Best Supporting Actor
Nominees: Barkhad Abdi for Captain Phillips, Bradley Cooper for American Hustle, Michael Fassbender for 12 Years a Slave, Jonah Hill for The Wolf of Wall Street, and Jared Leto for Dallas Buyers Club
Notable precursor wins: Abdi wins BAFTA Award, while Leto wins Broadcast Film Critics, Golden Globe, and Screen Actors Guild Awards
Current frontrunner: Jared Leto
Next in line: Bradley Cooper
Dark horse: Barkhad Abdi
Continuing on with my “Get to know” series, we now have our penultimate piece as we turn our attention today to the Best Supporting Actor race. As you can see in the vital statistics above, the gentlemen making up this category are Barkhad Abdi for Captain Phillips, Bradley Cooper for American Hustle, Michael Fassbender for 12 Years a Slave, Jonah Hill for The Wolf of Wall Street, and Jared Leto for Dallas Buyers Club. More or less the whole season, it’s been Leto’s Oscar to lose, and as he’s picked up win after win, that line of thinking has only gotten more common. At this point, he’s potentially the biggest lock of them all.
From the start of the precursors, Leto has all but swept the ceremonies, with the one exception being Abdi emerging victorious from BAFTA, where Leto wasn’t eligible/nominated. Especially with Matthew McConaughey likely to win Best Actor, that only increases the likelihood of Leto taking Supporting Actor. If you’re expecting anyone else to win, you’re quite frankly a bit on the delusional side.
Now, unless there’s an absolute shocker of an upset, Leto is going to be an Oscar winner on Sunday evening. Abdi and possibly even Bradley Cooper are the next in line contenders, but they’re runners up in the strongest sense of the word. The Leto train is pretty much unstoppable, so look for it to pull into the Oscar station in a few days time and pick up an Academy Award for Leto. You can all but mark it down in ink.
Stay tuned for the conclusion of the acting categories tomorrow, with Best Supporting Actress up next to wrap things up!
Tag Archives: Entertainment/Culture
Best Supporting Actor
Nominees: Amy Adams for American Hustle, Cate Blanchett for Blue Jasmine, Sandra Bullock for Gravity, Judi Dench for Philomena, and Meryl Streep for August: Osage County
Notable precursor wins: Adams wins Golden Globe Award (Comedy), while Blanchett wins BAFTA, Broadcast Film Critics, Golden Globe (Drama), and Screen Actors Guild Awards, while McConaughey wins Broadcast Film Critics Association, Golden Globe (Drama), and Screen Actors Guild Awards
Current frontrunner: Cate Blanchett
Next in line: Amy Adams
Dark horse: Judi Dench
Continuing on with my “Get to know” series, we now turn our attention to the Best Actress race today. As you can no doubt see above, the ladies making up this category are Amy Adams for American Hustle, Cate Blanchett for Blue Jasmine, Sandra Bullock for Gravity, Judi Dench for Philomena, and Meryl Streep for August: Osage County. From the very beginning, it always appeared to be an Adams vs Blanchett race, and that’s what’s come to pass, though most thought it would be closer than it’s turned out to be. Right now, Blanchett looks like a lock to take home the Oscar.
From the start, Blanchett has basically swept the precursors, with Adams really only scoring when the Actress field is split up between Comedy and Drama. There was a brief moment before the awards started coming in where it seemed like someone could step up to beat here, with the buzz mainly surrounding Adams, but time after time when they’ve gone up against each other, Blanchett has come out on top. That leads me to believe that she’s more assured of a win than some claim.
Now, unless somehow Woody Allen’s recent bad publicity has an effect, Blanchett is going to win her second Oscar. If she winds up being beaten, the upset is going to come from Adams, though there’s a small chance that it could be the late charging Dench that wins, but realistically it’s going to be Blanchett. She’s a pretty safe bet here too.
Stay tuned for the rest of the acting categories this week, with Best Supporting Actor up next!
Nominees: Christian Bale for American Hustle, Bruce Dern for Nebraska, Leonardo DiCaprio for The Wolf of Wall Street, Chiwetel Ejiofor for 12 Years a Slave, and Matthew McConaughey for Dallas Buyers Club
Notable precursor wins: Dern wins National Board of Review Award, DiCaprio wins Golden Globe Award (Comedy), Ejiofor wins BAFTA Award, and McConaughey wins Broadcast Film Critics Association, Golden Globe (Drama), and Screen Actors Guild Awards
Current frontrunner: Matthew McConaughey
Next in line: Chiwetel Ejiofor
Dark horse: Bruce Dern
Time for the next version of my “Get to know” series, as we turn our attention now to the Best Actor race. As you can see above, the gentlemen making up this category are Christian Bale for American Hustle, Bruce Dern for Nebraska, Leonardo DiCaprio for The Wolf of Wall Street, Chiwetel Ejiofor for 12 Years a Slave, and Matthew McConaughey for Dallas Buyers Club. This was a wide open and highly competitive race for most of the season, though lately the tide has greatly turned in McConaughey’s favor. Right now, he’s the odds on favorite to win the Oscar.
Basically, once the crowded field competing to be nominated was whittled down to these five, things clarified a bit. Bale was just happy to be nominated, while the other four shuffled back and forth a bit. Then, the major precursors really rallied around McConaughey, resulting in his current frontrunner status. Dern hasn’t had a win in a while that gives him much of a shot, while DiCaprio and Ejiofor have some, but not nearly on the level of McConaughey.
Now, with the Academy Awards just days away, McConaughey is the smart bet for Best Actor. If there’s going to be an upset, it’s going to be from Ejiofor. A Dern or DiCaprio win would be shocking at this point. Still, Ejiofor is pretty far behind McConaughey, so look for him to pick up a statue on Sunday evening. Anything could happen, but things seem pretty cut and dried now to me…
Stay tuned for the rest of the acting categories this week, with Best Actress up next!
By ROBERT W. WELKOS
Jay Forry, who bills himself as “America’s premier blind movie critic,” claims to know a great on-screen performance when he hears it.
So, while he’s never actually seen Sandra Bullock perform in the sci-fi thriller Gravity, Forry is picking her to win the Academy Award as best actress.
“She does 90 percent of the movie by herself and she does a good job with it,” Forry told HollywoodNews.
Ironically, Forry noted, he has no idea what Bullock looks like, because he’s been blind as a result of diabetes since he was 27. He’s now 55.
“I wish I did (know) because she is my favorite actress,” Forry remarks. “…She sounds pretty good, I can tell you that. I’m picturing her as a blonde.”
Forry, who is heard regularly on radio stations throughout the U.S. and in syndication in the United Kingdom, has other Oscar picks this year that rely on what he hears, not on what he sees.
To Jay’s website www.blindsidereviews.com,
The Wolf of Wall Street as best picture. “That film has come on so strong in the last four or five or six weeks,” Forry says, “that if somebody had picked it (back then) they might have said they were blind or something.”
Leonardo DiCaprio as best actor for The Wolf of Wall Street. “I think this may be Leo’s best performance. He played the perfect character you love to hate and he has an engaging speech which helps in the Oscar race.”
Jared Leto as best supporting actor for Dallas Buyers Club. “When I hear him, he just portrays that part so well. He’s really into the character. He is really someone with AIDS and dying.”
Jennifer Lawrence as best supporting actress for American Hustle. “She played an unpredictable character who may have emotional outbursts in one scene and turn around and be funny in the next.”
Martin Scorsese as best director for The Wolf of Wall Street. “That had to be a tough film to put together. I’m only picking up on the dialogue and sound effects but, just like Gravity, that film has superb sound effects. Of course, I couldn’t see the visual effects, but I heard the music. I really picked up on that.”
How does he do it? How does Jay Forry review movies that he can’t see?
“My hearing is not that great, to be honest,” he says, “but I’m listening…I’m picking stuff up that’s going on while people are [...]
Happy Sunday once again everyone, time for the weekly box office report! Leading the way this weekend for the third time was The LEGO Movie, which had a very strong hold again, taking in an estimated $31.4 million, again easily taking the top spot, with no signs of letting it go anytime soon either. New release 3 Days to Kill opened mildly at $12.3 million for the runner up spot, while Pompeii disappointed at number three with just barely over $10 million. Among the limited release openings, Academy Award nominees The Wind Rises and Omar opened decently, while In Secret did as well. That being said, no one lighted up the specialty box office, though that could change in the weeks to come once the Oscars are over and the focus turns fully onto 2014 releases.
The LEGO Movie continues to dominate through and through, with potentially another week on top still to come before it relinquishes its grasp on audience members. In terms of the films that debuted this weekend, 3 Days to Kill underwhelmed but didn’t outright bomb, while the same can not be said for Pompeii. That one was a bit of a disaster folks…no pun intended.
Among the notable holdovers in theaters besides The LEGO Movie, RoboCop finished fourth with $9.4 million, while The Monuments Men dropped to fifth with $8.1 million (continuing to display better legs than expected), About Last Night fell to sixth with $4.6 million, and Ride Along finished seventh with another $4.6 million.
Here now is what the top ten looked like at the box office for this particular weekend:
1. The LEGO Movie – $31,450,000
2. 3 Days to Kill – $12,300,000
3. Pompei – $10,010,000
4. RoboCop – $9,400,000
5. The Monuments Men – $8,100,000
6. About Last Night – $7,400,000
7. Ride Along – $4,667,000
8. Frozen – $4,357,000
9. Endless Love – $4,301,000
10. Winter’s Tale – $2,130,000
We talk with the Oscar nominated sound team behind Director Peter Berg’s film Lone Survivor which is based on the 2007 nonfiction book of the same name by Marcus Luttrell and Patrick Robinson.
Featured interviews include Supervising Sound Editor Wylie Stateman, Re-recording Mixer Andy Koyama, Re-recording Mixer Beau Borders, Sound Designer Harry Cohen, Sound Editor Dror Mohar, Supervising Dialogue and ADR Editor Renee Tondelli, and Sound Editor Brandon Spencer.
Marcus Luttrell, a Navy Seal, and his team set out on a mission to capture or kill notorious al Qaeda leader Ahmad Shahd, in late June 2005. After running into mountain herders and capturing them, they were left with no choice but to follow their rules of engagement or be imprisoned. Now Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
To read more go to The Sound of Lone Survivor – SoundWorks Collection Exclusive
Beau Borders Sound Re Recording Mixer
Charlie Campagna Sound Effects Recordist
Harry Cohen Sound Designer
Nerses Gezalyan Sound Mixer
Hector C. Gika Sound Effects Editor
Gary A. Hecker Supervising Foley Artist
Michael Hertlein Dialogue Editor
Rob Hidalgo Utility Sound
Zack Howard Assistant Re Recording Mixer
Andy Koyama Sound Re Recording Mixer
Kyle D. Krajewski Adr Recordist
Gary Marullo Foley Artist
Michael Miller Adr Mixer
Dror Mohar Sound Editor
Edwardo Santiago Boom Operator
Gary L.G. Simpson Dubbing Stage Engineer
Brian Slack Dubbing Stage Engineer
Branden Spencer Sound Editor
Wylie Stateman Supervising Sound Editor
Tim Hoagland Re Recording Mix Technician (Uncredited)
Patrick Spain Mix Technician Recordist (Uncredited)
Greg Steele Adr Mixer (Uncredited)
Billy Theriot Adr Mixer (Uncredited)
To read more go to www.soundworkscollection.com
Directed by: Martin Scorsese
Written by: Terence Winter
Main cast members: Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Cristin Milioti, Jean Dujardin, P.J. Byrne, Jon Favreau, Christine Ebersole, Shea Whigham, and Joanna Lumley
Number of Oscar nominations in total: 5
Other nominations besides Best Picture: Best Director (Scorsese), Best Actor (DiCaprio), Best Supporting Actor (Hill), and Best Adapted Screenplay (Winter)
Notable precursor wins: Won Best Actor in a Comedy/Musical at the Golden Globe Awards, Won Best Actor in a Comedy at the Broadcast Film Critics Association Awards, and Won Best Adapted Screenplay from the National Board of Review
Chances at winning Best Picture: Slim to none, quite frankly
Chances at other Academy Award wins: A shutout is pretty likely, though DiCaprio has an outside chance to pull the upset in the Best Actor race
ANALYSIS OF OTHER OSCAR NOMINEES: 12 Years a Slave, American Hustle, Captain Phillips, Dallas Buyers Club, Gravity, HER, Nebraska, and Philomena
The Wolf of Wall Street is the ninth (and final) film in my “get to know a Best Picture nominee” series, and it’s one last nominee that realistically has to look at the very nomination itself in this category as the only award that it can count on. For the longest time, it was sort of an awards season X factor, as no one quite knew if it would come out in 2013, let alone if it would be Oscar worthy. Well, it got in just under the wire and turned out to be easily the liveliest of the Best Picture contenders, inspiring some early talk that it could win. That hasn’t sustained, but Martin Scorsese and Leonardo DiCaprio did get nominations as well, with the latter still having an outside chance of a victory in Best Actor. The likely result is a shutout for the movie, but it’s a memorable flick and an out of the box nomination from the Academy, regardless of anything else.
Working in The Wolf of Wall Street’s favor is how enthusiastic fans of the movie are and how successful it has been at the box office. This is a big hit and the most overtly funny flick in the lineup, so it’s able to differentiate itself from a lot of the more independent and serious minded films making up the nominees. The presence of DiCaprio and Scorsese certainly doesn’t hurt either. They took home the big prize once before for The Departed, [...]
Directed by: Stephen Frears
Written by: Steve Coogan and Jeff Pope
Main cast members: Judi Dench, Steve Coogan, Sophie Kennedy Clark, Mare Winningham, Peter Hermann, and Sean Mahon
Number of Oscar nominations in total: 4
Other nominations besides Best Picture: Best Actress (Dench), Best Adapted Screenplay (Coogan and Pope), and Best Original Score
Notable precursor wins: Won Best Adapted Screenplay at the BAFTA Awards and Best Screenplay at the Venice Film Festival last year
Chances at winning Best Picture: Rather slim, though there’s supposedly a late surge going on to at least give it a long shot chance at a huge upset
Chances at other Academy Award wins: It’s potentially going to be shut out, though Best Adapted Screenplay and Best Original Score are certainly in play
ANALYSIS OF OTHER OSCAR NOMINEES: 12 Years a Slave, American Hustle, Captain Phillips, Dallas Buyers Club, Gravity, HER, and Nebraska
Philomena is the eighth (and second to last) film in my “get to know a Best Picture nominee” series, and it’s another nominee that realistically has to look at the nomination itself as the only surefire reward it can count on here. Yes, co-writer/co-star Steve Coogan and his partner Jeff Pope could swoop in and steal Best Adapted Screenplay (while Best Original Score is an open field), but Judi Dench is way behind in Best Actress, so there’s nothing for this movie to hang its hat on. Still, it’s a crowd pleaser for the most part, and that’s always a dangerous contender in Best Picture, so be aware of that.
Working in Philomena’s favor is the Harvey Weinstein factor. Weinstein and his brother Bob have had some tremendous success running The Weinstein Company, especially when it comes to getting their films recognized. They pulled a bit of a rabbit out of their hats getting a Best Picture nominee for this flick and since then have been working overtime to make the case that this movie deserves to win. While Best Picture is a hard sell, they can certainly make the argument that the film should be recognized somewhere, which is why Best Adapted Screenplay is in play. If enough of the older and female voters (which is where the campaign is focused) are taken with this flick, I suppose anything is possible, considering how it’s made so many moves late in the game.
If you’re looking for something that’s not in this film’s favor, it’s the fact that it has the fewest nominations [...]
By ROBERT W. WELKOS
“And the envelope, please….”
It is one of Hollywood’s most iconic phrases, uttered by presenters at the Academy Awards each year and followed by another equally famous quote: “And the Oscar goes to….”
But throughout much of Oscar’s history whenever the pinprick moment arrived when a celebrity presenter would open the envelope and announce the winning nominee, there was nothing special about the envelope itself as opposed to the golden statuette that the winners would clutch while thanking whomever on live TV.
That is, until Marc Friedland decided that the Oscar envelope needed to be its own icon.
The L.A. stationer had an idea: design a classy-looking envelope, that was easy to open and that would provide a treasured keepsake to the winners along with the glittering golden statuette that they clutched in their hands in triumph.
Friedland, owner of Marc Friedland Couture Communications, persuaded the Academy of Motion Picture Arts and Sciences to have him design an envelope that would not only look elegant to the 1 billion global TV viewers but also be constructed in such a way that celebrity presenters wouldn’t struggle opening the envelopes to the groans and laughter of audiences.
“When I started thinking about this, I wanted something that would be timeless, involving the glamour of Hollywood, but not a period piece. But also something that transcended fashion and trends,” Friedland, 54, told HollywoodNews. “We had to design something that looks great and performs well, too. Like the quintessential Hollywood actress who has to look good on screen but also be talented.”
On Sunday, March 2, the Academy Awards will again be featuring Friedland-designed envelopes. This will mark the fourth year that Friedland’s envelopes will be in use.
And, since there are two dozen categories, Friedland noted, only the presenters and winners will be seen touching the envelopes, making the moment even more special.
Each envelope is handcrafted out of four different papers using 10 different processes, he explains.
The outside of each envelope is made of metallic-gold paper stock with subtle repeats of the Oscar statuettes.
Inside the envelope, the creators note, is a heavyweight ecru card featuring deco gold foil and is accented with a gold-leaf embossed Oscar statuette along with the phrase, “And the Oscar goes to…” The winner’s name is printed in charcoal ink and is mounted onto a matching red lacquer hand-wrapped frame. The back of the card introduces a new feature, indicating the specific [...]
Directed by: Alexander Payne
Written by: Bob Nelson
Main cast members: Bruce Dern, June Squibb, Will Forte, Bob Odenkirk, and Stacy Keach
Number of Oscar nominations in total: 6
Other nominations besides Best Picture: Best Director (Payne), Best Actor (Dern), Best Supporting Actress (Squibb), Best Original Screenplay (Nelson), and Best Cinematography
Notable precursor wins: Won Best Actor at the Cannes Film Festival and Won Best Actor/Supporting Actor from the National Board of Review
Chances at winning Best Picture: At one point a more serious contender and currently still one of the five likeliest winners, it’s however most certainly a long shot at this juncture
Chances at other Academy Award wins: It’s likely to be shut out, but there’s an outside chance of an upset in the Best Actor race
ANALYSIS OF OTHER OSCAR NOMINEES: 12 Years a Slave, American Hustle, Captain Phillips, Dallas Buyers Club, Gravity and HER.
Nebraska is the seventh film in my “get to know a Best Picture nominee” series, and it’s another nominee that has to look at the nomination itself as the real reward here, since it’s likely to be completely shut out. Earlier in the season it was considered a major threat and a potential dark horse to win a number of Academy Awards, but the buzz has really died down now. That’s a shame too, considering how at one point Bruce Dern was a real top tier contender for Best Actor. He could still swoop in for the upset win, but the likely result is that Alexander Payne’s movie goes home empty handed.
Working in Nebraka’s favor is how it’s the one film that clearly has the senior citizen vote. Oscar voters have long been pigeon-holed as old white men, and despite that being an oversimplification of things, there’s no denying that these older voters are there and the Academy has quite a few folks who like movies that speak to them. This one certainly does that.
If you’re looking for something that’s not in this film’s favor, it’s the fact that it really never got a precursor win of note. Aside from a win for Dern at Cannes that launched his candidacy, nothing truly of any importance happened for the flick. Nebraska got plenty of nominations throughout the season, but never that all important win. Had something happened at the Golden Globes for example, it would have set the movie up as a potential winner somewhere just because it had been seen [...]