May 26, 2013

Tag Archives: Human Interest

“MACHETE KILLS” – Deadly New Poster – Sofia Vergara, Lady Gaga

Prepare for the epic return of Danny Trejo as the ultimate badass in Robert Rodriguez’s highly anticipated MACHETE KILLS. Recruited by the government for a mission which would be impossible for any mortal man, Machete must take down a madman revolutionary and an eccentric billionaire arms dealer who has hatched a plan to spread war and anarchy across the planet.
Get a load of Sofia Vergara as the deadly Desdemona in the latest MACHETE KILLS poster

With an all-star cast including Michelle Rodriguez, Sofia Vergara, Amber Heard, Charlie Sheen, Lady Gaga, Antonio Banderas, Jessica Alba, Vanessa Hudgens, Cuba Gooding, Jr., Mel Gibson, and Danny Trejo as the legendary Machete, MACHETE KILLS will be in theaters everywhere September 13th.
Get a load of Sofia Vergara as the deadly Desdemona in the latest MACHETE KILLS poster
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The future of big-scale filmmaking may be none-other than ‘Hansel and Gretel: Witch Hunters’

I wrote a few weeks ago about how something released this year or perhaps last year might be a signal for the future of the would-be blockbuster, a film whose respective success would spawn a decade or so of like-minded would-be tentpoles.
What if I were to tell you that a possible template for future would-be blockbusters had already arrived this very year? What if I were to tell you that the future of big-scale filmmaking may be none-other than Hansel and Gretel: Witch Hunters?
Laugh if you wish, but let’s take a look at what the film represents.
To read more go to Mendelson’s Memos

PGA Producing Workshop: “The Power of Diversity.”

The Producers Guild of America (PGA) is pleased to announce the opening of submissions for the ninth annual PGA Producing Workshop: “The Power of Diversity.” This multi-session workshop will run from May 28 through July 13 in Los Angeles, and is designed to foster the development of aspiring and seasoned producers who bring diverse perspectives to television, film and digital media.
This annual program provides ten participants with one-on-one mentoring sessions with members of the Guild’s Diversity Committee as well as master classes with some of today’s top producers. Topics are tailored to the participating producers and their projects, and will include all aspects of producing such as story development, pitching, packaging, financing, marketing and digital media.
“We’re excited to offer this unique and career-enhancing workshop to entertainment professionals,” said workshop chair Deborah Calla, who also chairs the PGA Diversity Committee. “Reflecting diverse communities through accurate and informative storytelling is an incredibly powerful tool that brings us all closer together. As PGA producers, we have a responsibility not just to appreciate different perspectives, but to empower such producers with the tools, resources and capacity to assist them in bringing their projects to fruition.”
Past mentors have included such top producing talent as Bruce Cohen (SILVER LININGS PLAYBOOK, AMERICAN BEAUTY), Mark Gordon (“Grey’s Anatomy,” SAVING PRIVATE RYAN, 2012), Marshall Herskovitz (DEFIANCE, BLOOD DIAMOND, THE LAST SAMURAI), Damon Lindelof (LOST, STAR TREK), Caryn Mandabach (“Nurse Jackie,” “That 70s Show”), Lori McCreary (INVICTUS, THE MAIDEN HEIST), Shonda Rhimes (“Grey’s Anatomy,” “Private Practice”), Darren Star (“Sex in the City,” “90210”), Mike Tollin (“Smallville,” “One Tree Hill”) and Ralph Winter (X-MEN, FANTASTIC 4), among many others.
Past mentees have included Ben Lobato (“The Unit,” “Justified”), Aaron Rahsaan Thomas (“Southland”), Sarah DeLio (BLESS ME, ULTIMA) and Holly Overton (“The Client List”).
“The mentors’ enthusiasm, support and feedback were crucial to my development as a working writer and aspiring producer,” said Overton. “They brought in the best producers, directors and executives in the business and have continued to foster relationships with all the workshop participants. I completed the workshop with a newfound confidence and an understanding of the various facets of producing. This amazing opportunity provided me with skills I continue to use on a daily basis.”
Submissions for the “Power of Diversity” workshop will open on March 11 and close on April 19 at midnight Pacific Time. Ten participants will be selected to take part in the workshop at no charge.
For [...]

‘Iron Man 3′ New Trailer is Out

Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?
Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s “Iron Man 3” is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968.
“Iron Man 3” is presented by Marvel Studios in association with Paramount Pictures and DMG Entertainment. Marvel Studios’ President Kevin Feige is producing and Jon Favreau, Louis D’Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee and Dan Mintz are executive producers. The film releases May 3, 2013, and is distributed by Walt Disney Studios Motion Pictures.

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Celebrating “Who Framed Roger Rabbit” 25th anniversary

The Academy of Motion Picture Arts and Sciences will present a new digital restoration of “Who Framed Roger Rabbit” in celebration of the film’s 25th anniversary on Thursday, April 4, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. The evening will feature a post-screening onstage discussion with director Robert Zemeckis and members of the cast and crew, including actress Joanna Cassidy, voice actor Charles Fleischer, supervising animator Andreas Deja, screenwriter Peter S. Seaman and associate producers Don Hahn and Steve Starkey. The panel will be moderated by director Rich Moore, who received an Oscar® nomination for Animated Feature Film for “Wreck-It Ralph” this past year.
A masterful blend of live-action filmmaking and classic animation, “Who Framed Roger Rabbit” boldly announced the rebirth of the Disney animation studio. The film endures as an inventive tribute to animation’s golden age that also set a new standard for what the medium could achieve.
“‘Roger Rabbit’ brought together the greatest animators, the most skilled technicians, and the finest talent of the day,” said Zemeckis. “It’s good to have this chance to show our work to both those who remember the film as well as to a new audience.”
“Who Framed Roger Rabbit” (1988) received Oscars® for Film Editing, Sound Effects Editing and Visual Effects, and a Special Achievement Award for Richard Williams’s animation direction. It also was nominated for Art Direction, Cinematography and Sound.
This digital restoration is provided courtesy of the Walt Disney Studios. The Disney restoration team used the original 35mm picture, VistaVision optical work and original sound elements to create this pristine digital version.
Tickets for “Who Framed Roger Rabbit” are $5 for the general public and $3 for Academy members and students with a valid ID, and may be purchased online at oscars.org, in person at the Academy box office, or by mail. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. Doors open at 6:30 p.m. All seating is unreserved. For more information, call (310) 247-3600 or visit oscars.org.
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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners–Academy presents a diverse year-round slate [...]

Delaying the inevitable – “Jack the Giant Slayer”

As most of you know, Warner Bros. intended to release Bryan Singer’s Jack the Giant Killer in June of 2012 before pulling it from release, ordering reshoots and the like, and calling it a more kid-friendly Jack the Giant Slayer.
I don’t know what the film’s budget was prior to the date change and related reshoots, but it was probably a lot less than the $195 million that they ended up with. And for what? The film opened this weekend to $28 million.
If patterns hold for this kind of release, it’ll likely top out at $70 million domestic at best and around $250 million worldwide as a best case scenario. But point being, how much better of an opening could Warner Bros. expecting for a half kid-friendly/half dark-and-violent retelling of Jack and the Beanstalk starring absolutely no one of any box office worth? How much worse of an opening would Warner Bros. be looking at had it just gone ahead and opened it in June of 2012 as they intended?
Is it really worth the extra tens-of-millions of dollars that they ended up spending on the picture? Delaying the inevitable oftentimes merely gets you the same result at a greater cost.
To read more go to Mendelson’s Memos
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“Jack the Giant Slayer” bombs!

Pretty much everything I said last March about John Carter applies to Jack the Giant Slayer. There are a few differences.
Jack and the Beanstalk is technically a well-known property and Bryan Singer had the live-action track record that Andrew Stanton did not. But otherwise it is pretty much the same fallacy with pretty much the same result: $200 million cost plus who knows how much in marketing for $27.9 million on opening weekend. No stars, source material no one really cared to see onscreen, marketing that didn’t convince them that they should, a release date that put them within one week of a likely juggernaut, and mixed reviews.
Like John Carter and Battleship, Jack the Giant Slayer was basically a $200 million variation on ‘Generic Blockbuster: The Movie’. Unlike Disney and Universal respectively, Warner Bros. seemed to see this one coming well in advance. They changed the release date from June 2012 to this weekend and changed the title from Jack the Giant Killer to ‘appeal to families’. Yet they still spent $200 million on a would-be family film that I can’t take my daughter to because it’s PG-13 and (allegedly) features slightly toned down Lord of the Rings type violence.
To be fair, some of that $200 million cost was due to reshoots and the date change, but why bother? Warner spent untold extra millions to get the exact same terrible result they got this weekend. And really the film’s cost is as usual the prime offender.
To read more go to Mendelson’s Memos
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‘Oz: The Great and Powerful’ has actual movie stars

There are $200 million fantasy spectaculars opening within two weeks of each other at the moment. If the $400,000 10pm/midnight figures for Jack the Giant Slayer is any indication, Warner Bros. is about to have its very own John Carter/Battleship ($25 million debut, $65 million finish, around $250 million worldwide at best). Conversely Walt Disney has let the embargo wall fall for its Sam Raimi-helmed Oz: The Great and Powerful, which is allegedly tracking to open at around $75 million.
There are a number of reasons why Sam Raimi’s fairy tale-redux is prime to perform better than Bryan Singer’s such attempt. For one thing, I can take my daughter to the one that isn’t PG-13 and doesn’t involve giants biting peoples’ heads off and/or setting them on fire.
Also helping is the strength and confidence of Disney’s marketing versus Warner’s “we know we laid a financial egg” trepidation. But perhaps most importantly, Oz: The Great and Powerful has actual movie stars. What? I thought the era of the movie star was gone and the proverbial movie star was a relic of a bygone era? Well… it’s actually only half-true.
To read more go to Mendelson’s Memos
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We are back. The 2014 Oscars. Leo DiCaprio will be returning

The next Oscars? The new season begins, like, now, with “The Sapphires” opening on March 22nd. Pencil it in for Golden Globe Comedy/Musical, and if it takes, off, well, who knows what else?
Mainly next winter we will be looking hard at Julia Roberts and Meryl Streep in “August: Osage County” and Nicole Kidman in “Grace of Monaco.” Streep will probably go into Supporting. Kidman is said to on track to win. Naomi Watts will be back as Princess Diana, and Leonardo DiCaprio will make a bid for Best Actor in Martin Scorsese’s “The Wolf of Wall Street.”
The Weinstein Company has 14 films for 2013, with lots of potential nominees. But Tarantino is off duty this year, so don’t count on him. The Coen Brothers’ “Inside Llewyn Davis” could bring gold for the bros, plus Oscar Isaac and John Goodman. There’s a new Woody Allen movie said to be “one of his greats” like “Midnight in Paris.” Pedro Almodovar is back in form with a comedy. Robert Redford directed “The Company You Keep” and stars in JC Chandor’s new film. Bradley Cooper and Ryan Gosling are superb in Derek Cianfrance’s “Place Beyond the Pines,” which was screened in Toronto.
Then there’s Kristen Wiig in the very funny retitled “Imogene” now called “Girl Most Likely.” Wait til you see Matt Dillon steal that show. Sundance will contribute “Ain’t Them Bodies Saints” with Casey Affleck. There’s Terrence Malick’s “To the Wonder” (forget it) and maybe a better one called “Knight of Cups.” George Clooney acts in “Gravity” with Sandra Bullock and directs “Monuments Men.” Luc Besson could have a good film with Robert DeNiro, Tommy Lee Jones, and Michelle Pfeiffer. Cross your fingers.
T read more go to www.showbiz411.com
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Shailene Woodley will be insanely attractive as Mary Jane Watson in The Amazing Spider-Man

I’m not going to get into the misogynistic aspect of the trolling centered around a few on-set photos of Shailene Woodley from The Amazing Spider-Man 2.
To those saying that she’s not ‘pretty enough’ to be Mary Jane Watson, I’ll simply extend a hearty ‘f*ck you’ and merely offer to be, wedding vows and relative current marital bliss aside, the next guy in line at the bar after you turn down her advances. But while others will justifiably focus on the offense at the trolling of a young actress having the gall to walk around without make up, I’d like to offer a bit of silver lining to this whole affair.
Now thanks to the Internet trolling, I can absolutely guarantee that not only will Shailene Woodley be insanely attractive as Mary Jane Watson in The Amazing Spider-Man, but she will also be a terrific character, in terms of acting and all of that ‘less-important’ stuff too.
Photo by PRPhotos.com
to read more go to Mendelson’s Memos
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