April 19, 2014

Tag Archives: IRON MAN 2

Paul Bettany will play The Vision in The Avengers: Age of Ultron

One of the biggest box office hits of all time, The Avengers exceeded almost all expectations, so all eyes are on filmmaker Joss Whedon for the upcoming sequel The Avengers: Age of Ultron. Any bit of news that comes out about the film is treated as a major deal, much like any information that leaked about Christopher Nolan’s Batman franchise a few years back. Well, today there’s an interesting bit of casting news/character reveal that’s hit the net, and it happens to surround someone who’s a veteran of Marvel’s universe at this point. Yes, not only is Paul Bettany still the voice of Tony Stark’s computer butler JARVIS, but now he’s going to be playing The Vision as well.
Bettany has yet to be seen in person in a Marvel flick to date, but this news suggests that he won’t be just a disembodied voice helping out Iron Man this time around. This is a good upgrade for the actor, who’s immensely talented but doesn’t always seem to get the right roles. This at the very least suggests a continued presence in the Marvel universe, so expect to see Bettany for the foreseeable future of this franchise.
I’m no expert on The Vision, but apparently he’s a character that’s created by the villain Ultron, though eventually The Vision goes from being an opponent of The Avengers to fighting alongside them at some point. I do know that this is a character that fans have been looking to see join the team, even at one juncture hoping that Clark Gregg’s deceased (or I guess not deceased, if that Marvel television show Agents of Shield is to be believed) would be resurrected as The Vision. Well, that’s not happening, but the character is joining the film in some capacity for sure.
The Avengers: Age of Ultron comes out on on May 1st of 2015, so we’ve got over a year to continue speculating on what this movie will wind up being like, but it certainly seems like Whedon and company are not just resting on their laurels. Stay tuned for more on this one, as it’s poised to potentially become the highest grossing film of all time if things break right for it.

“Captain America: The Winter Soldier” will come out in 2014

Following in the footsteps of the record-breaking Marvel Studios’ release, “Marvel’s The Avengers,” production on the highly anticipated release, Marvel’s “Captain America: The Winter Soldier” has commenced in Los Angeles, Calif., with production also including locations in Cleveland, Ohio, and Washington D.C. Directing the film is the team of Anthony and Joe Russo (“Welcome to Collinwood”) from a screenplay written by Christopher Markus (“Captain America: The First Avenger”) & Stephen McFeely (“Captain America: The First Avenger”). Marvel’s “Captain America: The Winter Soldier” returns Chris Evans (“Captain America: The First Avenger,” “Marvel’s The Avengers”) as the iconic Super Hero character Steve Rogers/Captain America, along with Scarlett Johansson (“Marvel’s The Avengers,” “Iron Man 2”) as Black Widow and Samuel L. Jackson (“Marvel’s The Avengers,” “Iron Man 2”) as Nick Fury. In addition, film icon Robert Redford has joined the all-star cast as Agent Alexander Pierce, a senior leader within the S.H.I.E.L.D. organization. “Captain America: The Winter Soldier” is set for release in the U.S. on April 4, 2014.
“Captain America: The Winter Soldier” will pick-up where “Marvel’s The Avengers” left off, as Steve Rogers struggles to embrace his role in the modern world and teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.
Based on the ever-popular Marvel comic book series, first published in 1941, Marvel’s “Captain America: The Winter Soldier” features an outstanding supporting cast that includes Sebastian Stan (“Captain America: The First Avenger,” “Black Swan”) as Bucky Barnes/Winter Soldier, Anthony Mackie (“The Hurt Locker,” “Million Dollar Baby”) as Sam Wilson/Falcon, Cobie Smulders (“Marvel’s The Avengers,” “How I Met Your Mother”) as Agent Maria Hill, Frank Grillo (“Zero Dark Thirty”) as Brock Rumlow and Georges St-Pierre (“Death Warrior”) as Georges Batroc. Rounding out the talented cast are Hayley Atwell (“Captain America: The First Avenger”) as Peggy Carter, Toby Jones (“Captain America: The First Avenger,” “The Hunger Games”) as Arnim Zola, Emily VanCamp (“The Ring 2,” “Revenge”) as Agent 13 and Maximiliano Hernández (“Marvel’s The Avengers,” “Thor”) as Agent Jasper Sitwell.
Marvel Studios’ President Kevin Feige is producing the film. Executive producers on the project include Alan Fine, Louis D’Esposito, Victoria Alonso, Michael Grillo and Stan Lee. The creative production team on the film includes director of photography Trent Opaloch (“Elysium,” “District 9”), production designer Peter Wenham (“21 Jump Street,” “Fast Five”), editors Jeffrey Ford, A.C.E. and Mary Jo Markey, A.C.E. (“Star [...]

New IRON MAN 3 IMAX poster

Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s “Iron Man 3” is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968.
“Iron by “Iron Man 3” is presented by Marvel Studios in association with Paramount Pictures and DMG Entertainment. Marvel Studios’ President Kevin Feige is producing and Jon Favreau, Louis D’Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee and Dan Mintz are executive producers. The film releases May 3, 2013, and is distributed by Walt Disney Studios Motion Pictures.
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‘Iron Man 3′ New Trailer is Out

Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?
Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s “Iron Man 3” is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968.
“Iron Man 3” is presented by Marvel Studios in association with Paramount Pictures and DMG Entertainment. Marvel Studios’ President Kevin Feige is producing and Jon Favreau, Louis D’Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee and Dan Mintz are executive producers. The film releases May 3, 2013, and is distributed by Walt Disney Studios Motion Pictures.

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IRON MAN 3 – New Images Now Available!

Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible.
This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man.

Below game day trailer commercial

Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s “Iron Man 3” is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968.
“Iron Man 3” is presented by Marvel Studios in association with Paramount Pictures and DMG Entertainment. Marvel Studios’ President Kevin Feige is producing and Jon Favreau, Louis D’Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee and Dan Mintz are executive producers. The film releases May 3, 2013, and is distributed by Walt Disney Studios Motion Pictures.
Visit the website: http://marvel.com/ironman3
“Like” IRON MAN 3 on Facebook: https://www.facebook.com/ironman
“Follow” IRON MAN 3 on Twitter:@Iron_Man
IRON MAN 3 releases in theaters on May 3, 2013!
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Hansel and Gretel: Witch Hunters wins weekend box office

This weekend’s lesson is “all the marketing prowess in the world doesn’t matter if you don’t have the movie”. Paramount has been batting 1.000 in terms of launching major fantasy-skewed franchise pictures. From at least summer 2007 with Transformers, they have been the most consistent performers in terms of grabbing those blockbuster debuts, launching not-quite sure things like Iron Man, Star Trek, G.I. Joe: The Rise of Cobra, and Thor to blockbuster numbers while also turning a glorified home movie (Paranormal Activity) into a massive horror franchise in their spare time. They were a little off their game in 2012, with several high profile delays into 2013 (Star Trek Into Darkness, GI Joe: Retaliation) and with the few films Paramount did release in 2012 somewhat under-performing (Jack Reacher, Katy Perry: Part of Me, The Dictator, Rise of the Guardians). But I would argue the fact that Paramount got what looked to be an utter shit-storm like Hansel and Gretel: Witch Hunters to nearly $20 million, or $19 million in this case, is a sign of their sheer marketing will. They hit all the sweet spots (in theater infomercials, an unexpected R-rating, IMAX engagements, an exclusive sneak peak at a future Paramount movie, saturated coverage in various demographics, etc.) but the movie is the movie.
To read more go to Mendelson’s Memos
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The Dark Knight Rises topped the weekend box office again with $36 million.

HollywoodNews.com:In the face of two relatively non-mighty openers, The Dark Knight Rises (review/spoiler-review) topped the weekend box office again with $36 million. As has been the case throughout the film’s much-debated run (which is really only 17 days old), it’s doing pretty spectacular by any logical standard but must be defended from those who think it automatically should have topped The Dark Knight and/or challenged The Avengers.
The film has $354 million after three weekends, versus The Dark Knight ($393 million) and The Avengers ($457 million). It’s the third-biggest 17-day total of all-time, closely surpassing Avatar ($352 million) as the third-fastest film to reach $350 million. It will crack $400 million in two or three weekends (surely the fourth-fastest movie to do so if it can in less than Shrek 2′s 43 days) and anything after that is merely bragging rights. It may or may not crack $1 billion worldwide, with around $700 million so far and holding up relatively well. Despite my concerns following its Harry Potter/Twilight-esque opening weekend, it’s already having a leggier run than any recent Harry Potter or Twilight Saga sequel, as well as Spider-Man 3 (2.2x its weekend) or Iron Man 2 (2.4x times its weekend). It’ll out gross Star Wars Episode III: Revenge of the Sith ($380 million) and Harry Potter and the Deathly Hallows part II ($381 million) around next weekend.
It will probably outgross Transformers 2 ($402 million), Spider-Man ($403 million), and The Hunger Games ($405 million) by the end of the month, with Toy Story 3 ($415 million), The Lion King ($422 million), and Pirates of the Caribbean: Dead Man’s Chest ($423 million) waiting on tap if it can keep those non-IMAX screens during the end-of-August deluge. So relax Bat-fans, it’s doing just fine.
To read more go to MENDELSON’S MEMOS
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The Dark Knight Rises opens with $160 million

HollywoodNews.com:This was edited from a phone, so pardon any formatting errors. When a heavily-anticipated film debuts alongside a mass murder that takes place during a midnight showing of said film, it’s difficult to know how to analyze the opening weekend figures. I don’t mean morally speaking (all due respect, anyone offended by number crunching after such a tragedy shouldn’t be clicking on a link entitled ‘Weekend Box Office’), I mean practically. Under normal circumstances, the fact that The Dark Knight Rises debuted with $160 million over the weekend would lend itself to the usual analysis, dealing with weekend multipliers, midnight-percentages, comparisons to The Dark Knight and other recent blockbusters, and a guesstimate in regards to final domestic outcome. But it is impossible for now to know what the effect of the shooting had on the film’s short term or long term box office performance, so for the sake of this calculation, we will basically presume that the shooting had little quantifiable effect on the numbers, and frankly looking over the data I’m inclined to believe as much. The film did about as well, give-or-take, as it would have been expected to do. But the numbers, presuming little-to-no effect from Friday morning’s tragedy, means that the third Chris Nolan Batman film was a slightly less anticipated affair than the last go-around, which will likely bode comparatively ill for long-term grosses. Basically, horror of horrors, The Dark Knight Rises might just perform like a normal mega-blockbuster.
To wit, The Dark Knight Rises debuted with $30.4 million in midnight showings (second only to Harry Potter and the Deathly Hallows part II’s $43 million midnight-haul) and ended its first complete Friday with $75 million, good for the third-biggest single day of all time, behind The Avengers ($80 million) and Harry Potter and the Deathly Hallows part II ($91 million). Considering The Dark Knight Rises was in 2D, it surely sold more tickets on Friday than The Avengers and may have sold more than Harry Potter 7.2 (we’ll know for sure in a few days). The film earned 40% of its Friday figure via midnight showings, identical to Harry Potter and the Deathly Hallows part I ($24 million at midnight, $62 million on Friday) and just ahead of all-time worst midnight-percentage opening days Harry Potter 7.2 ($43m/$91m = 45%) and Twilight Saga: Eclipse ($30m/$68m = 44%). [...]

Marvel’s The Avengers midnight gross

HollywoodNews.com: The unofficial midnight gross for Marvel’s The Avengers is $18.7 million. That’s the eighth-biggest such midnight haul on record. The seven ahead of it are The Hunger Games ($19.7 million), Harry Potter and the Half-Blood Prince ($22 million), Harry Potter and the Deathly Hallows part I ($24 million), The Twilight Saga: New Moon ($26 million), The Twilight Saga: Eclipse ($30 million), The Twilight Saga: Breaking Dawn part I ($30 million), and Harry Potter and the Deathly Hallows part II ($43 million). Obviously The Avengers was never going to top the midnight-grossers list, and its worth noting that the film earned more on its midnight debut that pretty much every prior Marvel Studios movie combined (Offhand, Thor earned $3.5 million, Captain America earned $4 million, and Iron Man 2 earned $7.5 million in their respective midnight debuts). It’s a larger midnight, just barely and likely due to inflation and the 3D-price bump, then The Dark Knight, which broke a midnight record four years ago with $18.5 million on its way to a $67 million opening day and a $158 million opening weekend (both records at the time).

Unless the film is front-loaded on the level of a Harry Potter sequel or a Twilight sequel, we’re looking at a $140-160 million debut here. But is the three-day record still in play? Let’s whip out the calculator!
To read more go to Mendelson’s Memos
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Why some comic adaptations failed: Iron Man 2, Punisher: War Zone, Superman Returns, Hulk

HollywoodNews.com: Actor Tom Hiddleston wrote an eloquent essay yesterday for The Guardian basically praising and defending the sub-genre known as the superhero picture. Plenty of disdain for the genre comes from the very notion that it’s big-budget entertainment based on literature that was technically intended for children that gobbles up production dollars and screen space that otherwise might be allotted for more explicitly grown-up fare. But at least some of the alleged weariness of this specific type of film (the superhero comic book adaptation) comes from a feeling that all-too many of them are basically telling the same story. You’ve generally got the standard origin story which (let’s be honest) basically takes Richard Donner’s Superman: The Movie and pours it into a different color bottle (I say that as a big fan of Spider-Man and Captain America). Then you have the sequels, which are quite often merely a case of escalation and/or the hero dealing with self-doubt often while in combat with a ‘bigger/badder’ version of himself (again, thank you Superman II). But over the last twenty years or so, there have been a handful of high-profile comic book films that have attempted to play around with the formula but have artistically failed anyway. As a rebuttal to the idea that ‘all superhero movies are the same’ as well as a reaffirmation of the idea that ‘it’s not what it’s about, but how it’s about it’, let’s take a look at five comic book adaptations that didn’t play it safe, but didn’t come out on top either.
Batman & Robin (1997)
I would argue that it’s a sign of maturity among film pundits and critics when they are finally adult enough to realize that Joel Schumacher’s Batman & Robin is not the worst film ever made. Peel away all the attempted camp, the self-depreciating homoerotic jokes, the terrible lead performance from Arnold Schwarzenegger and you’re left with simply a good story told very poorly. As the fourth film in a franchise, Schumacher and company had a bit more leeway in terms of where they wanted to take their film this time around. And as such, they told a rather thoughtful tale of an adult and sane Bruce Wayne trying to figure out how to be an appropriate head to his surrogate family. No longer wracked with guilt over his parents’ deaths, Wayne [...]

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