September 28, 2016

Tag Archives: Paul Rudd

Reese Witherspoon comedy ‘How Do You Know’ set to reduce R-rating

HollywoodNews.com: Don’t worry teenagers, you’ll still be able to see the new Reese Witherspoon romantic comedy “How Do You Know.”
According to Variety, the film, due out on December 17, was given an R-rating by the Classification and Ratings Appeal Board. Apparently, the word “fuck” is used four times and for a film to receive a PG-13 rating, it can only be uttered once.
James L. Brooks directed the movie and Columbia Pictures will recut the film so that it can nab a PG-13 rating and reach a wider audience.
In addition to Witherspoon, Jack Nicholson, Paul Rudd and Owen Wilson star.
Brooks’ last movie “Spanglish” starring Adam Sandler failed to generate waves at the box office and among Oscar voters. The film cost $80 million and made $55 million worldwide.
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Photo credit: Splash
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Zach Galifianakis at the Hollywood Awards Gala

HollywoodNews.com: Zach Galifianakis will soon be seen in Todd Phillips’ “Due Date,” co-starring Robert Downey Jr.. He moved to New York City after failing his last college course by one point at North Carolina State University. He got his start performing his brand of humor in the back of a hamburger joint in Times Square, graduating to doing stand-up at night in clubs and coffee houses in the city. While working as a busboy, he got his first acting job on the NBC sitcom “Boston Common.”
Galifianakis’ breakout role came in Todd Phillips’ blockbuster hit “The Hangover,” the highest-grossing R-rated comedy of all time. He will reunite with Phillips and castmates Bradley Cooper, Ed Helms and Justin Bartha in “Hangover 2,” slated for a 2011 release.
He also stars in “It’s Kind of a Funny Story,” which premiered at the 2010 Toronto Film Festival. Recently, he also co-starred with Steve Carell and Paul Rudd in Jay Roach’s comedy “Dinner for Schmucks.” Galifianakis’ additional film credits include the Jerry Bruckheimer-produced hit “G-Force”; the indie feature “Youth in Revolt,” with Michael Cera, Steve Buscemi and Ray Liotta; a cameo in Jason Reitman’s Oscar®-nominated film “Up in the Air”; “What Happens in Vegas,” with Cameron Diaz and Ashton Kutcher; and the critically acclaimed true-life drama “Into the Wild,” from director Sean Penn.

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Image courtesy of the Hollywood Awards Gala.
CLICK HERE TO SEE ALL THE HONOREES AND PRESENTERS FOR THE 2010 HOLLYWOOD AWARDS GALA CEREMONY

Awards Season Roundup: Is 2010 the Year of the Actress?

By Sean O’Connell
Hollywoodnews.com: HollywoodNews.com’s Awards Season Roundup collects insights from around the Internet on films that are running in the Oscar race.
Reuters says this year’s Oscar race is characterized by powerful female performances.
“Black Swan” director Darren Aronofsky actually is moving on to a “Wolverine” sequel, and likely will begin filming in New York and Japan beginning in March.
Jeff Bridges opens up about “True Grit” for Cowboys & Indians magazine. Raise your hand if you knew such a magazine existed.
Vanity Fair digs deeper into those “sexist” charges leveled at “The Social Network.”
We continue to see reports that audience members are fainting during screenings of Danny Boyle’s “127 Hours.”
A Hollywood Elsewhere reader who claims to have seen James L. Brooks’ “How Do You Know” throws Paul Rudd’s name into the race.
And Pete Hammond floats a Best Picture Oscar balloon for Tim Burton’s “Alice in Wonderland.”
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Hollywood Fest to Honor Zach Galifianakis and Jennifer Lawrence at the Hollywood Awards Gala

HollywoodNews.com: The 14th Annual Hollywood Film Festival and Hollywood Awards, presented by Starz, are pleased to announce that the star of “Due Date” Zach Galifianakis will receive the “Hollywood Comedy Actor Award” and actress Jennifer Lawrence will be recognized with the “New Hollywood Award,” at the Hollywood Awards Gala Ceremony.
The announcement was made today by Carlos de Abreu, Founder of the Hollywood Awards Gala.
Previously announced honorees for this year’s Hollywood Awards Gala include: Sean Penn for the “Humanitarian Award”; Sylvester Stallone for the “Career Achievement Award”; Annette Bening for the “Actress Award”; Robert Duvall for the “Actor Award”; Helena Bonham Carter for the “Supporting Actress Award”; Sam Rockwell for the “Supporting Actor Award”; Andrew Garfield for the “Breakthrough Actor Award”; Mia Wasikowska for the “Breakthrough Actress Award”; Morgan Freeman and Lorie McCreary for the “Innovator Award”; Danny Boyle and Chris Colson for the “Producer Award”; Tom Hooper for the “Director Award”; Aaron Sorkin for the “Screenwriter Award”; Disney/Pixar’s “Toy Story 3” and director Lee Unkrich for the “Animation Award”; Hans Zimmer for “Film Composer Award”; Wally Pfister for “Cinematographer Award”; Kirk Baxter and Angus Wall for the “Editor Award”; Paramount Pictures’ “Iron Man 2” and visual effects supervisors Ben Snow and Janek Sirrs for the “Visual Effects Award”; and Robert Stromberg for “Production Designer Award.”
ABOUT ZACH GALIFIANAKIS
Zach Galifianakis will soon be seen in Todd Phillips’ “Due Date,” co-starring Robert Downey Jr.. He moved to New York City after failing his last college course by one point at North Carolina State University. He got his start performing his brand of humor in the back of a hamburger joint in Times Square, graduating to doing stand-up at night in clubs and coffee houses in the city. While working as a busboy, he got his first acting job on the NBC sitcom “Boston Common.”
Galifianakis’ breakout role came in Todd Phillips’ blockbuster hit “The Hangover,” the highest-grossing R-rated comedy of all time. He will reunite with Phillips and castmates Bradley Cooper, Ed Helms and Justin Bartha in “Hangover 2,” slated for a 2011 release.
He also stars in “It’s Kind of a Funny Story,” which premiered at the 2010 Toronto Film Festival. Recently, he also co-starred with Steve Carell and Paul Rudd in Jay Roach’s comedy “Dinner for Schmucks.” Galifianakis’ additional film credits include the Jerry Bruckheimer-produced hit “G-Force”; the indie feature “Youth in Revolt,” with Michael Cera, Steve Buscemi and Ray Liotta; a […]

Elizabeth Banks to step out on “Ledge” with Worthington

By Sean O’Connell
Hollywoodnews.com: How much room do they have on that ledge?
We’ll find out soon enough once Asger Leth releases his thriller “Man on a Ledge” in 2012. The drama – about an ex-cop threatening to jump from a Manhattan hotel rooftop – already has lured Sam Worthington, Amy Adams, Jamie Bell and Anthony Mackie of “The Hurt Locker.” Now we’re learning that beautiful Elizabeth Banks will join the growing ensemble, according to Variety.
The script has a role for a female psychologist, who must talk down the disturned cop. But up to this point, I assumed that would be Adams. Maybe it’s Banks? Maybe one of them will play the cop’s love interest?
Banks certainly has plenty on her plate. Her “30 Rock” character figures to play a major role now that she’s carrying Alec Baldwin’s baby. And according to IMDB, Banks also has roles in “My Idiot Brother” with Paul Rudd as well as Paul Haggis’ “The Next Three Days” with Russell Crowe. But those films are in post-production, so Banks has time to climb out on that “Ledge” with Worthington.
More news as it comes!
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TRAILER PARK: New clips for “How Do You Know,” “Dagenham”

By Sean O’Connell
Hollywoodnews.com: A lot of new regarding potentially engaging fall pictures hitting the Hollywood News radar this morning. This post offers up two trailers which are worth a look.
The trailer for James L. Brooks’ “How Do You Know” played before my “Eat, Pray, Love” screening this week, so it’s no surprise to learn it has made its way online. (Yahoo Movies as a pristine copy of the clip, so click here to view for yourself.)
In the film, Reese Witherspoon plays a headstrong D.C. gal torn between the jerk she’s currently dating (Owen Wilson) and the sweet lunk who’s interested in her affections (Paul Rudd).
The trailer captures perfectly what each actor brings to a project: Witherspoon’s beauty and command, Wilson’s casual humor and edge, Rudd’s smarmy appeal. What it doesn’t solidify, however, is whether this is closer to “Terms of Endearment” and “As Good As it Gets” or “Spanglish.” The editing is a little drawn out, the doorman gets the biggest laugh, and Witherspoon wears the same off-the-shoulder blue sweater in every scene. I can’t figure that out. Anyway, “How Do You Know” opens Dec. 17.
And then there’s “Made in Dagenham,” a British drama from Nigel Cole, who directed Helen Mirren and Julie Walters through “Calendar Girls.” Based on true events, “Dagenham” tells of a labor strike during the late 1960s, where female workers at the Ford Dagenham car plant protested against sexual discrimination.
Could be “Norma Rae,” or could be “The Full Monty.” The trailer is loaded with dependable Brits, from Miranda Richardson and Rosamund Pike to Sally Hawkins and Bob Hoskins. “Dagenham” will be at Toronto ahead of a planned Nov. 19 release date in the States.
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Photo courtesy of PRPhotos.com

Reese Witherspoon will croon as Peggy Lee

HollywoodNews.com: After catching the music icon bug on “Walk the Line,” Oscar winner Reese Witherspoon is in talks to headline a Peggy Lee biopic to be written and directed by Nora Ephron.
Witherspoon scooped up the rights to Lee’s story from her estate. Variety says that Witherspoon met with Lee’s granddaughter Holly Foster-Wells.
Witherspoon plans to produce with Marc Platt.
The actress sought out Ephron, who happened to be a fan of Lee.
Lee’s career lasted seven decades. Variety writes:
She rose to prominence during the big band era and had her first hit, “Somebody Else is Taking My Place,” in 1941. She recorded a series of hit albums and songs, including “Fever” and “Is That All There Is?” during the next 30 years. She’s regarded as one of the most influential jazz vocalists of all time.
Lee also was a prolific songwriter. She penned a number of songs and voiced several characters in Disney’s 1955 animated hit “Lady in the Tramp.” In the early 1990s, Lee won a landmark case against the Mouse House for royalties from homevid sales of the pic.
Her career extended to television and the bigscreen, where her credits included the 1952 redo of “The Jazz Singer” and “Pete Kelly’s Blues.”

Witherspoon’s next film is the James L. Brooks drama-edy “How Do You Know?” opposite Paul Rudd which will bow in December. She will star alongside Robert Pattinson and Christoph Waltz in “Water for Elephants” slated for April.
Photo Credit: WP Content
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‘Anchorman 2′ not greenlit due to actors’ paychecks

HollywoodNews.com: If you’re scratching your head wondering why “Anchorman 2” was never greenlit at Paramount, it’s because the actors’ salaries would have been through the roof.
In talking to Collider, Will Ferrell revealed “If you’re getting myself, Steve Carell, Paul Rudd and probably a bunch of other people who would line up to be in that movie, it’s going to cost a certain amount.
“We were basically begged to for years and years, like, ‘Would you guys ever do a sequel? Would you ever do a sequel?’ We warmed up to the idea and we were like, ‘That could actually be a lot of fun’.”
He added: “And we got everyone together and then they were basically like, ‘Great! We can’t believe it! But you have to do it for this amount’. And we were like, ‘Oh, well there’s no way we can do it for that’. Right now the ball is in their court.”
Despite Ferrell’s inside info, Digital Spy reminds us of Adam McKay’s quote on Twitter: “So bummed. Paramount basically passed on Anchorman 2. Even after we cut our budget down. We tried.”
Photo Credit: DreamWorks
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This Week In Movies – ‘Dinner For Schmucks,’ ‘Get Low’

By Pete Hammond
HollywoodNews.com: Although boxoffice was up compared to this week a year ago and Christopher Nolan’s remarkable “Inception” remains the number one movie for the third week in a row with an estimated $27 million and only a 36% drop week to week, it does seem like the dog days of August are upon us already even though the last month of the summer moviegoing season just officially started on Sunday. “Dinner For Schmucks”, a so-so remake of a so-so French comedy fortunately stars likeable Steve Carell and likeable Paul Rudd so it was able to almost reach $24 million this weekend becoming the only good news among wide openers. People are starved for comedy so it performed better than it had any right to. Zac Efron who was described by some panting middle-aged female reviewers on Friday anywhere from “dreamy” to “swoony” managed to open his new drama, “Charlie St. Cloud” that day to an estimated $5.6 million thanks to what the industry is referring to “frontloading” from his young fans who then proceeded to abandon it in droves on Saturday when it dropped a horrendous 30+ % . OUCH. With just about $12 mil for the 3-day period this weakly reviewed spiritual opus is already hurting , although not as much as Warner Bros. “Cats and Dogs: The Revenge Of Kitty Galore,” the nine–years-in-gestation sequel to “Cats And Dogs” which drew an abysmal 15% fresh rating on Rotten Tomatoes and also about $12 million for the weekend despite being on 1000 more screens than Zac. Its Cinemascore of only B- does not bode well for good word of mouth either for this bow wow of a bow.

Perhaps the most impressive performer of the weekend was Robert Duvall’s best-reviewed lead performance since “The Apostle” in the quirky comedy/drama “Get Low” which Sony Pictures Classics opened on a limited basis in LA and NY to a very strong estimate of nearly $23,000 per on 4 screens. Duvall and co-star Sissy Spacek who each have an Oscar and six nominations appeared on Wednesday for a Screen Actors Guild screening at the Landmark in Los Angeles which was so packed people had to line the aisles just to get a spot in the theatre. Duvall admitted he never thought the movie (which was in development for eight years) would ever really get made but is now delighted to have […]

‘Inception’ three-peats as ‘Dinner For Schmucks’ opens well, but ‘Cats and Dogs 2’ tanks

By Steve Mendelson
Hollywoodnews.com: ‘Inception’ was number one for the third straight weekend, as it fended off three challengers and neared the $200 million mark. Dropping just 35%, the Chris Nolan thriller grossed another $27.5 million for a new total of $193 million. It will likely cross the $200 million mark on Tuesday, its nineteenth day of release. By Wednesday, it will surpass the $205 million gross of ‘Batman Begins’ to become Nolan’s second-highest grossing domestic grosser, behind the $533 million earned by ‘The Dark Knight.’ At this point, ‘Inception’ is having a slightly leggier run than ‘Star Trek,’ with smaller drops to compensate for a lower opening weekend (it too ended weekend three with $191 million). So it would appear that the audience-pleasing mind-bender should finished between $260-300 million, depending on how well it handles the direct demo competition in the next few weekends. Ironically, it will lose at least some of its IMAX screens a little earlier than expected, as ‘Avatar’ has a planned re-release on August 27th in IMAX and 3-D theaters. There’s not really much more to say aside from repeating the fact that the film has already recouped its budget in domestic numbers and is slowly expanding overseas (it’s worldwide total is now $363 million).
The big new release was Paramount’s ‘Dinner For Schmucks,’ which had an unusually low screen count of just 2,911 screens. While the reviews were decidedly mixed and the marketing was almost low-key, the picture still proved the drawing power of Steve Carell and/or Paul Rudd, as the film opened with $23.3 million anyway. This remake, of a French comedy, underwent a bit of a makeover following disappointing test screenings, apparently to add more heart and compassion to an inherently mean-spirited story. We won’t know whether the changes had an effect until next weekend (opening weekends are about marketing, second weekends are about audience reaction), but my dad didn’t care for it one bit (‘a movie for schmucks’). Regardless, this proves that star power is not completely dead, as pretty much anyone who saw this went because of one of the big names involved (I’m sure the appearance of Zach Galifianakis didn’t hurt).Regardless, the film cost a somewhat reasonable $69 million (remember when only big-budget action films cost more than $50 million?), but it’s probably going to get hammered next weekend, when the all-star (Will Ferrell, Mark Wahlberg, Dwayne Johnson, Samuel L. […]

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