennett Miller’s Foxcatcher, and Christopher Nolan’s Interstellar are the ones that I’ve pegged to be the big winners, with Unbroken dominating at this early point in the season. A lot can and likely will change, but if you’re looking for an early horse to bet on, that’s the one.
I’ve also included the tech categories as well, so you’re really getting a full look at how I see things going at this moment. It also shows more of the contenders in play that might not have a shot at Best Picture, but at the very least can hope for some sort of technical citation if nothing else. For example, the new Godzilla fits perfectly into that category.
Here now is how I see the Academy Awards shaping up at this early juncture:
3. Men, Women, & Children
4. Gone Girl
5. Big Eyes
8. The Homesman
1. Angelina Jolie- Unbroken
2. Bennett Miller – Foxcatcher
3. Jason Reitman – Men, Women, & Children
4. David Fincher – Gone Girl
5. Richard Linklater – Boyhood
1. Jack O’Connell – Unbroken
2. Steve Carell – Foxcatcher
3. Joaquin Phoenix – Inherent Vice
4. Michael Keaton – Birdman
5. Ben Affleck – Gone Girl
1. Amy Adams – Big Eyes
2. Jessica Chastain – The Disappearance of Eleanor Rigby
3. Michelle Williams – Suite française
4. Shailene Woodley – The Fault in Our Stars
5. Hilary Swank – The Homesman
BEST SUPPORTING ACTOR
1. Mark Ruffalo – Foxcatcher
2. J.K. Simmons – Whiplash
3. Christoph Waltz – Big Eyes
4. Robert Duvall – The Judge
5. Takamasa Ishihara – Unbroken
BEST SUPPORTING ACTRESS
1. Rosamund Pike – Gone Girl
2. Jena Malone – [...]
Directed by: Ivan Reitman
Written by: Rajiv Joseph and Scott Rothman
Main Cast: Kevin Costner, Chadwick Boseman, Jennifer Garner, Frank Langella, Denis Leary, Tom Welling, and many others
Past Oscar relations: Ivan Reitman was nominated for co-producing Up in the Air and Kevin Costner won Best Picture and Best Director Oscars for Dances with Wolves
Here now we have the next article in this series on 2014 contenders hoping to compete for Oscar attention at the 2015 ceremony. Next up is Ivan Reitman’s Draft Day, which hopes to essentially be the next Moneyball, just with the NFL Draft as its focus. That film was a bit of an aberration, but this one has a bit in common with it, so perhaps the Academy is more open to sports movies than they have been in the past? Reitman has sports film icon Kevin Costner in the lead role, so that’s certainly a plus, along with a strong ensemble that includes Chadwick Boseman, Jennifer Garner, Frank Langella, and Denis Leary, to name a few. They’re in the service of a fine film, one of the better ones to come out this year so far, in my humble opinion. Being a quality bit of cinema is the first step towards becoming a contender.
What this flick has going in its favor is a crowd pleasing plot and a top notch script, not to mention a great role for Costner to sink his teeth into. Costner always is great in sports films, and this is no exception. Reitman also shows an able hand at drama, something he’s rarely attempted during his illustrious career. As for the screenplay, Black List winning scribes Rajiv Joseph and Scott Rothman have crafted something that both hardcore football fans like myself and newbies can enjoy equally. Moneyball was able to do this, and that screenplay damn near won an Oscar, so especially in the writing field, this movie should have a chance to contend for a nomination.
Working against Draft Day is that it is a sports movie without an awards centric pedigree. Yes, it has a Black List winning script, but that doesn’t always make a huge difference. Costner also has never been nominated for one of his sports outings, so it’s likely that he won’t break that trend here. That makes it Best Original Screenplay or nada in all likelihood, and having that narrow a focus makes it a dicey proposition. Draft Day [...]