April 20, 2014

Tag Archives: oscar

The Academy Awards are back in February…what does that mean for the season?

A few days ago, the Academy confirmed that the next Oscar telecast will be back in February, specifically on February 22nd, more than a week earlier than this past Academy Awards show. This is more in line with what we used to see, so immediately some might wonder if this means anything for what the awards/precursor season might look like this fall/winter. That date obviously means something, but for me, the more interesting one is that voting will open on December 29th, potentially before all of the contenders have been seen. That’s what really got me thinking.
Basically, there’s a chance this time around that some slightly earlier releases will have more of a shot at making a play in the Best Picture category. Of late, it’s been a deluge of December releases clogging up the lineup, and while I don’t think there’s anything wrong with that, especially considering the quality of the work, it’s always nice to see the early year gems have a chance in the race. Without first half contenders, lineups lack smaller titles like Beasts of the Southern Wild, for example.
At the same time, it’s possible that those couple of contenders that hit on New Year’s Eve might find their hopes fading more so than they’d otherwise have expected. If a voter is even starting to fill out their ballot before your movie has been shown to them (or before they’ve attended a screening), that usually means you won’t have their vote. This could be a very small amount of people or a large amount, depending on the movie, since if it’s a big time contender, it’ll get seen regardless. Still, this might affect those flicks in some small way at least.
Also, a tinker in the schedule for Oscar results in a tinkering of the campaigns that the eventual nominees will wage. Last year’s timeline just felt a bit off to me, and I know I’m not alone, so what seems like a more traditional schedule could remove that feeling this time around. There’s no way to tell right now what campaigns will look like (though it’s interesting that Noah is apparently already offering Academy screenings, so make of that what you will), but I have a hunch that they won’t be identical to what we saw most recently.
We won’t know until the year is over if this schedule results in something different, but it’s something [...]

Academy Announces Key Dates for Oscars®

The Academy of Motion Picture Arts and Sciences and the ABC Television Network today announced the dates for the 87th Oscars. The Academy Awards® presentation will air live on ABC on Oscar® Sunday, February 22, 2015.
Key dates for the Awards season are:
Saturday, November 8, 2014 The Governors Awards
Wednesday, December 3, 2014 Official Screen Credits and music submissions due
Monday, December 29, 2014 Nominations voting begins 8 a.m. PT
Thursday, January 8, 2015 Nominations voting ends 5 p.m. PT
Thursday, January 15, 2015 Oscar nominations announced
Monday, February 2, 2015 Oscar Nominees Luncheon
Friday, February 6, 2015 Final voting begins 8 a.m. PT
Saturday, February 7, 2015 Scientific and Technical Awards
Tuesday, February 17, 2015 Final voting ends 5 p.m. PT
Oscar Sunday, February 22, 2015 87th Academy Awards begins 7 p.m. ET/ 4 p.m. PT
The Oscars will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.
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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners–Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history.
Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars

Transcendence – Johnny Depp, Paul Bettany, Rebecca Hall, Kate Mara, Morgan Freeman, Cole Hauser, Cillian Murphy

Directed by: Wally Pfister
Written by: Jack Paglen
Main Cast: Johnny Depp, Paul Bettany, Rebecca Hall, Kate Mara, Morgan Freeman, Cole Hauser, Cillian Murphy, and others
Past Oscar relations: Pfister won Best Cinematography for Inception and Morgan Freeman won Best Supporting Actor for Million Dollar Baby
Here now we have the next article in this series on 2014 contenders hoping to compete for Oscar attention at the Academy Award ceremony in 2015. Next up is DP turned filmmaker Wally Pfister’s directorial debut Transcendence, which hopes to more or less establish Pfister as the next Christopher Nolan (especially since he’s Nolan’s longtime cinematographer), though that may be a somewhat overly optimistic ambition. There’s clearly a bit of Nolan in Pfister though, so we’ll see. He’s got a top notch cast in place here, including Johnny Depp, Paul Bettany, Rebecca Hall, Kate Mara, Morgan Freeman (a Nolan veteran), Cole Hauser, and Cillian Murphy (ditto), so that’s a big help. If Pfister can take scribe Jack Paglen’s well regarded script and make it into something special, perhaps this can be the sort of smart blockbuster that the Academy notices?
What this flick has going in its favor is mainly its pedigree. From the A list cast to the directorial debut of one of the best cinematographers in the business to the hot script that got this all start, hopes have been high from day one here. There’s also the allure of seeing Depp in a role that doesn’t require massive amounts of make up, so older fans of his may be intrigued by this more than many of his recent Disney outings. Followers of Nolan also know Pfister pretty well, so there’s some level of anticipation of him getting to helm his own movie. There’s an original premise on display as well, which is sort of rare these days. This all adds up to a film with lots of potential.
Working against Transcendence is that it appears to be caught between the worlds of heady science fiction and summer blockbuster action. The film could be too talky for the crowd who wants to see things blow up and it could be too reliant on adding spectacle for those who are looking to really get into the nitty gritty of the story here. Honestly, the release date makes me think that Warner Brothers themselves aren’t quite sure how this will all play out, so unless there are top notch [...]

Critics’ Choice: Joey Berlin from BFCA

Joey Berlin from the Broadcast Film Critics Association – Critics’ Choice Awards
By ROBERT W. WELKOS
In 1995, Joey Berlin and Rod Lurie, two entertainment reporters and film critics who had written for rival publications, joined forces to create the Broadcast Film Critics Assn.
While Lurie would go on to carve out a successful Hollywood career as a screenwriter and director with such films as “The Contender” and “The Last Castle,” Berlin hasn’t faired too badly, either, as the president of the BFCA.
Starting with 44 members the first year, the BFCA’s voting membership today hovers between 285 and 290 and the organization bills itself as the largest film critics group in the U.S. and Canada.
At the same time, the BFCA created the Critics’ Choice Awards, a glitzy tux-and-gown gala now televised on the CW Network that features red carpet celebrity arrivals, drawing worldwide media attention and plenty of Oscar buzz since the show coincides with the run-up to the Academy Awards.
But as the show has catapulted the broadcast critics into the Oscar conversation each movies awards season, tax records show that the nonprofit group Berlin leads has paid his privately-owned company, Berlin Entertainment, Inc., hundreds of thousands of dollars each year for production services.
IRS Form 990 filings list Berlin Entertainment, Inc., receiving a combined $992,270 from the nonprofit between fiscal 2009 and 2011.
Berlin notes that his members seem to be satisfied with the job he’s doing since he has been repeatedly re-elected president every two years.
The tax files show that Berlin’s base compensation and benefits were a combined $1,297,133 for the three-year period spanning fiscal 2009 to 2011. But his compensation is listed as coming from “related organizations” and not directly from the BFCA, according to the Form 990 documents, which all nonprofits are required to file with the IRS to qualify for tax-exempt status.
When asked about his sizeable compensation, Berlin told HollywoodNews.com in a recent telephone interview: “I did this for five years for zero compensation, but this is what I do all day, every day. I’m really proud of what we’ve built and accomplished….
“My compensation has grown with the growth of the show,” he adds without apology. “The television show is an incredible benefit to the members.” He notes that these benefits include such things as access and awards screeners. “That seems a comfortable arrangement for everybody.”
One plus for maintaining membership in the BFCA is that—much like [...]

Carlos de Abreu: Founder of the Hollywood Film Awards

Celebrating 20 years of success. Carlos de Abreu is a “New York Times” bestselling author, producer, screenwriter, brand marketing expert and Internet pioneer.
Carlos de Abreu is of Portuguese descent and was born in Mozambique. He was a jet pilot in the Portuguese Air Force and studied economics at the University of Witwatersrand, South Africa, and film at UCLA.
His vast experience in brand marketing earned him executive positions and contracts with Cartier International, American Express, and the Italian Government among others. He also co-founded the North American Marketing Services, Ltd., an international luxury goods corporation with offices in three continents; North America, Asia and Europe.

In addition, he launched the Hollywood Network® online, an ecosystem of “verticalized” web models, focused on entertainment and Hollywood. Mr. de Abreu’s multiple websites include HollywoodNews.com (http://www.hollywoodnews.com)

Mr. de Abreu’s organization, the Hollywood Network Inc., is an entertainment marketing company – awards, film conferences, festivals, Internet content, live events – which mandate is bridging the gap between established Hollywood and the global creative community and produces/co-produces live events including the prestigious “Hollywood Film Awards®,” and the “Hollywood Gives Back®” project – highlighting and assisting important local and national causes.
According to the “Los Angeles Times” the “Hollywood Film Awards®,” “launch the push toward Oscar and are the kickoff for the awards season.”
He is the co-author of the national and “New York Times” bestseller, “Husband, Lover, Spy: A True Story,” St. Martin’s Press, and “Opening The Doors To Hollywood,” Crown Publishing.
Presently he is writing the novel “The Soulshaker.” His prior works include two screenplays: Mozambique: The Last Good-Bye and Sworn To Silence.

Specialties: Specialized in the Internet, intelligence gathering, entertainment space, live events production – awards, conferences, festivals, plus branding and distribution of luxury goods and jewelry both in the U.S.A. and the global markets.

Robin Wright: Who’s overdue for their first Academy Award nomination?

Much like I wrote about the actors, actresses, and filmmakers in Hollywood who are overdue to win an Oscar a few weeks ago, there are tons in the industry who are way overdue merely for their first nomination by the Academy. Some of them have gotten close in the past, while others have yet to really sniff that sort of acclaim. They’re both newcomers to the business and old hands, with plenty of in between as well. In my eyes, there are some really overdue ones in particular, and I figured I’d cite some of them here in this article. Narrowing it down to just ten is really difficult, but I wanted to mix and match between different members of the industry and attempt to include some who will have 2014 releases in contention, as you’ll see momentarily…
Below you’ll find ten members of the industry who have yet to receive an Oscar nomination, but who I think are closing in on one, perhaps even within the next year. Take a look:
10. Channing Tatum – I know his name raises some eyebrows, and up until recently I wasn’t his biggest fan, but he’s going to have a big Oscar contender in Foxcatcher this year, so while Steve Carell (who we’ll be talking about shortly) and Mark Ruffalo as more likely nominees, it’s hardly out of the question for Tatum to make it in. In fact, if he’s a standout, it’ll be one of those more youth skewing nominations that the Academy sometimes likes to sneak in.
9. Joseph Gordon-Levitt – I’ve long been saying that Gordon-Levitt is overdue for a nomination, despite his relative youth. His writing and directing debut Don Jon only showed off more of his talents, so while he couldn’t make it in for something like (500) Days of Summer, the next few years should most likely result in him joining the Academy as a nominee. I’d be shocked if he wasn’t nominated by the end of the decade.
8. Kevin Smith – While Smith is probably past the point of making things that will appeal to Oscar voters, that doesn’t make him any less overdue in my eyes. I’ll be talking about him in a Spotlight on the Stars piece soon, but his best chance was probably for the Chasing Amy screenplay. A few years ago he made a great film that nobody saw called Red State too, so [...]

Oscars®: Draft Day – What’s up with the 2015 Awards Race

Directed by: Ivan Reitman
Written by: Rajiv Joseph and Scott Rothman
Main Cast: Kevin Costner, Chadwick Boseman, Jennifer Garner, Frank Langella, Denis Leary, Tom Welling, and many others
Past Oscar relations: Ivan Reitman was nominated for co-producing Up in the Air and Kevin Costner won Best Picture and Best Director Oscars for Dances with Wolves
Here now we have the next article in this series on 2014 contenders hoping to compete for Oscar attention at the 2015 ceremony. Next up is Ivan Reitman’s Draft Day, which hopes to essentially be the next Moneyball, just with the NFL Draft as its focus. That film was a bit of an aberration, but this one has a bit in common with it, so perhaps the Academy is more open to sports movies than they have been in the past? Reitman has sports film icon Kevin Costner in the lead role, so that’s certainly a plus, along with a strong ensemble that includes Chadwick Boseman, Jennifer Garner, Frank Langella, and Denis Leary, to name a few. They’re in the service of a fine film, one of the better ones to come out this year so far, in my humble opinion. Being a quality bit of cinema is the first step towards becoming a contender.
What this flick has going in its favor is a crowd pleasing plot and a top notch script, not to mention a great role for Costner to sink his teeth into. Costner always is great in sports films, and this is no exception. Reitman also shows an able hand at drama, something he’s rarely attempted during his illustrious career. As for the screenplay, Black List winning scribes Rajiv Joseph and Scott Rothman have crafted something that both hardcore football fans like myself and newbies can enjoy equally. Moneyball was able to do this, and that screenplay damn near won an Oscar, so especially in the writing field, this movie should have a chance to contend for a nomination.
Working against Draft Day is that it is a sports movie without an awards centric pedigree. Yes, it has a Black List winning script, but that doesn’t always make a huge difference. Costner also has never been nominated for one of his sports outings, so it’s likely that he won’t break that trend here. That makes it Best Original Screenplay or nada in all likelihood, and having that narrow a focus makes it a dicey proposition. Draft Day [...]

Oscars®: Under the Skin – Scarlett Johansson – What’s up with the 2015 Awards Race

Directed by: Jonathan Glazer
Written by: Walter Campbell and Jonathan Glazer, based on the novel by Michael Faber
Main Cast: Scarlett Johansson, Paul Brannigan, Lynsey Taylor Mackay, and others
Past Oscar relations: None, though Scarlett Johansson has received four Golden Globe nominations and twice came very close to Academy Award nominations
Here now is the newest article in this series on 2014 contenders hoping to compete for Oscar attention. Next up today is Jonathan Glazer’s Under the Skin, which hopes to be the sort of heady indie contender that voters every so often can fall under the spell of. Glazer’s acclaimed Sexy Beast wasn’t able to attract enough votes, but can this one do better? Armed with an amazing performance by Scarlett Johansson and some incredible visuals/sound design, Glazer has a magnificent movie, though one that could prove to be a hard sell.
What this flick really has going in its favor is Johansson’s acting and Glazer’s ambition. She’s absolutely phenomenal here, possibly even giving the best performance of her career. It’s a brilliant turn by the talented actress, showing a brand new side to her. Glazer coaxed this out of her and it really turns heads. The film is presented in such a way that Johansson is front and center the whole time, so her success is very much the movie’s as well. She blew me away, quite frankly. In a fair world, she’d be a lock for a Best Actress nomination.
Working against Under the Skin is that the movie is very challenging and will leave some scratching their heads. Nothing is spelled out for you and a lot of the film is presented in a rather obtuse way. At times, it even comes close to pretentiousness, though it never reaches that point. Still, when you make voters work for it, sometimes they opt to just move on to something easier, and I expect that to be the case here with this one. It’s a shame too, since Johansson deserves to win an Oscar for this, but even a nomination will be hard to come by.
So, can this one be a player at all? Simply put, the odds are against it, though the independent precursors will likely love it. Basically, I’d be pretty surprised if it held on until the end of awards season in any substantial way, but stranger things have certainly happened. The flick will really have an uphill battle, but Under [...]

Leonardo DiCaprio: Who’s the most overdue for an Academy Award?

A lot of times during the months directly following the Academy Awards telecast, people talk about who’s overdue for an Oscar nomination, but I think the more interesting conversation is to discuss who’s already been nominated repeatedly by the Academy but has yet to win an Oscar. It’s one thing to fight for that first nod, or to have a nom to your credit but nothing else, but what of the people who’ve been cited with nominations multiple times by Oscar voters but never seem to make it to the finish line? Recently, I was thinking about just that, and actually came up with a list of some of the folks in the industry that are most overdue for a win.
Below you’ll find a group of ten previously nominated by the Academy that I think should have won by now. They consist of actors, actresses, filmmakers, and technical craftsmen, all of whom define the word “overdue” to me. There are many others, like Ridley Scott for example, but I limited it to ten. Take a look:
10. David O. Russell- With five nominations to his credit now, Russell is undoubtedly on a hot streak right now, and it’s firmly entrenched him as someone due for a win. The Academy clearly is enamored with him, so it really seems to only be a matter of time now. Not everyone is thrilled with that prospect, but I’m not among them. He’s more than deserving at this point in his career.
9. Julianne Moore – A quartet of nods later, Moore is very high up on many lists of the actresses who desperately need an Oscar. I obviously don’t have her quite as high up on this list, but she’s clearly only one great role away from being on that stage accepting the statue. My guess is that it’ll be for a supporting performance, but time will ultimately tell there.
8. Christopher Nolan – Despite often snubbing Nolan in some key categories, the Academy has still cited him a trio of times, though without any sign of a win yet. They’ve notably kept him far away from the Best Director field, so when his first win comes, I suspect that it’ll be for a Screenplay category…that’s just a guess though. Perhaps Interstellar this year can do it for him?
7. Tom Cruise – There was a time when it was inconceivable to think that Cruise wouldn’t have [...]

A biopic of R.A. Dickey could be an Oscar winner

As a longtime New York Mets fan, one of my great recent delights in the sporting world was seeing R.A. Dickey come of age while in his thirties. A supposedly washed up pitcher, Dickey developed the knuckleball (a very unique pitch that is almost impossible to master and even harder to hit) and eventually caught on with the Mets, where he went on to dominate for a few years, culminating in winning a Cy Young Award, which is the baseball equivalent of an Oscar win. He wrote a memoir about his life around that time called “Wherever I Wind Up: My Quest for Truth, Authenticity and the Perfect Knuckleball” and a documentary called Knuckleball! was made, centering heavily on his story. Now, he’s actually sold the rights to his memoir to actors Logan Marshall-Green and Ben McKenzie, who’ve started a production company and want to take Dickey’s life to the big screen. Friday Night Lights scribe Buzz Bissinger is writing the screenplay, and I personally can’t wait to see this flick. Beyond that though, I think that this has a real chance to become an awards vehicle.
The reason that I think Dickey’s story is tailor made for Academy voters is the fact that it reads like a movie on its own. He was molested as a child, yet still rose to become a high draft pick, though he lost most of his bonus money and was told his career would never amount to much after doctors found out he was missing an important ligament in his arm. Unfazed, Dickey pressed on, bouncing around the minor leagues and making unremarkable appearances in the bigs, until of course he harnessed the knuckleball. The rest is literally history. That triumphant tale is exactly the sort of one that Oscar voters flock to.
So who could play Dickey? Apparently neither Marshall-Green nor McKenzie are looking to take on the role, so it’s going to go out there for some talented actors to circle. While he most closely resembles Timothy Busfield, I don’t see that bit of casting coming about. A decade ago, I wouldn’t have discounted Kevin Costner playing the role either, but that’s also not happening. In my eyes, I actually would like to see Matt Damon potentially play Dickey, but that’s just something off of the top of my head. Another top notch pick that actually looks a touch like Dickey in the [...]

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