By Roger Friedman
hollywoodnews.com: Tom Cruise had a bad Friday, the third day of release for “Knight and Day.” The film made $6.35 million, versus over $14.5 million for Adam Ssndler’s “Grown Ups.” The former film took three days to make a little less than what the latter did in one night.
Cruise was never a huge box office draw on his own. His biggest hits, “The Firm,” “Rain Man,” and “A Few Good Men,” were ensemble pieces with talented supporting casts and well thought out, well executed scripts.
Films like “Vanilla Sky” and “The Last Samurai” were not good, and not blockbusters. They averaged $100 million domestically, but cost a lot, too.
Cruise’s big films were always the franchise entries: the Mission Impossible series, the Bruckheimer films.”Eyes Wide Shut” was a financial disaster. Steven Spielberg batted .500 with him–”Minority Report” did about $135, “War of the Worlds” about $235 million.
In his long resume, only “Jerry Maguire” stands out as an artistic and commercial achievement with $152 million and a Cruise Oscar nom. It’s Cruise’s best film, hands down. His other Best Actor Oscar nomination was for “Born on the Fourth of July.” It brought in only took in $79 mil.
To read more go to showbiz411.com
Tag Archives: The Firm
By Roger Friedman
HollywoodNews.com: Adam Sandler is gearing up for the release of his new film, “Grown Ups,” and has just been announced as one of 135 artists selected to join the Academy.
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 135 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2010 to the Academy’s roster of voting members.
“The work of these individuals has been appreciated by moviegoers all around the world,” said Academy President Tom Sherak. “The Academy is proud to invite each and every one of them.”
The Academy’s membership policies would have allowed a maximum of 180 new members in 2010, but as in other recent years, the several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held steady at just under 6,000 members since 2003.
New members will be welcomed into the Academy at an invitation-only reception at the Academy’s Fairbanks Center for Motion Picture Study in Beverly Hills in September.
The 2010 invitees are:
Tobin Bell – “Saw,” “The Firm”
Vera Farmiga – “Up in the Air,” “The Departed”
Miguel Ferrer – “Traffic,” “RoboCop”
James Gandolfini – “In the Loop,” “Get Shorty”
Anna Kendrick – “Up in the Air,” “Twilight”
Mo’Nique – “Precious: Based on the Novel ‘Push’ by Sapphire,” “Phat Girlz”
Carey Mulligan – “An Education,” “Public Enemies”
Jeremy Renner – “The Hurt Locker,” “28 Weeks Later”
Ryan Reynolds – “The Proposal,” “X-Men Origins: Wolverine”
LaTanya Richardson Jackson – “Mother and Child,” “Losing Isaiah”
Peter Riegert – “Traffic,” “Crossing Delancey”
Sam Robards – “A.I. Artificial Intelligence,” “American Beauty”
Saoirse Ronan – “The Lovely Bones,” “Atonement”
Zoe Saldana – “Avatar,” “Star Trek”
Adam Sandler – “Funny People,” “Punch-Drunk Love”
Peter Sarsgaard – “An Education,” “Boys Don’t Cry”
Gabourey Sidibe – “Precious: Based on the Novel ‘Push’ by Sapphire”
Shaun Toub – “Iron Man,” “The Kite Runner”
Christoph Waltz – “Inglourious Basterds”
George Wyner – “A Serious Man,” “American Pie 2”
Ken Bielenberg – “Monsters vs Aliens,” “Shrek”
Peter de Seve – “Ice Age Dawn of the Dinosaurs,” “Ratatouille”
Steve Hickner – “Bee Movie,” “The Prince of Egypt”
Angus MacLane – “Toy Story 3,” “WALL-E”
Darragh O’Connell – “Granny O’Grimm’s Sleeping Beauty,” “Give Up Yer Aul Sins”
Simon Otto – “How to Train Your Dragon,” “Kung Fu Panda”
Bob Pauley – “Toy Story 3,” “Monsters, Inc.”
Willem Thijssen – “The Aroma of Tea,” “A Greek Tragedy”
Kim Sinclair – “Avatar,” “Cast Away”
Dave Warren – “Sweeney Todd The Demon [...]
By Scott Mendelson
HollywoodNews.com: Long story short – Knight and Day, Fox’s action-comedy directed by James Mangold and starring Tom Cruise and Cameron Diaz, is set to open two days earlier than intended. Instead of directly facing off against Grown Ups (which stars Adam Sandler and every major star who has ever been in an Adam Sandler picture), the somewhat well-buzzed project will now open on Wednesday, June 23rd. Long reason short – Adam Sandler comedies generally open to about $35-40 million, and the track records of Cameron Diaz and Tom Cruise means that the action picture probably won’t win the weekend. Besides, the move gives it two more days before the 1,600 pound gorilla known as Twilight Saga: Eclipse takes its best shot at The Dark Knight’s $203 million five-day record (the five-day opening weekend record-holder is Transformers: Revenge of the Fallen, with $200 million). As far as how well Knight and Day will open, you can bet that the tabloids are itching to tear Cruise apart when the film doesn’t open to blockbuster levels. But guess what? It probably won’t.
Like Harrison Ford and Tom Hanks, Tom Cruise made his name as Hollywood’s biggest and most consistent star when a $15 million opening weekend was very good, a $25 million weekend was fantastic, and a $100 million total was an unqualified smash hit. Cruise has had six opening weekends above $25 million. They are Minority Report ($35 million), Interview with the Vampire ($36 million), Mission: Impossible ($45 million), Mission: Impossible III ($47 million), Mission: Impossible II ($57 million), and War of the Worlds ($64 million). The next highest are four films (The Last Samurai, Collateral, The Firm, and Vanilla Sky) that have opened around $24-25 million. Of the six biggest opening weekends, two of them were Steven Spielberg sci-fi action pictures, three of them were Mission: Impossible films, and one of them was a controversial adaptation of a beloved novel. So you take away the pre-established properties and Cruise’s biggest original-material openings are Minority Report and Collateral, which opened about $10 million apart from each other. Oh, and two of those openings (War of the Worlds and Mission: Impossible III) occurred in the heat of Cruise’s couch-jumping public-relations meltdown.
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To read more go to Mendelson’s Memos.
KNIGHT AND DAY TRAILER