There’s nothing worse than an ex-girlfriend scorned. Unless it’s a demonic ex-girlfriend scorned.
Marlon Wayans, Jaime Pressly, Gabriel Iglesias and Cedric the Entertainer were among the film’s cast on the red carpet Wednesday night at LALive for the premiere of “A Haunted House 2.” No one was frightened away from this sequel, which opens Friday and is expected to scare up some tidy box office grosses for distributorOpen Road Films.
Fans lined the block to try and get a glimpse of their favorites,who included a variety of celebrity names like singer-actress Brandy, musicexec Russell Simmons, former football great Shawne Merriman as well as welterweightboxing legend Floyd Mayweather, Jr., who, with his full Money Team entourage, tooktime out getting ready for his upcoming fight to support his friend, Wayans. Ablizzard of flashes went off when the two embraced on the carpet in front ofphotographers.
Wayans was taking red carpet selfies and live tweeting to fans todrum up the base. He’s a pro at this, considering his other “Scary Movie” franchise and it’s success. Wayans and producing partner Rick Alvarez wrote and produced “A Haunted House 2,”
Directed by Michael Tiddes, the ‘?Hauned House’ sequel revolves a round Wayans’ character, Malcolm, who moves with his new girlfriend and hertwo children into their dream house only to find the place plagued by bizarreparanormal events.
Tag Archives: film
There’s nothing worse than an ex-girlfriend scorned. Unless it’s a demonic ex-girlfriend scorned.
Transcendence – Johnny Depp, Paul Bettany, Rebecca Hall, Kate Mara, Morgan Freeman, Cole Hauser, Cillian Murphy
Directed by: Wally Pfister
Written by: Jack Paglen
Main Cast: Johnny Depp, Paul Bettany, Rebecca Hall, Kate Mara, Morgan Freeman, Cole Hauser, Cillian Murphy, and others
Past Oscar relations: Pfister won Best Cinematography for Inception and Morgan Freeman won Best Supporting Actor for Million Dollar Baby
Here now we have the next article in this series on 2014 contenders hoping to compete for Oscar attention at the Academy Award ceremony in 2015. Next up is DP turned filmmaker Wally Pfister’s directorial debut Transcendence, which hopes to more or less establish Pfister as the next Christopher Nolan (especially since he’s Nolan’s longtime cinematographer), though that may be a somewhat overly optimistic ambition. There’s clearly a bit of Nolan in Pfister though, so we’ll see. He’s got a top notch cast in place here, including Johnny Depp, Paul Bettany, Rebecca Hall, Kate Mara, Morgan Freeman (a Nolan veteran), Cole Hauser, and Cillian Murphy (ditto), so that’s a big help. If Pfister can take scribe Jack Paglen’s well regarded script and make it into something special, perhaps this can be the sort of smart blockbuster that the Academy notices?
What this flick has going in its favor is mainly its pedigree. From the A list cast to the directorial debut of one of the best cinematographers in the business to the hot script that got this all start, hopes have been high from day one here. There’s also the allure of seeing Depp in a role that doesn’t require massive amounts of make up, so older fans of his may be intrigued by this more than many of his recent Disney outings. Followers of Nolan also know Pfister pretty well, so there’s some level of anticipation of him getting to helm his own movie. There’s an original premise on display as well, which is sort of rare these days. This all adds up to a film with lots of potential.
Working against Transcendence is that it appears to be caught between the worlds of heady science fiction and summer blockbuster action. The film could be too talky for the crowd who wants to see things blow up and it could be too reliant on adding spectacle for those who are looking to really get into the nitty gritty of the story here. Honestly, the release date makes me think that Warner Brothers themselves aren’t quite sure how this will all play out, so unless there are top notch [...]
Joey Berlin from the Broadcast Film Critics Association – Critics’ Choice Awards
By ROBERT W. WELKOS
In 1995, Joey Berlin and Rod Lurie, two entertainment reporters and film critics who had written for rival publications, joined forces to create the Broadcast Film Critics Assn.
While Lurie would go on to carve out a successful Hollywood career as a screenwriter and director with such films as “The Contender” and “The Last Castle,” Berlin hasn’t faired too badly, either, as the president of the BFCA.
Starting with 44 members the first year, the BFCA’s voting membership today hovers between 285 and 290 and the organization bills itself as the largest film critics group in the U.S. and Canada.
At the same time, the BFCA created the Critics’ Choice Awards, a glitzy tux-and-gown gala now televised on the CW Network that features red carpet celebrity arrivals, drawing worldwide media attention and plenty of Oscar buzz since the show coincides with the run-up to the Academy Awards.
But as the show has catapulted the broadcast critics into the Oscar conversation each movies awards season, tax records show that the nonprofit group Berlin leads has paid his privately-owned company, Berlin Entertainment, Inc., hundreds of thousands of dollars each year for production services.
IRS Form 990 filings list Berlin Entertainment, Inc., receiving a combined $992,270 from the nonprofit between fiscal 2009 and 2011.
Berlin notes that his members seem to be satisfied with the job he’s doing since he has been repeatedly re-elected president every two years.
The tax files show that Berlin’s base compensation and benefits were a combined $1,297,133 for the three-year period spanning fiscal 2009 to 2011. But his compensation is listed as coming from “related organizations” and not directly from the BFCA, according to the Form 990 documents, which all nonprofits are required to file with the IRS to qualify for tax-exempt status.
When asked about his sizeable compensation, Berlin told HollywoodNews.com in a recent telephone interview: “I did this for five years for zero compensation, but this is what I do all day, every day. I’m really proud of what we’ve built and accomplished….
“My compensation has grown with the growth of the show,” he adds without apology. “The television show is an incredible benefit to the members.” He notes that these benefits include such things as access and awards screeners. “That seems a comfortable arrangement for everybody.”
One plus for maintaining membership in the BFCA is that—much like [...]
Continuing onward with this weekly series I’m doing here on the site, we’re talking about the top 25 Oscar winners in just about every single one of the Academy Award categories out there for us to talk about. Aside from the short categories and likely something a bit harder to rank like Best Sound Editing or Best Sound Mixing as I’ve mentioned before, I’ll be hitting them all over the coming weeks, including of course the big eight categories, two of which have already received this particular treatment. I’m also potentially going to do one that doesn’t actually exist (a fictitious Best Ensemble category), but that’s just an idea I’m currently toying with. We’ll see about that one, but for now, we’ll stick to reality and the categories currently endorsed by the Academy.
Today I’ll be knocking off one more of the technical categories, with this one being the somewhat unsexy but still essential Best Film Editing field. Depending on the category in question, I may wind up discussing the individual winners I’m citing rather specifically or just giving a more broad overview of the winners. Like I’ve been saying over the past few weeks, in all honesty, you really just want to see the end result list anyway, so I have no problem obliging you there in that regard. All you have to do is just be patient over the next couple paragraphs…
This time around, I’m again just going with the overview route. Film Editing is another type of category where you sort of know it’s good by seeing it in the films themselves. There are a few different types of editing that the Academy has honored, though sometimes they can fall into the trap of going for “most” instead of best, if that makes sense. For example, you can see in certain winners that the editing is smooth and you’re almost not meant to notice it all, while other winners want to constantly impress you with their flashy approach to editing. I’m not particularly partial to either one, basically just going for what fits the movies best. Sometimes I don’t want to notice the editing at all in the flick, and sometimes I want it to be front and center. It all just depends.
I’ll discuss my top ten a bit now before getting to the list itself. The winner that I think is the best ever happens to be [...]
The city needs heroes. Darkness has settled over New York City as Shredder and his evil Foot Clan have an iron grip on everything from the police to the politicians.
The future is grim until four unlikely outcast brothers rise from the sewers and discover their destiny as Teenage Mutant Ninja Turtles. The Turtles must work with fearless reporter April O’Neil (Megan Fox) and her wise-cracking cameraman Vern Fenwick (Will Arnett) to save the city and unravel Shredder’s diabolical plan.
Based on the Teenage Mutant Ninja Turtles Characters Created by PETER LAIRD and KEVIN EASTMAN with a Screenplay by JOSH APPELBAUM & ANDRÉ NEMEC and EVAN DAUGHERTY, Producer MICHAEL BAY (the blockbuster Transformers franchise) and director JONATHAN LIEBESMAN (Wrath of the Titans) bring Teenage Mutant Ninja Turtles, the popular franchise that has captivated audiences of all ages for decades, into the 21st century.
In theaters August 8, 2014
Watch the official teaser trailer: https://www.youtube.com/watch?v=wRipBOQl95o
Official Tumblr: http://tmntmovie.tumblr.com/
Official Site: http://www.teenagemutantninjaturtlesmovie.com/
Official YouTube Channel: https://www.youtube.com/tmntmovie
Official Facebook: https://www.facebook.com/TMNT
Official Twitter: https://twitter.com/TMNTmovie
Rentrak Corporation (NASDAQ: RENT), today announced the worldwide weekend box office estimates for the weekend of April 13, 2014 as compiled by the company’s Box Office Essentials™ and International Box Office Essentials™ theatrical measurement services.
As the trusted standard for all studio box office reporting, Rentrak provides intelligence into overnight theatre-level reporting across the global theatrical market. Coupled with the official reported data, studios are able to analyze admissions and gross results in over 50 territories using Rentrak’s suite of products.
Rentrak’s Senior Media Analyst Paul Dergarabedian commented, “Fox’s animated “Rio 2″ flaps its wings to an international chart topping performance of $62.3 million in 62 territories while Disney/Marvel’s “Captain America: The Winter Soldier” makes its two worldwide weekends in a row at over $100 million and nearly half a billion to date as it continues to draw audiences internationally and in North America. Impressively, Paramount’s biblical-epic “Noah” is approaching the $250 million global threshold.”
The top-12 domestic weekend box office estimates listed in descending order, per data collected as of Sunday, April 13, 2014, are below.
Estimated Box Office Numbers for Weekend of Apr. 13:
1. Captain America: The Winter Soldier – Disney – $41.4M
2. Rio 2 – 20th Century Fox – $39.0M
3. Oculus – Relativity Media – $12.0M
4. Draft Day – Lionsgate – $9.8M
5. Divergent – Lionsgate – $7.5M
6. Noah – Paramount – $7.5M
7. God’s Not Dead – Freestyle Releasing – $5.5M
8. Grand Budapest Hotel, The – Fox Searchlight – $4.0M
9. Muppets Most Wanted – Disney – $2.2M
10. Mr. Peabody And Sherman – 20th Century Fox – $1.8M
11. Raid 2, The – Sony Pictures Classics – $1.0M
12. Non-Stop – Universal – $0.7M.
Senior Media Analyst
Celebrating 20 years of success. Carlos de Abreu is a “New York Times” bestselling author, producer, screenwriter, brand marketing expert and Internet pioneer.
Carlos de Abreu is of Portuguese descent and was born in Mozambique. He was a jet pilot in the Portuguese Air Force and studied economics at the University of Witwatersrand, South Africa, and film at UCLA.
His vast experience in brand marketing earned him executive positions and contracts with Cartier International, American Express, and the Italian Government among others. He also co-founded the North American Marketing Services, Ltd., an international luxury goods corporation with offices in three continents; North America, Asia and Europe.
In addition, he launched the Hollywood Network® online, an ecosystem of “verticalized” web models, focused on entertainment and Hollywood. Mr. de Abreu’s multiple websites include HollywoodNews.com (http://www.hollywoodnews.com)
Mr. de Abreu’s organization, the Hollywood Network Inc., is an entertainment marketing company – awards, film conferences, festivals, Internet content, live events – which mandate is bridging the gap between established Hollywood and the global creative community and produces/co-produces live events including the prestigious “Hollywood Film Awards®,” and the “Hollywood Gives Back®” project – highlighting and assisting important local and national causes.
According to the “Los Angeles Times” the “Hollywood Film Awards®,” “launch the push toward Oscar and are the kickoff for the awards season.”
He is the co-author of the national and “New York Times” bestseller, “Husband, Lover, Spy: A True Story,” St. Martin’s Press, and “Opening The Doors To Hollywood,” Crown Publishing.
Presently he is writing the novel “The Soulshaker.” His prior works include two screenplays: Mozambique: The Last Good-Bye and Sworn To Silence.
Specialties: Specialized in the Internet, intelligence gathering, entertainment space, live events production – awards, conferences, festivals, plus branding and distribution of luxury goods and jewelry both in the U.S.A. and the global markets.
Magnolia Pictures announced today it has acquired North American rights to White Bird in a Blizzard, a suspenseful drama from writer/director Gregg Araki and starring Shailene Woodley, who is coming off her hit film Divergent, which has grossed $116.6 million to date.
Based on the novel by Laura Kasischke, the story is set in 1988 and revolves around a college-bound teenager whose life is deeply affected by the disappearance of her mother, played by Eva Green.
The ensemble cast also includes Christopher Meloni, Shiloh Fernandez, Gabourey Sidibe, Thomas Jane and Angela Bassett.
The film was produced by Pascal Caucheteux, Sebastien K. Lemercier, Alix Madigan-Yorkin, Pavlina Hatoupis and Gregg Araki (Kaboom). White Bird In a Blizzard is a Why Not Productions / Desperate Pictures / Orange Studio / Wild Bunch co-production.
“We are longtime admirers of the singular Gregg Araki, who brings his unique vision to this funny, sexy and haunting film,” said Magnolia President Eamonn Bowles. “Shailene Woodley truly shines with a bold and fearless performance that showcases the depth of her talent.”
“I’m thrilled for this opportunity to collaborate with Magnolia, one of the boldest, smartest companies around. White Bird is a true labor of love for me and the most amazing family of actors I’ve ever worked with,” said Araki. “I can’t wait for the world to see the film.”
The deal was negotiated for Magnolia by SVP of Acquisitions Dori Begley and VP of Acquisitions Peter Van Steemburg with CAA and Wild Bunch on behalf of the filmmakers. Magnolia is eyeing a release for later this year.
Magnolia Pictures (www.magpictures.com) is the theatrical and home entertainment distribution arm of the Wagner/Cuban Companies, a vertically-integrated group of media properties co-owned by Todd Wagner andMark Cuban that also includes the Landmark Theatres chain and AXS TV. Recent releases include Lars Von Trier’s Nymphomaniac, the killer whale doc Blackfish, Joe Swanberg’s Drinking Buddies, Thomas Vinterberg’s Oscar-Nominated The Hunt, and hit documentaries Muscle Shoals, Jiro Dreams of Sushi and The Queen of Versailles.
Magnolia’s upcoming releases include Richard Ayoade’s dystopian vision The Double, the raucous Alan Partridge starring Steve Coogan, Steve James’ Roger Ebert doc Life Itself, Joe Berlinger’s Whitey Bulger doc Whitey, Lenny Abrahamson’s Frank, Joe Swanberg’s Happy Christmas, Lukas Moodysson’s We Are the Best!, Norwegian thrillers Pioneer and Ragnarok, and more.
Working Title’s romantic drama Theory of Everything starring Eddie Redmayne as theoretical physicist Stephen Hawking has been given a Nov. 7 exclusive engagements domestic release date by Focus Features, CEO Peter Schlessel announced today.
Academy Award winner James Marsh (Man on Wire) helms the film, which explores the excitement of the 1960s for Hawking as he studies at Cambridge University. At the dawn of his brilliant life’s work, Hawking falls passionately in love with arts student Jane Wilde and their relationship leads him through personal and scientific challenges and breakthroughs.
The film is inspired by Wilde’s memoir, Travelling to Infinity: My Life with Stephen with the screenplay written by Anthony McCarten, who is the producer on the film with Lisa Bruce (producer of Working Title’s Mary and Martha) and Working Title co-chairs Tim Bevan and Eric Fellner.
Redmayne (Les Misérables) will play opposite Felicity Jones (Like Crazy) in the lead roles.
The cast of Theory of Everything also includes two-time Academy Award nominee Emily Watson and David Thewlis (Harry Potter). The creative team includes cinematographer Benoît Delhomme (Lawless), production designer John Paul Kelly (About Time), costume designer Steven Noble (Under the Skin), and film editor Jinx Godfrey (marking her seventh feature with Marsh).
Mr. Schlessel commented, “This extraordinary love story between one of the greatest minds of our time, Stephen Hawking, and his first wife Jane is profoundly moving and inspirational, with heart and humor.”
Focus Features’ successful collaborations with Working Title Films have included such hits as The World’s End, Pride & Prejudice, and Tinker, Tailor, Soldier, Spy; and the Academy Award-winning Anna Karenina and Atonement.
Working Title Films, co-chaired by Tim Bevan and Eric Fellner since 1992, is one of the world’s leading film production companies. Founded in 1983, Working Title has made over 100 films that have grossed more than $6 billion worldwide. Its films have won 10 Academy Awards, 35 BAFTA Awards, and prizes at the Cannes and Berlin International Film Festivals.
Focus Features (www.focusfeatures.com) makes, acquires, and releases movies from rising and established talent and filmmakers. The company is moving forward with a diverse slate of films, with most being wide releases appealing to a range of moviegoers. Staying true to the company’s roots, the slate will also include several specialty films each year.
Currently in release from Focus Features is the subversive comedy Bad Words, directed by and starring Jason Bateman. In addition to Theory of Everything, upcoming Focus films [...]
As promised last week, here I am again with some more up to date Oscar predictions. They’re not amazingly different from what I debuted with, but they do already show a change in focus, at least in terms of some of the second tier contenders. We’ve still got a long way to go and these new predictions will likely be completely wrong anyway, but I feel ever so slightly more confident in backing these sorts of horses as opposed to other ones. If nothing else, this sort of shows where I’m going from as the months pass and the race begins to evolve into something actually competitive…
The big difference that you’ll notice besides the changes that I made in each category is that I’m also listing predicted winners now. As such, you can see that films like Angelina Jolie’s Unbroken, Bennett Miller’s Foxcatcher, and Christopher Nolan’s Interstellar are the ones that I’ve pegged to be the big winners, with Unbroken dominating at this early point in the season. A lot can and likely will change, but if you’re looking for an early horse to bet on, that’s the one.
I’ve also included the tech categories as well, so you’re really getting a full look at how I see things going at this moment. It also shows more of the contenders in play that might not have a shot at Best Picture, but at the very least can hope for some sort of technical citation if nothing else. For example, the new Godzilla fits perfectly into that category.
Here now is how I see the Academy Awards shaping up at this early juncture:
3. Men, Women, & Children
4. Gone Girl
5. Big Eyes
8. The Homesman
1. Angelina Jolie- Unbroken
2. Bennett Miller – Foxcatcher
3. Jason Reitman – Men, Women, & Children
4. David Fincher – Gone Girl
5. Richard Linklater – Boyhood
1. Jack O’Connell – Unbroken
2. Steve Carell – Foxcatcher
3. Joaquin Phoenix – Inherent Vice
4. Michael Keaton – Birdman
5. Ben Affleck – Gone Girl
1. Amy Adams – Big Eyes
2. Jessica Chastain – The Disappearance of Eleanor Rigby
3. Michelle Williams – Suite française
4. Shailene Woodley – The Fault in Our Stars
5. Hilary Swank – The Homesman
BEST SUPPORTING ACTOR
1. Mark Ruffalo – Foxcatcher
2. J.K. Simmons – Whiplash
3. Christoph Waltz – Big Eyes
4. Robert Duvall – The Judge
5. Takamasa Ishihara – Unbroken
BEST SUPPORTING ACTRESS
1. Rosamund Pike – Gone Girl
2. Jena Malone – [...]