July 12, 2015

Tag Archives: sandra bullock

“The Martian”: Looking at potential Best Picture contenders

Welcome to July folks. Much like I said last year, it’s one thing to read early Academy Award predictions to see what folks like myself think will happen at the end of the year, but it’s another thing entirely to actually know which films will be in contention. To that end, once a week (or maybe twice a week) for the next month or so I’ll be running down some of the major contenders in each Oscar category. Basically, the format will have me saying a few words about what/who I feel are the top tier contenders right now in said categories, along with a longer list afterwards of many of the other hopefuls. Consider this a sort of pre awards season cheat sheet for you all.
Today I’m beginning with the big one, of course…Best Picture.
Here are the ten films that I have right now cracking the Best Picture lineup:
1. The Martian – A total hunch, I concede, but this is something with almost limitless potential. The Trailer was fantastic, the talent involved is top notch, and the book is a modern classic in my eyes. It’ll all depend on the execution on the part of Ridley Scott, but if he’s on his game and Matt Damon is his reliable self in the title role, there’s a chance we could see science fiction contend for a Best Picture win. Could this do what Gravity and Interstellar couldn’t? Stay tuned to find out…
2. Bridge of Spies – The safe bet right now, this latest collaboration between Tom Hanks and Steven Spielberg has all the trappings of an easy pick to win. The thing is, that film almost never wins anymore, so I feel like having it in the number two spot makes total sense at the moment. Things can and likely will change, but while my top pick is a bold shot in the dark, this one’s high ranking is almost the de facto vote if you sit down and think about it. That takes nothing from its potential, as it looks very good, but Hanks and Spielberg are trafficking in Oscar bait here, plain and simple.
3. Our Brand is Crisis – Something you’ll notice in a few places here is that I’m taking chances. This is another case of that, since there’s no assurances that David Gordon Green’s political dramedy/satire will even be ready this year. It could be a […]

Oscar Predictions for the month of May, 2015

Almost five full months into the 2015 movie season and I’m happy to report that we know zilch about the Oscar race. Why happy? Well, it means there’s plenty of fun guesswork to be done, and I’m all about that. The Cannes Film Festival has gotten underway and that can be used for a hint or two, but right now, it’s only eliminated one film (The Sea of Trees, which seems to be out of it entirely, outside of perhaps Matthew McConaughey) and made another a question mark (Woody Allen’s Irrational Man), with some other contenders like Carol still to screen. As such, your guess is as good as mine, which is part of the early year fun, at least in my book.
The one thing of note that I want to make mention of for this latest Oscar prediction update is that I expanded the fields a bit. The Best Picture lineup I’ve bumped up to 30, actually, with 15 for the other seven remaining categories that make up the “Big Eight”. As a bonus, I even went with ten for Best Animated Feature, just to have things as open as possible, which is what things are like right now, no question about it. My winners are still largely the same, including Steven Spielberg and his film Bridge of Spies, while something like Brooklyn or Carol is making its way up my rankings, slowly but surely. It’ll be a few months still until we have some semblance of an idea about the Oscar race, but right now, it’s a ton of fun to speculate…

Here now are my newest set of Academy Award predictions:
BEST PICTURE
1. Bridge of Spies
2. Our Brand is Crisis
3. Carol
4. The Light Between Oceans
5. Joy
6. The Martian
7. The Hateful Eight
8. Steve Jobs
9. The Revenant
10. Brooklyn
Next in line: 11. The End of the Tour 12. Ricki and the Flash 13. Me and Earl and the Dying Girl 14. Lion 15. MacBeth 16. Black Mass 17. By the Sea 18. Demolition 19. Freehold 20. Trainwreck 21. The Danish Girl 22. The Walk 23. Southpaw 24. In the Heart of the Sea 25. Star Wars: The Force Awakens 26. Bleed for This 27. Sicario 28. Irrational Man 29. Suffragette 30. Ex Machina
BEST DIRECTOR
1. Steven Spielberg – Bridge of Spies
2. David Gordon Green – Our Brand is Crisis
3. David O. Russell – Joy
4. Todd Haynes – Carol
5. Derek Cianfrance – The […]

Ridley Scott and “The Martian”: Early Oscar Predictions for April

After taking the month of March off in terms of Oscar predictions, I’m back taking a new look at what the Academy could do with this upcoming year in film. Again, it’s super early and probably silly to be focusing in on them like I am currently, but it’s also fun and gives us an idea of what movies to potentially look forward to. I’m keeping it mostly short and sweet today, just basically posting an update to the predictions (with a slight detour to discuss one contender), plus the next in line list that I know is popular as well. All of this can and likely will change in the near future, possibly even in the summer when things first begin to shape up, so stay tuned on that front. For now, enjoy these Academy Award predictions and cross your fingers that we have a good year for prestige films. I know that’s always my hope, so it should be yours as well.
Quickly though, before the predictions, let me just say that my big X factor that I’m looking forward to is Ridley Scott’s adaptation of The Martian. He hasn’t had an outright success in some time, but I love the source material so much, I’m hopeful that it sparked something inside him. Honestly, he’d have to go out of his way to ruin as good a novel as that one. Matt Damon will have a baity role and Scott should be plenty engaged, so my fingers are crossed!
Here now is my second crack at early Academy Award predictions…
BEST PICTURE
1. Bridge of Spies
2. Our Brand is Crisis
3. Joy
4. The Hateful Eight
5. The Martian
6. Carol
7. The Light Between Oceans
8. Steve Jobs
9. The Revenant
10. The End of the Tour
Next in line: 11. The Sea of Trees 12. Irrational Man 13. Me and Earl and the Dying Girl 14. Black Mass 15. Demolition 16. Trainwreck 17. The Walk 18. Freeheld 19. Southpaw 20. Brooklyn 21. By the Sea 22. MacBeth 23. Bleed for This 24. Snowden 25. Star Wars: The Force Awakens
BEST DIRECTOR
1. Steven Spielberg – Bridge of Spies
2. David Gordon Green – Our Brand is Crisis
3. David O. Russell – Joy
4. Quentin Tarantino – The Hateful Eight
5. Derek Cianfrance – The Light Between Oceans
Next in line: 6. Todd Haynes – Carol 7. Alejandro G. Iñárritu – The Revenant 8. Ridley Scott – The Martian 9. Woody Allen – Irrational Man 10. […]

The 82nd Academy Awards: If I had been a voter

As I mentioned last time out, this series has officially returned. Yes, once again I’m going to be taking a look back at a recent (or now recent-ish) Oscar lineup and explaining what my vote would have been in each of the big eight categories we all follow so intently each season. I previously mentioned that potentially I could do this once a week with previous Academy Award ceremonies, and while I’m going to be attempting to do just that, time will still tell if it’s something that gets stuck with or not. Again, if nothing else, this continues to give you an interesting look into my cinematic tastes. Over the course of the year you can sort of get a feel for what my current favorites are, but now we can look to the past a bit more.
Alright then, here goes nothing folks…behold my picks for this particular ceremony:
Best Picture – Up in the Air
The nominees here were A Serious Man, An Education, Avatar, The Blind Side, District 9, The Hurt Locker, Inglourious Basterds, Precious, and Up. The main snub here, in my book at least, was (500) Days of Summer, and I nearly went with the actual winner in The Hurt Locker, but Up in the Air was my #1 film of this year, so that made it pretty academic in the end.
Best Director – Kathryn Bigelow for The Hurt Locker
A history making and diverse category this time out, the field consisted of Kathryn Bigelow for The Hurt Locker, James Cameron for Avatar, Lee Daniels for Precious, Jason Reitman for Up in the Air, and Quentin Tarantino for Inglourious Basterds. I believe Marc Webb was snubbed for (500) Days of Summer and really wish that Reitman had come closer to winning, but when you come right down to it, I can’t argue with Bigelow. The first woman to ever win Best Director gets my vote here as well.
Best Actor – George Clooney for Up in the Air
Here the nominees were Jeff Bridges for Crazy Heart, George Clooney for Up in the Air, Colin Firth for A Single Man, Morgan Freeman for Invictus, and Jeremy Renner for The Hurt Locker. The Academy missed the boat on nominating Sam Rockwell for Moon, but aside from him, I’d have to go for Clooney.
Best Actress – Carey Mulligan for An Education
The big snub to me here was Zooey Deschanel for (500) Days […]

Year in advance Oscar Predictions

I know this seems nuts, but here I am with some Academy Award predictions for next season. We’re a long way out, yes…but for me, this is the absolute most fun time of the year, in terms of forming predictions. Why? Simply put, it’s because anything is possible. If you want to see how an odd nominee would look, you need only predict it. Right now, we’re just as likely to see Steven Spielberg’s latest St. James Place take Best Picture as Star Wars: The Force Awakens. It’s kind of a brilliant thing, really. Even so, I’ve tried to be as logical as possible here, foregoing a number of quirkier picks in favor of the contenders I really feel good about, even if it really is only February still.
Which films are in contention? You’ll be able to see below, but the biggest contender right now seem to be the aforementioned St. James Place from Spielberg, David Gordon Green’s Our Brand is Crisis, David O. Russell’s Joy, Quentin Tarantino’s The Hateful Eight, Alejandro G. Inarritu’s The Revenant, and Danny Boyle’s Steve Jobs. Acting wise, all of those movies have contenders, while the big player right now seems to be Jake Gyllenhaal, who could score for either Demolition or Southpaw. An X factor to keep an eye on? Ridley Scott’s The Martian, which is based on an outstanding book and could either fall flat or be a huge player. Sit tight on that one…
Here now is my first set of Oscar predictions for awards season to come:
BEST PICTURE
1. St. James Place
2. Our Brand is Crisis
3. Joy
4. The Hateful Eight
5. The Revenant
6. Steve Jobs
7. Demolition
8. The Martian
9. The Sea of Trees
10. The End of the Tour
Next in line: 11. Carol 12. Irrational Man 13. Me and Earl and the Dying Girl 14. Black Mass 15. Snowden 16. Money Monster 17. The Walk 18. Freeheld 19. Southpaw 20. Brooklyn 21. By the Sea 22. MacBeth 23. Bleed for This 24. Aloha 25. Star Wars: The Force Awakens
BEST DIRECTOR
1. Steven Spielberg – St. James Place
2. David Gordon Green – Our Brand is Crisis
3. David O. Russell – Joy
4. Alejandro G. Inarritu – The Revenant
5. Quentin Tarantino – The Hateful Eight
Next in line: 6. Danny Boyle – Steve Jobs 7. Gus Van Sant – The Sea of Trees 8. Ridley Scott – The Martian 9. Woody Allen – Irrational Man 10. Jean Marc Vallee – Demolition
BEST […]

The 86th Academy Awards: If I had been a voter

I’m possibly going to be trying out a new series here. Essentially, today I’ll be going back and looking at the most recent Oscars and explaining what my vote would have been in each of the big eight categories. Potentially, I could do this once a week with previous Academy Award ceremonies, so there’s a chance that this could turn into a long running thing. There are 86 of these to sift through after all…and counting. If nothing else, this gives you an interesting look into my cinematic tastes. Over the course of he year you can sort of get a feel for what my current favorites are, but now we can look to the past a bit.
Alright, here goes nothing:
Best Picture – Her
The nominees here were 12 Years a Slave, American Hustle, Captain Phillips, Dallas Buyers Club, Gravity, Her, Nebraska, Philomena, and The Wolf of Wall Street. Considering that it was my favorite film of 2013, a vote for Her would be pretty clear and decisive here. The Wolf of Wall Street would be my runner up, but it wouldn’t be a close race. Spike Jonze’s meditation on love is an absolute masterpiece, so that’d be my pick.
Best Director – Alfonso Cuarón for Gravity
I’d have voted for Jonze here, but he wasn’t nominated. The actual nominees were Alfonso Cuarón for Gravity, Steve McQueen for 12 Years a Slave, Alexander Payne for Nebraska, David O. Russell for American Hustle, and Martin Scorsese for The Wolf of Wall Street. I very nearly went with Scorsese here, but it’s fairly hard to deny Cuarón’s work here on Gravity. The aforementioned Jonze is my personal pick overall, but Cuarón is my choice of the actual nominees.
Best Actor – Leonardo DiCaprio for The Wolf of Wall Street
In a perfect world, I’d have seen Oscar Isaac in the lineup for Inside Llewyn Davis and subsequently he’d be my vote. The actual nominees here though were Christian Bale for American Hustle, Bruce Dern for Nebraska, Leonardo DiCaprio for The Wolf of Wall Street, Chiwetel Ejiofor for 12 Years a Slave, and Matthew McConaughey for Dallas Buyers Club. Everyone is worthy here and I really came close to selecting Dern, but DiCaprio showed an incredible aptitude for comedy and that would be enough for me to give him his first Oscar.
Best Actress – Cate Blanchett for Blue Jasmine
Without the ability to cite the snubbed Adele Exarchopolous for […]

Critics’ Choice: Joey Berlin from BFCA

Joey Berlin from the Broadcast Film Critics Association – Critics’ Choice Awards
By ROBERT W. WELKOS
In 1995, Joey Berlin and Rod Lurie, two entertainment reporters and film critics who had written for rival publications, joined forces to create the Broadcast Film Critics Assn.
While Lurie would go on to carve out a successful Hollywood career as a screenwriter and director with such films as “The Contender” and “The Last Castle,” Berlin hasn’t faired too badly, either, as the president of the BFCA.
Starting with 44 members the first year, the BFCA’s voting membership today hovers between 285 and 290 and the organization bills itself as the largest film critics group in the U.S. and Canada.
At the same time, the BFCA created the Critics’ Choice Awards, a glitzy tux-and-gown gala now televised on the CW Network that features red carpet celebrity arrivals, drawing worldwide media attention and plenty of Oscar buzz since the show coincides with the run-up to the Academy Awards.
But as the show has catapulted the broadcast critics into the Oscar conversation each movies awards season, tax records show that the nonprofit group Berlin leads has paid his privately-owned company, Berlin Entertainment, Inc., hundreds of thousands of dollars each year for production services.
Read prior Broadcast Film Critics Association story here at Hollywoodnews.com
IRS Form 990 filings list Berlin Entertainment, Inc., receiving a combined $992,270 from the nonprofit between fiscal 2009 and 2011.
Berlin notes that his members seem to be satisfied with the job he’s doing since he has been repeatedly re-elected president every two years.
The tax files show that Berlin’s base compensation and benefits were a combined $1,297,133 for the three-year period spanning fiscal 2009 to 2011. But his compensation is listed as coming from “related organizations” and not directly from the BFCA, according to the Form 990 documents, which all nonprofits are required to file with the IRS to qualify for tax-exempt status.
When asked about his sizeable compensation, Berlin told HollywoodNews.com in a recent telephone interview: “I did this for five years for zero compensation, but this is what I do all day, every day. I’m really proud of what we’ve built and accomplished….
“My compensation has grown with the growth of the show,” he adds without apology. “The television show is an incredible benefit to the members.” He notes that these benefits include such things as access and awards screeners. “That seems a comfortable arrangement for everybody.”
One […]

Oscars: 12 Years a Slave wins Best Picture at the 86th Academy Awards

After months and months of lead up and speculation (not to mention an endless string of precursor awards), the Academy Awards were finally given out, and the results were almost as unpredictable as we’d all been saying. 12 Years a Slave took home Best Picture despite only winning two other Oscars and losing in the Best Director and Best Film Editing categories (both of which Gravity took), normally categories that go to the Best Picture winner. Gravity was the biggest winner of the night in terms of numbers though, taking seven prizes, including the aforementioned Director (for Alfonso Cuaron) and Editing fields.
In terms of the other prizes, Matthew McConaughey and Jared Leto were once again awarded for their performances in Dallas Buyers Club (McConaughey in Best Actor and Leto in Best Supporting Actor), while Cate Blanchett won Best Actress for Blue Jasmine and Lupita Nyong’o edged out Jennifer Lawrence in the Best Supporting Actress category. Best Original Screenplay went to Spike Jonze for Her (my personal favorite award of the evening) and John Ridley won Best Adapted Screenplay for 12 Years a Slave. Other winners included Frozen (Best Animated Feature and Best Original Song), 20 Feet from Stardom (Best Documentary Feature), and The Great Beauty (Best Foreign Language Feature).
Here now are all of the results from the 86th Academy Awards:
BEST PICTURE
“12 Years a Slave” – WINNER
“American Hustle”
“Captain Phillips”
“Dallas Buyers Club”
“Gravity”
“Her”
“Nebraska”
“Philomena”
“The Wolf of Wall Street”
BEST DIRECTOR
David O. Russell, “American Hustle”
Alfonso Cuaron, “Gravity” – WINNER
Alexander Payne, “Nebraska”
Steve McQueen, “12 Years a Slave”
Martin Scorsese, “The Wolf of Wall Street”
BEST ACTOR
Christian Bale, “American Hustle”
Bruce Dern, “Nebraska”
Leonardo DiCaprio, “The Wolf of Wall Street”
Chiwetel Ejiofor, “12 Years a Slave”
Matthew McConaughey, “Dallas Buyers Club” – WINNER
BEST ACTRESS
Amy Adams, “American Hustle”
Cate Blanchett, “Blue Jasmine” – WINNER
Sandra Bullock, “Gravity”
Judi Dench, “Philomena”
Meryl Streep, “August: Osage County”
BEST ORIGINAL SCREENPLAY
“American Hustle” – Written by Eric Warren Singer and David O. Russell
“Blue Jasmine” – Written by Woody Allen
“Her” – Written by Spike Jonze – WINNER
“Nebraska” – Written by Bob Nelson
“Dallas Buyers Club” – Written by Craig Borten & Melisa Wallack
BEST ADAPTED SCREENPLAY
“Before Midnight” – Written by Richard Linklater, Julie Delpy, Ethan Hawke
“Captain Phillips” – Screenplay by Billy Ray
“Philomena” – Screenplay by Steve Coogan and Jeff Pope
“12 Years a Slave” – Screenplay by John Ridley – WINNER
“The Wolf of Wall Street” – Screenplay by Terence Winter
BEST SUPPORTING ACTRESS
Lupita Nyong’o, “12 Years a Slave” – WINNER
Jennifer Lawrence, “American Hustle”
June Squibb, “Nebraska”
Julia Roberts, “August: Osage County”
Sally […]

Oscars: Get to know the Best Actress race

Best Actress
Nominees: Amy Adams for American Hustle, Cate Blanchett for Blue Jasmine, Sandra Bullock for Gravity, Judi Dench for Philomena, and Meryl Streep for August: Osage County
Notable precursor wins: Adams wins Golden Globe Award (Comedy), while Blanchett wins BAFTA, Broadcast Film Critics, Golden Globe (Drama), and Screen Actors Guild Awards, while McConaughey wins Broadcast Film Critics Association, Golden Globe (Drama), and Screen Actors Guild Awards
Current frontrunner: Cate Blanchett
Next in line: Amy Adams
Dark horse: Judi Dench
Continuing on with my “Get to know” series, we now turn our attention to the Best Actress race today. As you can no doubt see above, the ladies making up this category are Amy Adams for American Hustle, Cate Blanchett for Blue Jasmine, Sandra Bullock for Gravity, Judi Dench for Philomena, and Meryl Streep for August: Osage County. From the very beginning, it always appeared to be an Adams vs Blanchett race, and that’s what’s come to pass, though most thought it would be closer than it’s turned out to be. Right now, Blanchett looks like a lock to take home the Oscar.
From the start, Blanchett has basically swept the precursors, with Adams really only scoring when the Actress field is split up between Comedy and Drama. There was a brief moment before the awards started coming in where it seemed like someone could step up to beat here, with the buzz mainly surrounding Adams, but time after time when they’ve gone up against each other, Blanchett has come out on top. That leads me to believe that she’s more assured of a win than some claim.
Now, unless somehow Woody Allen’s recent bad publicity has an effect, Blanchett is going to win her second Oscar. If she winds up being beaten, the upset is going to come from Adams, though there’s a small chance that it could be the late charging Dench that wins, but realistically it’s going to be Blanchett. She’s a pretty safe bet here too.
Stay tuned for the rest of the acting categories this week, with Best Supporting Actor up next!

Blind Film Critic Hears Oscar Picks

By ROBERT W. WELKOS
Jay Forry, who bills himself as “America’s premier blind movie critic,” claims to know a great on-screen performance when he hears it.
So, while he’s never actually seen Sandra Bullock perform in the sci-fi thriller Gravity, Forry is picking her to win the Academy Award as best actress.
“She does 90 percent of the movie by herself and she does a good job with it,” Forry told HollywoodNews.
Ironically, Forry noted, he has no idea what Bullock looks like, because he’s been blind as a result of diabetes since he was 27. He’s now 55.
“I wish I did (know) because she is my favorite actress,” Forry remarks. “…She sounds pretty good, I can tell you that. I’m picturing her as a blonde.”
Forry, who is heard regularly on radio stations throughout the U.S. and in syndication in the United Kingdom, has other Oscar picks this year that rely on what he hears, not on what he sees.
To Jay’s website www.blindsidereviews.com,
They include:
The Wolf of Wall Street as best picture. “That film has come on so strong in the last four or five or six weeks,” Forry says, “that if somebody had picked it (back then) they might have said they were blind or something.”
Leonardo DiCaprio as best actor for The Wolf of Wall Street. “I think this may be Leo’s best performance. He played the perfect character you love to hate and he has an engaging speech which helps in the Oscar race.”
Jared Leto as best supporting actor for Dallas Buyers Club. “When I hear him, he just portrays that part so well. He’s really into the character. He is really someone with AIDS and dying.”
Jennifer Lawrence as best supporting actress for American Hustle. “She played an unpredictable character who may have emotional outbursts in one scene and turn around and be funny in the next.”
Martin Scorsese as best director for The Wolf of Wall Street. “That had to be a tough film to put together. I’m only picking up on the dialogue and sound effects but, just like Gravity, that film has superb sound effects. Of course, I couldn’t see the visual effects, but I heard the music. I really picked up on that.”
How does he do it? How does Jay Forry review movies that he can’t see?
“My hearing is not that great, to be honest,” he says, “but I’m listening…I’m picking stuff up that’s going on while people are […]

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