Joey Berlin from the Broadcast Film Critics Association – Critics’ Choice Awards
By ROBERT W. WELKOS
In 1995, Joey Berlin and Rod Lurie, two entertainment reporters and film critics who had written for rival publications, joined forces to create the Broadcast Film Critics Assn.
While Lurie would go on to carve out a successful Hollywood career as a screenwriter and director with such films as “The Contender” and “The Last Castle,” Berlin hasn’t faired too badly, either, as the president of the BFCA.
Starting with 44 members the first year, the BFCA’s voting membership today hovers between 285 and 290 and the organization bills itself as the largest film critics group in the U.S. and Canada.
At the same time, the BFCA created the Critics’ Choice Awards, a glitzy tux-and-gown gala now televised on the CW Network that features red carpet celebrity arrivals, drawing worldwide media attention and plenty of Oscar buzz since the show coincides with the run-up to the Academy Awards.
But as the show has catapulted the broadcast critics into the Oscar conversation each movies awards season, tax records show that the nonprofit group Berlin leads has paid his privately-owned company, Berlin Entertainment, Inc., hundreds of thousands of dollars each year for production services.
Read prior Broadcast Film Critics Association story here at Hollywoodnews.com
IRS Form 990 filings list Berlin Entertainment, Inc., receiving a combined $992,270 from the nonprofit between fiscal 2009 and 2011.
Berlin notes that his members seem to be satisfied with the job he’s doing since he has been repeatedly re-elected president every two years.
The tax files show that Berlin’s base compensation and benefits were a combined $1,297,133 for the three-year period spanning fiscal 2009 to 2011. But his compensation is listed as coming from “related organizations” and not directly from the BFCA, according to the Form 990 documents, which all nonprofits are required to file with the IRS to qualify for tax-exempt status.
When asked about his sizeable compensation, Berlin told HollywoodNews.com in a recent telephone interview: “I did this for five years for zero compensation, but this is what I do all day, every day. I’m really proud of what we’ve built and accomplished….
“My compensation has grown with the growth of the show,” he adds without apology. “The television show is an incredible benefit to the members.” He notes that these benefits include such things as access and awards screeners. “That seems a comfortable arrangement for everybody.”
Tag Archives: leonardo dicaprio
Joey Berlin from the Broadcast Film Critics Association – Critics’ Choice Awards
A lot of times during the months directly following the Academy Awards telecast, people talk about who’s overdue for an Oscar nomination, but I think the more interesting conversation is to discuss who’s already been nominated repeatedly by the Academy but has yet to win an Oscar. It’s one thing to fight for that first nod, or to have a nom to your credit but nothing else, but what of the people who’ve been cited with nominations multiple times by Oscar voters but never seem to make it to the finish line? Recently, I was thinking about just that, and actually came up with a list of some of the folks in the industry that are most overdue for a win.
Below you’ll find a group of ten previously nominated by the Academy that I think should have won by now. They consist of actors, actresses, filmmakers, and technical craftsmen, all of whom define the word “overdue” to me. There are many others, like Ridley Scott for example, but I limited it to ten. Take a look:
10. David O. Russell- With five nominations to his credit now, Russell is undoubtedly on a hot streak right now, and it’s firmly entrenched him as someone due for a win. The Academy clearly is enamored with him, so it really seems to only be a matter of time now. Not everyone is thrilled with that prospect, but I’m not among them. He’s more than deserving at this point in his career.
9. Julianne Moore – A quartet of nods later, Moore is very high up on many lists of the actresses who desperately need an Oscar. I obviously don’t have her quite as high up on this list, but she’s clearly only one great role away from being on that stage accepting the statue. My guess is that it’ll be for a supporting performance, but time will ultimately tell there.
8. Christopher Nolan – Despite often snubbing Nolan in some key categories, the Academy has still cited him a trio of times, though without any sign of a win yet. They’ve notably kept him far away from the Best Director field, so when his first win comes, I suspect that it’ll be for a Screenplay category…that’s just a guess though. Perhaps Interstellar this year can do it for him?
7. Tom Cruise – There was a time when it was inconceivable to think that Cruise wouldn’t have [...]
Every single year we seem to get some sort of trend in the movies. Sometimes it’s Oscar themed (remember how many 2013 prestige releases were about survival of some sort?), while sometimes it’s a specific sort of a disaster movie, or even a particular type of genre outing, like how the apocalypse has been in of late. 2014 looks to be the year that the Biblical Epic returns to the screen, with both Darren Aronofsky’s Noah and Ridley Scott’s Exodus looking for awards attention (and just this past weekend Son of God opened, though that’s basically just an expansion of that TV series The Bible, so it’s hardly an epic in my eyes). That got me thinking about what other trend could be next…
Personally, I never mind if we get two astroid movies in one year or something like that, as long as they each offer something different. With that in mind, here’s three ideas for the next cinematic trend that we could see coming to a theater near you in the impending years:
1. Sequels we actually want to see- This is kind of an open ended concept, I know, but wouldn’t it be great to actually see franchises made out of material that folks enjoyed the first time around? 2015 is a year filled with some things we’d like to see, but plenty of extraneous money grabs as well, so one of these years I’d love to see the summer just full of things to look forward to, as opposed to things to endure. A pipe dream in all likelihood, but I’ll continue reaching for the stars.
2. Presidential biopics- This is a personal preference of mine. We get one every few years, but I’d love a deluge of two or three looks at former Commanders in Chief in a given year. Oliver Stone alone could probably be good for a few, right? I know that Martin Scorsese has a Teddy Roosevelt project in his back pocket as another Leonardo DiCaprio collaboration, so hopefully that’s another one we can count on, though DiCaprio has a Woodrow Wilson flick he’s planning to make as well. On second thought, maybe we should just see how many Presidents we can get him to play?
3. Kids Sports movies- Remember the days when we used to get things like Little Big League, Little Giants, The Might Ducks (franchise), and Rookie of the Year? These were [...]
I’m a big fan of Ellen DeGeneres and her understated, often brilliant humor. This was most evident when she hosted the 2001 Emmy Awards after the horrific events in New York and Washington that year. The show was postponed twice, and when it finally aired a couple of months later the big question was how it could be entertaining?
Almost from the outset Ellen delivered. To paraphrase what she said, it was something like the terrorists could not break our spirit. Then she paused and deadpanned that only network executives could do that.
It was funny, unexpected yet absolutely true. It related to the events just passed, but broke the ice and allowed the show to go on to its true purpose after the long delay.
The Oscars Rate a B-Minus.
I wish I could say Ellen’s performance last night rose to that occasion. Though it generally retained the dignity and glamour that audiences expect, something lost in last year’s show hosted by Seth MacFarlane, it was mostly bland with repetitive jokes and occasional good moments. Having said that, I cringed a bit when Ellen repeated out loud and very slowly a compliment to Nebraska supporting actress nominee June Squibb, whom Ellen had termed the oldest Oscar nominee ever, as if the actress were almost deaf and needed careful attention to hear her remarks.
Throughout the ABC show, Ellen drew from a past playbook and redid bits from the last time she hosted in 2007, often appearing in the audience, talking with this celebrity or that and taking photos. In one segment she asked if anyone was hungry, which drew very few responses and went on much too long. However, when a pizza man arrived later in the show, though only with three pizzas, it was amusing to see how many celebrities accepted a slice, including Meryl Streep, Julia Roberts and Harrison Ford. And that no one initially responded to Ellen’s request for donations to pay the man.
To read Michael Russnow’s latest book, “Hollywood on the Danube,” go to www.createspace.com/4497564
I’d thought sometime later it would have been funny if the delivery man, denied payment, started taking back the pizza slices from Meryl, Julia and the others. However, they eventually paid the bit off when Ellen passed a hat into which producer Harvey Weinstein threw two hundred dollars and several celebrities forked over twenty or more dollars each. By my count that was over three hundred [...]
After months and months of lead up and speculation (not to mention an endless string of precursor awards), the Academy Awards were finally given out, and the results were almost as unpredictable as we’d all been saying. 12 Years a Slave took home Best Picture despite only winning two other Oscars and losing in the Best Director and Best Film Editing categories (both of which Gravity took), normally categories that go to the Best Picture winner. Gravity was the biggest winner of the night in terms of numbers though, taking seven prizes, including the aforementioned Director (for Alfonso Cuaron) and Editing fields.
In terms of the other prizes, Matthew McConaughey and Jared Leto were once again awarded for their performances in Dallas Buyers Club (McConaughey in Best Actor and Leto in Best Supporting Actor), while Cate Blanchett won Best Actress for Blue Jasmine and Lupita Nyong’o edged out Jennifer Lawrence in the Best Supporting Actress category. Best Original Screenplay went to Spike Jonze for Her (my personal favorite award of the evening) and John Ridley won Best Adapted Screenplay for 12 Years a Slave. Other winners included Frozen (Best Animated Feature and Best Original Song), 20 Feet from Stardom (Best Documentary Feature), and The Great Beauty (Best Foreign Language Feature).
Here now are all of the results from the 86th Academy Awards:
“12 Years a Slave” – WINNER
“Dallas Buyers Club”
“The Wolf of Wall Street”
David O. Russell, “American Hustle”
Alfonso Cuaron, “Gravity” – WINNER
Alexander Payne, “Nebraska”
Steve McQueen, “12 Years a Slave”
Martin Scorsese, “The Wolf of Wall Street”
Christian Bale, “American Hustle”
Bruce Dern, “Nebraska”
Leonardo DiCaprio, “The Wolf of Wall Street”
Chiwetel Ejiofor, “12 Years a Slave”
Matthew McConaughey, “Dallas Buyers Club” – WINNER
Amy Adams, “American Hustle”
Cate Blanchett, “Blue Jasmine” – WINNER
Sandra Bullock, “Gravity”
Judi Dench, “Philomena”
Meryl Streep, “August: Osage County”
BEST ORIGINAL SCREENPLAY
“American Hustle” – Written by Eric Warren Singer and David O. Russell
“Blue Jasmine” – Written by Woody Allen
“Her” – Written by Spike Jonze – WINNER
“Nebraska” – Written by Bob Nelson
“Dallas Buyers Club” – Written by Craig Borten & Melisa Wallack
BEST ADAPTED SCREENPLAY
“Before Midnight” – Written by Richard Linklater, Julie Delpy, Ethan Hawke
“Captain Phillips” – Screenplay by Billy Ray
“Philomena” – Screenplay by Steve Coogan and Jeff Pope
“12 Years a Slave” – Screenplay by John Ridley – WINNER
“The Wolf of Wall Street” – Screenplay by Terence Winter
BEST SUPPORTING ACTRESS
Lupita Nyong’o, “12 Years a Slave” – WINNER
Jennifer Lawrence, “American Hustle”
June Squibb, “Nebraska”
Julia Roberts, “August: Osage County”
Nominees: Christian Bale for American Hustle, Bruce Dern for Nebraska, Leonardo DiCaprio for The Wolf of Wall Street, Chiwetel Ejiofor for 12 Years a Slave, and Matthew McConaughey for Dallas Buyers Club
Notable precursor wins: Dern wins National Board of Review Award, DiCaprio wins Golden Globe Award (Comedy), Ejiofor wins BAFTA Award, and McConaughey wins Broadcast Film Critics Association, Golden Globe (Drama), and Screen Actors Guild Awards
Current frontrunner: Matthew McConaughey
Next in line: Chiwetel Ejiofor
Dark horse: Bruce Dern
Time for the next version of my “Get to know” series, as we turn our attention now to the Best Actor race. As you can see above, the gentlemen making up this category are Christian Bale for American Hustle, Bruce Dern for Nebraska, Leonardo DiCaprio for The Wolf of Wall Street, Chiwetel Ejiofor for 12 Years a Slave, and Matthew McConaughey for Dallas Buyers Club. This was a wide open and highly competitive race for most of the season, though lately the tide has greatly turned in McConaughey’s favor. Right now, he’s the odds on favorite to win the Oscar.
Basically, once the crowded field competing to be nominated was whittled down to these five, things clarified a bit. Bale was just happy to be nominated, while the other four shuffled back and forth a bit. Then, the major precursors really rallied around McConaughey, resulting in his current frontrunner status. Dern hasn’t had a win in a while that gives him much of a shot, while DiCaprio and Ejiofor have some, but not nearly on the level of McConaughey.
Now, with the Academy Awards just days away, McConaughey is the smart bet for Best Actor. If there’s going to be an upset, it’s going to be from Ejiofor. A Dern or DiCaprio win would be shocking at this point. Still, Ejiofor is pretty far behind McConaughey, so look for him to pick up a statue on Sunday evening. Anything could happen, but things seem pretty cut and dried now to me…
Stay tuned for the rest of the acting categories this week, with Best Actress up next!
Directed by: Martin Scorsese
Written by: Terence Winter
Main cast members: Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Cristin Milioti, Jean Dujardin, P.J. Byrne, Jon Favreau, Christine Ebersole, Shea Whigham, and Joanna Lumley
Number of Oscar nominations in total: 5
Other nominations besides Best Picture: Best Director (Scorsese), Best Actor (DiCaprio), Best Supporting Actor (Hill), and Best Adapted Screenplay (Winter)
Notable precursor wins: Won Best Actor in a Comedy/Musical at the Golden Globe Awards, Won Best Actor in a Comedy at the Broadcast Film Critics Association Awards, and Won Best Adapted Screenplay from the National Board of Review
Chances at winning Best Picture: Slim to none, quite frankly
Chances at other Academy Award wins: A shutout is pretty likely, though DiCaprio has an outside chance to pull the upset in the Best Actor race
ANALYSIS OF OTHER OSCAR NOMINEES: 12 Years a Slave, American Hustle, Captain Phillips, Dallas Buyers Club, Gravity, HER, Nebraska, and Philomena
The Wolf of Wall Street is the ninth (and final) film in my “get to know a Best Picture nominee” series, and it’s one last nominee that realistically has to look at the very nomination itself in this category as the only award that it can count on. For the longest time, it was sort of an awards season X factor, as no one quite knew if it would come out in 2013, let alone if it would be Oscar worthy. Well, it got in just under the wire and turned out to be easily the liveliest of the Best Picture contenders, inspiring some early talk that it could win. That hasn’t sustained, but Martin Scorsese and Leonardo DiCaprio did get nominations as well, with the latter still having an outside chance of a victory in Best Actor. The likely result is a shutout for the movie, but it’s a memorable flick and an out of the box nomination from the Academy, regardless of anything else.
Working in The Wolf of Wall Street’s favor is how enthusiastic fans of the movie are and how successful it has been at the box office. This is a big hit and the most overtly funny flick in the lineup, so it’s able to differentiate itself from a lot of the more independent and serious minded films making up the nominees. The presence of DiCaprio and Scorsese certainly doesn’t hurt either. They took home the big prize once before for The Departed, [...]
By Michael Russnow
As Oscar voters continue to mark their ballots until this Wednesday, I wonder what goes into their thinking? Do they vote specifically for what they believe is the best achievement of last year, a surprising performance and accomplishment or is it a cumulative assessment of someone’s career?
For all these reasons, and not just one, I’m going against the grain of what appears to be the general consensus and strongly suggest that Leonardo DiCaprio deserves the Oscar this year for The Wolf of Wall Street, even more than favorite Matthew McConaughey.
This doesn’t in any way diminish McConaughey’s performance in Dallas Buyers Club. It was terrific, and the subject matter of the film made it that much more compelling. However, DiCaprio’s execution, in my view, was even more powerful, in particular as it was a totally different characterization and portrayal than we’ve ever seen from the actor before.
It’s hard to realize sometimes that Leo has been in filmdom’s consciousness for twenty-one years, since he was elevated from his sitcom supporting role in ABC’s Growing Pains to the wow factor engendered in his major debut role opposite Robert De Niro in This Boy’s Life. Later in 1993 that respect was magnified when he stole What’s Eating Gilbert Grape from Johnny Depp and was rewarded with his first Oscar nomination at the age of nineteen.
For the next several years, he continued to intrigue audiences with a different assortment of characters, sometimes in mixed films such as Basketball Diaries and Total Eclipse, in more respected fare such as Marvin’s Room and Romeo and Juliet, and finally emerging as a superstar in Titanic.
Since then he has won fans and critical plaudits for his work in Catch Me If You Can, a young Howard Hughes in The Aviator, as a South African in Blood Diamond and an undercover policeman in The Departed, sometimes Oscar nominated, more times not and sometimes robbed of a nod as in the case of J. Edgar and last year’s Django Unchained.
Through it all, he has mostly been acclaimed for quirky dramatic performances until finally his well-known personal impishness came forth comedically in The Wolf of Wall Street. In this film, which I mostly liked but not entirely, Leo displayed so many facets, delivering emotional high points while also sometimes hysterically funny, that I wonder if his excellence has become so expected we don’t realize how different the role is and [...]
The Art Directors Guild (ADG) tonight announced winners of its 18th Annual Excellence in Production Design Awards, Presented by Kohler Co., in ten categories of film, television, commercials and music videos during the black-tie ceremony in the International Ballroom of the Beverly Hilton Hotel in Beverly Hills. The awards took place before an audience of more than 800, including guild members, industry executives and press. ADG Council Chair John Shaffner presided over the awards ceremony with comedian Owen Benjamin serving as host.
Martin Scorsese received the Guild’s prestigious Cinematic Imagery Award presented to him by Leonardo DiCaprio and Jonah Hill, his stars of The Wolf of Wall Street, which is currently nominated for five Academy Awards® including Best Picture and Best Director. Production Designer Rick Carter was recipient of the Lifetime Achievement Award, presented by Kohler, which created a special award for the occasion. ADG President Mimi Gramatky and Production Designer Robert Stromberg participated in the presentation. Hall of Fame inductees were Robert Clatworthy, Harper Goff and J. Michael Riva. The 18th Annual Excellence in Production Design Awards were co-produced by Dave Blass and Raf Lydon.
Presenters for this year’s awards included Leonardo DiCaprio (The Wolf of Wall Street), Jonah Hill (The Wolf of Wall Street), June Squibb (Nebraska), Mimi Gramatky (ADG President), Julia Stiles (Blue), Robert Stromberg (Life of Pi), Elisabeth Rohm (American Hustle), Tricia Helfer (Killer Women), Katee Sackhoff (Longmire), Joe Manganiello (True Blood), Dennis Haysbert (24), Frances Fisher (Resurrection), Jon Avnet (Blue), Bruce Davison (X-Men) and Bill Bohnert (Maximum Drive).
ADG awards recognition always goes to the Production Designer, Art Director, Assistant Art Director and their team for each nominated and winning project.
WINNERS FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2013:
THE GREAT GATSBY
Production Designer: Catherine Martin
Production Designer: Andy Nicholson
Production Designer: K.K. Barrett
NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN IN TELEVISION FOR 2013:
One-Hour Single Camera Television Series
GAME OF THRONES, Episode: Valar Dohaeris
Production Designer: Gemma Jackson
Television Movie or Mini-Series
BEHIND THE CANDELABRA
Production Designer: Howard Cummings
Half-Hour Single Camera Television Series
VEEP, Episode: Helsinki
Production Designer: Jim Gloster
Short Format, Live Action Series
BATTLESTAR GALACTICA: BLOOD & CHROME, Episode: Pilot
Production Designer: Brian Kane
Multi-Camera, Variety, or Unscripted Series
PORTLANDIA, Episode: Missionaries
Production Designer: Tyler B. Robinson
Awards, Music, or Game Shows
THE 67th ANNUAL TONY AWARDS
Production Designer: Steve Bass
Commercial, PSA, Promo, and Music Video
CALL OF DUTY: GHOSTS, Episode: Epic Night Out
Production Designer: Todd Cherniawsky
ADG Awards Sponsors: Presenting and Lifetime Achievement: KOHLER; Title Sponsor:
Paramount Pictures; Platinum: LBI Entertainment, [...]
Carlos de Abreu, founder and executive producer of the 17th Annual Hollywood Film Awards, announced today that Matthew McConaughey, who starred this year to critical acclaim in Roadside Attractions’ “Mud” and Focus Features’ “Dallas Buyers Club,” will be honored with the Hollywood Actor Award. The honor will be bestowed at the Hollywood Film Awards Gala Ceremony on Monday evening, October 21st, 2013 at the Beverly Hilton Hotel in Beverly Hills.
“Already acclaimed for his risk-taking work, Matthew McConaughey now achieves a career-defining performance portraying Ron Woodroof in ‘Dallas Buyers Club.’ It is a privilege to honor him for this role and celebrate his achievement,” said Mr. de Abreu.
The 2013 Hollywood Film Awards has also announced that it will be honoring the prolific and legendary producer Jerry Weintraub with the “Hollywood Legend Award,” Academy award-nominated actor Harrison Ford with this year’s “Hollywood Career Achievement Award,” Academy Award-winning actress Sandra Bullock with the “Hollywood Actress Award,” Oscar-nominated actor Jake Gyllenhaal with the “Hollywood Supporting Actor Award,” Academy Award-winning actress Julia Roberts with the “Hollywood Supporting Actress Award,” actor Jared Leto with the “Hollywood Breakout Performance Award” for “Dallas Buyers Club,” actress Lupita Nyong’o with the “New Hollywood Award” for “12 Year A Slave,” director Steve McQueen with the “Hollywood Breakout Director Award,” producer Michael De Luca with the “Hollywood Producer Award,” and screenwriters Julie Delpy, Ethan Hawke and Richard Linklater with the “Hollywood Screenwriters Award.” Other honorees include director Dan Scalon for “Monsters University” with the “Hollywood Animation Award,” and the movie “Pacific Rim” for visual effects.
The Hollywood Film Awards honors cherished stars, filmmakers, and up-and-coming talent, and traditionally kicks off the film awards season with the biggest stars and top industry executives in attendance. Previous recipients of the Hollywood Actor Awards include Leonardo DiCaprio, Bradley Cooper, Richard Gere, Robert Duvall, Robert De Niro, Jamie Foxx, Morgan Freeman, Anthony Hopkins, Joaquin Phoenix, and Forest Whitaker, among others.
Last year’s awards show received more than 41 million media impressions, in addition to more than 300 million online and print readers’ impressions.
ABOUT MATTHEW McCONAUGHEY
Texas native Matthew McConaughey is one of Hollywood’s most sought-after leading men. A chance meeting in Austin with casting director and producer Don Phillips led him to director Richard Linklater, who launched the actor’s career in the cult classic “Dazed and Confused.” Since then, he has appeared in over 40 feature films that have grossed over $1 billion; and has become [...]