By ROBERT W. WELKOS
“Don’t Miss this Once-in-a-Lifetime Opportunity to Meet Miley Cyrus.”
That’s just one of the “celebrities for hire” listed on a website called Millionaire’s Concierge out of Ft. Lauderdale, Fla., that also dangles the opportunity for its presumably rich clientele exclusive entre to major movie premieres, awards shows, walk-on roles “in the Hottest TV Shows or Films,” and many other luxury experiences.
“The World’s Biggest Stars Come to You!” the website exults.
“Hiring a celebrity for your next party won’t just provide you with the opportunity to meet a beloved star—it produces enormous entertainment value for you and your guests. Whether you’re planning a sweet-sixteen birthday party, celebrating a recent accomplishment, or simply painting the town red for the sake of it, a celebrity performance will turn your special occasion into an unforgettable experience.” Celebrities can also help “get your message across” at corporate events, the website notes.
It then lists such “celebrities for hire” as the Beach Boys, Blink 182, Jethro Tull, Julio Iglesias, Leonardo DiCaprio, Sharon Stone, Jim Carrey, Sylvester Stalone (sic), Oscar De La Hoya, Jenny McCarthy, Donald Trump, Patrick Stewart “and many many more.”
It’s all about the public’s insatiable desire to be close to celebrities and big events, if you’ve got the money.
“It never goes out of style,” Doug Turner, owner of Millionaire’s Concierge, told HollywoodNews in a brief phone interview.
“I serve rich people all over the world,” he added, noting that he started his company 17 years ago.
The website includes a video segment that appeared on the Oprah Winfrey Show which detailed how his company caters to its wealthy clients, like the time Turner said they dropped 50 dozen roses into a swimming pool from a helicopter for a client’s anniversary. The Oprah segment does not mention celebrities for hire.
A spokeswoman for Trump said that while the famed billionaire businessman may have met the owner of Millionaire’s Concierge years back in Florida, in any case, she has asked that Trump’s name be removed from the website.
“(Trump) has no affiliation with Millionaire’s Concierge and he does not do these kind of things,” she said. “He works with speaking engagement bureaus. Mr. Trump is one of the highest paid speakers in the world. These are legitimate organizations. He would never do this.”
HollywoodNews reached out to representatives of DiCaprio, Cyrus, Stone, Stallone and Carrey and have yet to hear back.
Millionaire’s Concierge also offers access to special Hollywood [...]
Tag Archives: Human Interest
By ROBERT W. WELKOS
A lot of times during the months directly following the Academy Awards telecast, people talk about who’s overdue for an Oscar nomination, but I think the more interesting conversation is to discuss who’s already been nominated repeatedly by the Academy but has yet to win an Oscar. It’s one thing to fight for that first nod, or to have a nom to your credit but nothing else, but what of the people who’ve been cited with nominations multiple times by Oscar voters but never seem to make it to the finish line? Recently, I was thinking about just that, and actually came up with a list of some of the folks in the industry that are most overdue for a win.
Below you’ll find a group of ten previously nominated by the Academy that I think should have won by now. They consist of actors, actresses, filmmakers, and technical craftsmen, all of whom define the word “overdue” to me. There are many others, like Ridley Scott for example, but I limited it to ten. Take a look:
10. David O. Russell- With five nominations to his credit now, Russell is undoubtedly on a hot streak right now, and it’s firmly entrenched him as someone due for a win. The Academy clearly is enamored with him, so it really seems to only be a matter of time now. Not everyone is thrilled with that prospect, but I’m not among them. He’s more than deserving at this point in his career.
9. Julianne Moore – A quartet of nods later, Moore is very high up on many lists of the actresses who desperately need an Oscar. I obviously don’t have her quite as high up on this list, but she’s clearly only one great role away from being on that stage accepting the statue. My guess is that it’ll be for a supporting performance, but time will ultimately tell there.
8. Christopher Nolan – Despite often snubbing Nolan in some key categories, the Academy has still cited him a trio of times, though without any sign of a win yet. They’ve notably kept him far away from the Best Director field, so when his first win comes, I suspect that it’ll be for a Screenplay category…that’s just a guess though. Perhaps Interstellar this year can do it for him?
7. Tom Cruise – There was a time when it was inconceivable to think that Cruise wouldn’t have [...]
Directed by: Drake Doremus
Written by: Drake Doremus and Ben York Jones
Main Cast: Felicity Jones, Guy Pearce, Mackenzie Davis, Amy Ryan, Matthew Daddario, Ben Shenkman, Kyle MacLachlan, and others
Past Oscar relations: Amy Ryan was nominated for Best Supporting Actress for Gone Baby Gone
Here now is the next article in this new series on 2014 contenders hoping to compete for Oscar attention. Next up is Drake Doremus’ Breathe In, which hopes to build on his previous indie contender Like Crazy. That film ultimately fell short, so armed with some goodwill from that movie, can this one do better? Doremus once again has Felicity Jones in a main role, this time with Guy Pearce, Amy Ryan, and newcomer Mackenzie Davis among her costars. It’s a romantic drama with strains of the dysfunctional family genre thrown in, but it’s the way that this admittedly well worn story is told that sets it apart, particularly in what it allows its cast to do.
What this flick has going in its favor are the performances, particular the one from Jones. She’s phenomenal, perhaps even better than she was in Like Crazy. Veteran actor Pearce is very good too, while newcomer Davis makes an impression as well. Ryan is again a useful supporting player too, but Jones is the one you really remember when all is said and done. If anyone where to come out of this movie in terms of awards hopefuls, it’s her.
Working against Breathe In is that the movie has an almost total lack of buzz. It debuted a year ago at the Sundance Film Festival, so all that time waiting to come out didn’t do it any favors. It literally took over a year to begin screening for critics, playing a few other festivals, but mostly sitting on the shelf, and that creates the perception of something that’s not exactly top notch. The quality is there for this film, but I have my doubts that most voters will wind up even seeing it later on in 2014 when they begin thinking about awards and nominations.
So, can this be a player at all? Simply put, the odds aren’t at all in its favor. I’d be shocked if it held on until the end of awards season, but crazier things have happened, I suppose. The flick will really have an uphill battle, but Breathe In deserves to be seen regardless of that, so hopefully people find [...]
Maybe I’m nuts, but it seems to me that everyone is out to get Jennifer Lawrence these days, and I’m not sure why. She’s an incredibly talented young actress, reportedly a nice person, and has good taste in the projects she chooses to work on, so what gives? Especially this past year with her Supporting Actress candidacy for American Hustle, it became the sort of situation where it appeared that the world would end if she won a second Oscar. It makes no sense to me, but I figured I’d take this opportunity to praise her a bit and turn the tide back towards respect for the Academy Award winning thespian.
It was only a few short years ago that Lawrence was being heralded for her breakthrough work in Winter’s Bone. That first Academy Award nomination she received for that film led to her winning two years ago for Silver Linings Playbook, and suddenly she was an “it” girl, combined of course with the success of The Hunger Games franchise. That led to celebrity, but remember, it all started with her talent, even in supporting roles in independent films like The Beaver and Like Crazy. Many seem to forget, but she established herself as one of the top young actresses in the business well before she seemed to conquer Hollywood.
American Hustle seemed to turn the tide for some reason. Maybe it was because the flick itself didn’t turn people on in the same way that her prior movie with David O. Russell did, but she went from a beloved superstar to a superstar that many seemed to love to bash. It boggles my mind. Am I missing something here? To me, she’s not overexposed or wearing out her welcome. On the flip side, she’s only first getting into a groove, so the best should still be yet to come from Lawrence.
Going forward, people are already licking their chops about her upcoming performance in Serena and a potential new collaboration with Russell, but I just don’t get it. More than once I’ve come across criticism of her that has nothing to do with her talent as an actress. Isn’t that what counts? Maybe I’m nuts, but that’s what I like to focus on. That’s just me though.
In summation, I think Lawrence is a fine young woman and deserves some more respect than she’s been getting. I try to keep a positive outlook [...]
Continuing on with a new weekly series I’m doing here at the site…we’ll be talking the top 25 Oscar winners in just about every single one of the Academy Award categories out there. Aside from the shorts and something like Best Sound Editing or Best Sound Mixing like I mentioned previously, I’ll be hitting them all over the coming weeks and months, including of course the big eight categories. I’m also potentially going to do one that doesn’t exist (a fictitious Best Ensemble category), but that’s just an idea I currently am toying with. We’ll see about that one.
Today I’ll be knocking off another one of the technical categories, with this one being the always interesting Best Visual Effects field. Depending on the category in question, I may wind up discussing the individual winners I’m citing pretty specifically or just giving more of a broad overview of the winners, but for now, I’ll still keeping it simple early on. Like I said over the past few weeks though, in all honesty, you all mostly just want to see the list anyway, so I have no problem obliging you there in that particular regard. All you have to do is just be patient over the next few paragraphs…
This time around, I’m just going the overview route, since seeing is believing for this category more than anything else. Also it really just depends on what sort of effects you prefer. We’ve got traditional in camera effects, blended animation, computer generated effects, and of course motion capture as well. Some folks might be partial to the older winners, while some really get it up for the newest winners. Me? Well, I’m caught somewhere in between.
I’ll basically just discuss my top ten a bit. To me, the best winner of this category so far to date is
Jurassic Park, which captured the imagination in a way that few other works have ever been able to do. Some other recent and groundbreaking winners in my top echelon include Avatar, The Curious Case of Benjamin Button, and Gravity. In most of those cases, they basically invented new technology for their films, and that’s worth something to me. I also have the unique Who Framed Roger Rabbit high up, as well as the immortal classic 2001: A Space Odyssey. Those movies have stood the test of time in a big way. I also have a personal favorite flick [...]
Lionsgate, whose recent success has been fueled by “The Hunger Games” franchise, has extended its long-term relationship with Grindstone Entertainment by signing new multi-year agreements with Grindstone President and CEO Barry Brooker and principal Stan Wertlieb, it was announced Thursday.
Grindstone’s films include the thrillers “Empire State,” starring Dwayne “the Rock” Johnson, and “Frozen Ground,” starring Nicolas Cage and John Cusack.
”They are an important part of the Lionsgate family and a key component of our slate,” Lionsgate Co-COO and Motion Picture Group President Steve Beeks. “We expect them to continue to serve as a reliable source of profitable films featuring world-class talent in the years to come and, as they continue to evolve as a label, we look forward to elevating our Grindstone relationship to the next level.”
It seems that some film fans are upset over Warner Bros.’ decision to cast Rooney Mara as Tiger Lily in a new version of the Peter Pan story.
More than 5,000 people have so far signed a petition calling for a Native American actor to be handed the role, according to Britain’s the Guardian.
“This casting choice is particularly shameful for a children’s movie,” the newspaper quotes the petition as stating. “Telling children their role models must all be white is unacceptable.”
Mara reportedly beat out Lupita Nyong’o, the Mexican-Kenyan star who won a best supporting actress Oscar for “12 Years a Slave,” and Adele Exarchopoulous of France, whose performance in “Blue is the Warmest Color” was widely acclaimed, the newspaper reports.
Hugh Jackman is also set to star in the Peter Pan film. Directed by Joe Wright, the film is expected to be released in July, 2015, the Guardian adds.
One of the 2014 Oscar contenders I’m most looking forward to is Bennett Miller’s Foxcatcher, which stars Steve Carell, Mark Ruffalo, and Channing Tatum. I’ll be getting more in depth into that one later on this year, but after the news this week that Carell has also added another project to his slate that screams “nominate me”, I’ve started to think about where his career could be headed. In short, could Carell be an Oscar nominee and/or a winner within the next year or two?
This new project that he’s involved in is called The Priority List and is a drama about a teacher dying of cancer attempting to go on the road and reconnect with his students while making the most of his last days. If there was ever a plot that seems tailor made for a Best Actor nomination, it’s this one. Of course, we don’t know who’s writing or directing or costarring yet, and that can make a big difference (I don’t even know if the book is any good, just that it’s a true life tale, and voters tend to dig on that), but it’s just the right sort of role for a comedic actor to tackle as they transition to a more dramatic stage of their career.
Carell has shown dramatic skill before, though usually in more dramedy style roles such as the supporting turn of his in Little Miss Sunshine. Even over the last few years, a lot of his choices have been more in the quietly funny or even more dramatic than humorous realm, almost as if he’s been prepping for this transition deliberately. Foxcatcher will be by far his darkest and most serious role to date, and that should set him up nicely for this upcoming drama The Priority List.
This year will have Carell almost certainly in contention with the aforementioned Foxcatcher, though we don’t know yet if it’ll be a Lead or Supporting performance. Regardless, The Priority List is a clear Lead and showcase piece, so imagine if, two years from now, we’re talking about how Carell won Best Supporting Actor and then the very next year won Best Actor? It’s not as laughable (no pun intended) a prospect as you might think. Matthew McConaughey after all is now being looked at as a perpetual threat to get nominated, and consider what Jim Carrey’s Oscar career could have been like if he’d been [...]
Today, a small movie called Enemy opened in limited release, starring Jake Gyllenhaal and, well…Jake Gyllenhaal. In May, another small flick called The Double comes out, and that one stars Jesse Eisenberg alongside, you guessed it…Jesse Eisenberg. 2014 seems to be the year of the doppelganger, in addition to biblical epics as I mentioned a week or so ago. These are acting showcases through and through, so could Oscar bite for one or both of them? Honestly, I think they’re both too offbeat and weird for Academy attention, so instead of doing specific preview pieces on them and just going through the motions of talking about a likely to be ignored pair of films, I wanted to sort of discuss both of them a bit here in this sort of an article. These could be independent contenders for other awards, so it’s important to give the pair a moment in the sun here, if nothing else.
First up we have Enemy, which is partially notable for being the other movie that Gyllenhaal shot with his Prisoners director Denis Villenueve (and actually was filmed first, though it’s coming out this year as opposed to last…both played festivals around the same time however). Written by Javier Gullón and costarring Mélanie Laurent and Sarah Gadon, this is a very dreamlike and Kafka-esque (you’ll understand why if you see it) look at identity. Gyllenhaal plays a teacher who sees a doppelganger of his when watching a movie and set out to meet the man. Things obviously don’t go as intended. This is a psychosexual thriller of sorts and about as far from mainstream as it gets. That being said, it’s impeccably made by Villenueve and expertly acted, so an open minded audience member or Oscar voter could find something to like here, particularly in terms of Gyllenhaal’s performance(s).
Now we come to The Double, which is co-written (along with Avi Korine) and directed by Richard Ayoade. Eisenberg costars here with Sally Hawkins, Wallace Shawn, Mia Wasikowska, Chris O’Dowd, and Noah Taylor, to name a few. This is a pitch black comedy about a meek office drone driven mad by the appearance of a smooth talking doppelganger who at first seems interested in helping him before attempting to take over his life. This is very much a dark comedy that almost seems uninterested in laughs, so that immediately will turn off some voters, but Eisenberg has rarely [...]
When the most recent Academy Awards were given out a few weeks ago (it both feels like yesterday and a lifetime ago already), we crowned first time winners in first time nominees Matthew McConaughey (Best Actor for Dallas Buyers Club), Jared Leto (Best Supporting Actor for Dallas Buyers Club), and Lupita Nyong’o (Best Supporting Actress for 12 Years a Slave), while former winner and multiple nominee Cate Blanchett took home her second Oscar (Best Actress for Blue Jasmine). The fact that the majority of the group had never even been nominated before got me thinking…which of them is most likely to be like Blanchett and win again?
First of all, it’s possible that Blanchett could be next in line to win, giving her three Oscar victories, just like Meryl Streep. She always does phenomenal work and the Academy never hesitates to nominate her, so I wouldn’t be shocked at all if she wound up winning again. Next up for her is a film with Todd Haynes, and that could be pretty baity on its own. You never want to predict a third Academy Award for anyone, considering how rare that is, but if anyone out there can get there, it’s probably Blanchett. Especially if she ever works with Woody Allen again like she did here with Blue Jasmine…watch out.
Next in line, you have to think that McConaughey is just getting started. He came close-ish last year to a nomination for Magic Mike and this year he also had Mud and The Wolf of Wall Street in contention, so there’s no shortage of his roles under consideration. With upcoming projects uniting him with Christopher Nolan and Gus Van Sant, it’s a stretch to think that another nomination at least isn’t in his future, if not a win. We’re in the middle of the so called McConaissance, so I think he’s going to become an Academy favorite for some time.
As for Leto, it really depends on if he focuses on music or movies going forward. He’s equally talented at both, so if he makes himself available for films, I could certainly see voters citing him again. He’s proven himself previously with work like Requiem for a Dream, so Dallas Buyers Club was basically just a reminder of his skills. As long as he continues to consistently act, I can see him being on the Oscar radar. We’ll see though.
Lastly, in the case of [...]