August 30, 2015
        "Carol": Looking at potential Best Adapted Screenplay Hollywood Contender                What were the Ten Best summer releases of 2015?                Eddie Redmayne: The Danish Girl / Official US Poster                Carey Mulligan, Meryl Streep: SUFFRAGETTE New Poster                Spike Lee, Debbie Reynolds, Gena Rowland to Receive Academy's 2015 Governors Awards                Johnny Depp, Leo DiCaprio - Which acting contenders this year are most due for their first win?                "Joy" is the latest Jennifer Lawrence and David O. Russell project in the Oscar hunt                "Straight Outta Compton" is making the case for Oscar consideration                "The Martian": Oscar predictions for August                Rooney Mara: Looking at potential Best Supporting Actress contenders                Bradley Cooper will heat up the Oscar race in "Burnt"                "Carol" gets a Teaser that firmly puts Cate Blanchett and Rooney Mara in the Oscar race                Carey Mulligan is an Oscar contender                Hollywood Contenders for 2015 Best Actor: Leo DiCaprio, Johnny Depp, Tom Hanks, Eddie Redmayne, Michael Fassbender                Hollywood Contenders: 2015 Best Movie Blockbusters: Jurassic World, Inside Out, Mad Max: Fury Road, Fast & Furious 7...        

Tag Archives: the weinstein company

“Carol” gets a Teaser that firmly puts Cate Blanchett and Rooney Mara in the Oscar race

Hollywood Contenders: Depending on who you ask, one of the very first contenders for Academy Awards mentioned this year was Carol, the latest film from Todd Haynes. With a cast led by Cate Blanchett and Rooney Mara, under the direction of Haynes, this has been pegged pretty much from day one as an Oscar hopeful. The buzz at the Cannes Film Festival did nothing to dissuade anyone either, with Mara taking Best Actress at the fest. Now, with fall approaching and a winter awards season release pegged for Carol, The Weinstein Company has unveiled a Teaser Trailer (which you can see below) in order to get us even more excited for the flick. Spoiler alert: it worked.
The film is an adaptation of a Patricia Highsmith novel and concerns the relationship between two women in 1950’s New York City. One is young department store clerk Therese Belivet (played by Mara), while the other is an older married woman named Carol Aird (Blanchett). What starts as a friendship slowly blooms into something more, even if they can’t explicitly speak it out loud. From there, it’s a choice of whether or not to risk everything for love in a time where this was not acceptable behavior. Haynes directs from a Phyllis Nagy screenplay, with the cast in addition to Blanchett and Mara including Kyle Chandler, Jake Lacy, John Magaro, and Sarah Paulson.

Ever since Cannes, it’s been pretty clear that Carol is going to be a contender. The question is just to what degree Harvey Weinstein and company can make it play. A period piece forbidden romance with zeitgeist type story elements could be catnip to Academy voters, but it will all depend on how it’s campaigned and what the competition is. Chief among the decisions will be how to go forward category wise with the Oscar hopes of Blanchett and Mara. Many (including myself) have speculated that Blanchett will go Lead while Mara will go Supporting, but it was the former who took the Best Actress prize at Cannes, so that clouds matters a bit. It’s a good problem to have though, believe me. The Weinstein Company could even be bold and campaign them both in Actress and hope for a double dip.
Speaking of awards, I think it’s fair to say that Carol should be a big time player across the board, especially if the precursors are as kind to it as I […]

2015 Pictures: Hollywood Contenders – Black Mass, Bridge of Spies, Carol, The Danish Girl, The Hateful Eight, Joy, The Revenant, Steve Jobs, The Walk, Inside Out

2015 PICTURES: Hollywood Contenders – Preliminary potentials in alphabetical order
At this time of the awards season the Hollywood Contenders list includes the following 2015 features (in alphabetical order): Black Mass. Our Brand Is Crisis, Bridge of Spies, Carol, The Danish Girl, The Hateful Eight, The Revenant, Steve Jobs, Inside Out, The Walk.
The “Hollywood Contenders”: We provide year-round analysis and breaking news. A one stop shop for readers looking to get all the information on the year’s award contenders including the crafts.
Black Mass director Scott Cooper- SEP 18

Our Brand Is Crisis, director David Gordon Green – OCT 30

Bridge of Spies, Dreamworks/Disney,director Steven Spielberg – OCT 16

Carol, Weinstein Co., director by Todd Hayes – NOV 20

The Danish Girl, Focus, director Tom Hooper – NOV 27

Joy, Fox, director David O’Russell – DEC 25

The Hateful Eight, TWC, director Quentin Tarantino – DEC 25

Inside Out, Disney/Ani, director Peter Docter – JUNE 19

Joy, Fox, director David O. Russell – DEC 25
The Revenant, Fox, director Alejandro Inarritu – DEC 25

Steve Jobs, Universal, director Danny Boyle – OCT 9

The Walk, Columbia, director Robert Zemekis – Oct 9

Cate Blanchett in “Carol”: Our first big Oscar contender from Cannes 2015

Over the past week or so, the 2015 Cannes Film Festival has slowly unveiled some big time releases. Some, like Woody Allen’s Irrational Man and Gus Van Sant’s The Sea of Trees, have turned out to be longer shots for any Academy Award attention. On the other hand, Cannes has seen Todd Haynes’ Carol launch towards the top of quite a few Oscar contention lists. Yes, while the likes of Matthew McConaughey, Joaquin Phoenix, Parker Posey, and Emma Stone saw their chances fade, Cate Blanchett, Kyle Chandler, Rooney Mara, and Sarah Paulson certainly had their stock rise. Carol is the cream of the Cannes crop so far…
As a primer, the film is an adaptation of the Patricia Highsmith novel The Price of Salt (later retitled Carol). In it, Blanchett plays a married older woman who begins a flirtation and then an affair with a younger woman, played by Mara. Chandler plays Blanchett’s possessive husband, while the cast also includes the aforementioned Paulson in a vital role, alongside the likes of Carrie Brownstein, Jake Lacy, John Magaro, and more. Haynes directs, obviously, while the adaptation of Highsmith’s book has been penned by Phyllis Nagy. In some ways, this sounds like similar material to Far From Heaven, but if that is the case, that doesn’t mean that Oscar won’t be very interested, regardless.

I think that this one has some huge awards potential, both at Cannes and beyond as we move towards Oscar season. For starters, it’s certainly a contender now for the Palme d’Or prize as well as citations for Haynes and Blanchett at the fest. At the end of the year, when The Weinstein Company puts it out, it’ll likely be one of the bigger Academy Award players as well. This is one that you really can’t ignore, especially after the glowing reviews from the festival. Before that, it was still a strong possibility given its pedigree, but now…well, things are all that much better for Harvey Weinstein’s likely big shot at Oscar gold.
How good could this one do? Well, I don’t think Carol will wind up leading the field, but Best Picture, Best Director (for Haynes), Best Actress (for Blanchett and/or Mara), Best Supporting Actor (for Chandler), Best Supporting Actress (for Mara and/or Paulson), Best Adapted Screenplay, Best Production Design, Best Cinematography, Best Film Editing, and Best Original Score represent potential nominations. Yes, a double digit total is something that […]

Oscar Isaac – The biggest snubs from this week’s Spirit Award nominations

First of all, Happy Turkey Day to you all! With a Thanksgiving mention out of the way, let’s talk movies. Whenever there is a big precursor announcement that isn’t just a winners list, there’s going to be some glaring omissions. Such was the case with the 30th annual Independent Spirit Awards, which made some excellent picks but also some head scratchers as well. That’s always the name of the game, but this year there especially was some unexpected shut outs. As such, I’m going to be running down ten of the most egregious ones that I noticed. A few will be personal surprises, but the others will be ones that were clearly noticed by others. The Spirit Awards do a solid job, but like any other precursor, they’re far from perfect.
Here now are the ten biggest snubs from the Spirit Award nominations:
1. Oscar Isaac for A Most Violent Year – Voters apparently liked the film, but they didn’t like what I felt was the best part in Isaac’s performance. Strange, to say the least. Isaac is the lead and a huge reason why the movie works. His co-star Jessica Chastain was cited, but not him. For me, it was the biggest omission and one of the bigger head scratchers as well. It just makes no sense.

2. The Skeleton Twins – If ever there was an under the radar title in need of a Spirit boost, it’s this one. Not just the film itself, but even more so the lead performances of Bill Hader and Kristen Wiig, both of whom could have at least stayed in the Oscar conversation had they turned a nomination into a surprise win. That didn’t happen though, so this contender is now pretty much DOA.
3. Bill Murray in St. Vincent – I’m sure The Weinstein Company was hoping that Murray popped up here in order to further their Oscar hopes for him. Considering all of the frontrunners are first time nominees (if they even get nominated), had Murray gotten nominated here and won, that could have helped fuel a potential Golden Globe win for Best Actor in a Comedy/Musical, which in turn would have made him a likely Oscar nominee. That narrative is gone now though, so it’s the Globes or bust for Murray.
4. The Imitation Game – Easily the most surprising shut out, TWC saw their first chink in the armor for this big time […]

Bill Murray could upend the Best Actor race with “St. Vincent”

The already overcrowded Best Actor race is about to get even tighter folks. Last night I attended the premiere of St. Vincent and got to see Bill Murray’s performance, which is awards worthy, let me tell you. Murray combines his comedy and drama skills in such a way that I think Academy members might find it hard to resist him. As I’ve said for months now, the Best Actor race is going to be a bloodbath, something that’s only more true now that contenders are screening and performances are showing that they are indeed worthy of consideration. The latest here is Murray’s in St. Vincent, one that could ultimately wind up going a lot further than some think.
For those of you who don’t know, the movie is a comedy/dramedy about a curmudgeonly older man (played by Murray) in Brooklyn who winds up babysitting his frazzled neighbor’s son. He gives him the sort of real world/bad advice you’re used to in things like this, but then the second half of the film goes in a very different direction and winds up tugging at your heartstrings in a big way. Murray obviously stars, with Melissa McCarthy, Chris O’Dowd, Naomi Watts, and Jaeden Lieberher in the other main roles. Theodore Melfi writes and directs.
This is a pretty good film, but it’s Murray who elevates things, along with the cast on the whole. While McCarthy and Watts are strong in roles that are reversed from what they normally do, Murray gets to combine all of his skills to give what I think is one of his top five performances to date. At times he’s channeling his early comedic persona while at other moments he’s playing it completely straight. I won’t spoil things by saying some of the situations where he’s forced to really go dramatic, but he absolutely nails them.
What will help St. Vincent out is of course the fact that Harvey Weinstein is behind it. He knows how to make this sort of push happen, which is only helped by the fact that Murray is out and about promoting it. He’s done Q and A’s, gone to parties, etc…all of which helps to endear him to Academy members. As we all know, voters like to be courted, so if Murray is willing to play the game, that could give him a leg up on some of his competition.
On the flip side, Weinstein […]

“One Direction: This Is Us” opens at No. 1 in the world with an estimated weekend gross of $31.5 million from 54 territories

“One Direction: This Is Us” opens at No. 1 in the world with an estimated weekend gross of $31.5 million from 54 territories. Also, Monsters University has crossed the $700 million mark worldwide.”
The top-12 domestic weekend box office estimates listed in descending order, per data collected as of Sunday, September 1, 2013 are below. (3-Day totals)
One Direction: This Is Us – Sony – $17.0M
Lee Daniels’ The Butler – The Weinstein Company – $14.7M
We’re The Millers – Warner Bros. – $12.6M
Planes – Disney – $7.8M
Instructions Not Included – Lionsgate – $7.5M
Elysium – Sony – $6.3M
Mortal Instruments – Sony – $5.2M
World’s End, The – Focus Features – $4.8M
Getaway – Warner Bros. – $4.5M
Percy Jackson: Sea Of Monsters – 20th Century Fox – $4.4M
Blue Jasmine – Sony Pictures Classics – $4.0M
You’re Next – Lionsgate – $4.0M
Photo Sony Pictures
To rad more got to www.rentrak.com

The Butler serves second box office win

“Jurassic Park 3D is the new No. 1 film in the world with an estimated weekend gross of $30.0 million and a new cume of $89.9 million. Also, Disney has crossed the $2 billion mark overseas for the fourth consecutive year and Despicable Me 2 has surpassed the $800 million mark worldwide.”
The top-12 domestic weekend box office estimates listed in descending order, per data collected as of Sunday, August 25, 2013 are below.
Lee Daniels’ The Butler – The Weinstein Company – $17.0M
We’re The Millers – Warner Bros. – $13.5M
Mortal Instruments – Sony – $9.3M
World’s End, The – Focus Features – $8.9M
Planes – Disney – $8.6M
Elysium – Sony – $7.1M
You’re Next – Lionsgate – $7.0M
Percy Jackson: Sea Of Monsters – 20th Century Fox – $5.2M
Blue Jasmine – Sony Pictures Classics – $4.3M
Kick-Ass 2 – Universal – $4.3M
2 Guns – Universal – $3.4M
Jobs – Open Road – $3.0M
www.rentrak.com

Django Unchained to Debut in China

For the first time ever a Quentin Tarantino movie will debut in China.
“Django Unchained,” which has already grossed more than $400 million worldwide ($241 million overseas) will open in China on April 11.
Sony Pictures has handled the international rollout of the hit film, which is a co-production between The Weinstein Company and Sony Pictures.
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“Silver Linings Playbook” crossed the $75 million mark

Last night’s box office was kind of a watershed moment for “Silver Linings Playbook.” David O. Russell’s Oscar nominated serio-comedy not only held its own in third place, but nudged up to cross the $75 million mark. “Silver Linings” has now also nosed ahead of “Zero Dark Thirty,” which is sort of amazing. For thirty days, “SLP” languished in limited release while other, bigger movies came and went. “SLP” and “ZD30″ were neck and neck in the same number of theaters once they each went wide.
But now “SLP” had broken from the pack. It’s going to make $100 million, and be the next Weinstein Company movie to hit that mark. Maybe a landmark: I can’t recall a time that the Weinstein Company has had two movies in the top 10 at the same time. Yet, now they have the Russell and “Django Unchained.” And they’re each nominated for Best Picture.
Of the two, “Playbook” has a stronger shot at winning Best Picture. But again, I told you this when I saw “Playbook” in Toronto. It’s such a terrific film, and it’s the one with heart this season. People feel good when they see it. That’s not to diminish “Zero Dark Thirty.” But audiences love “Silver Linings Playbook.” Jennifer Lawrence is on her way to Best Actress, too. “SLP” and maybe “Lincoln” are the two realistic rivals to “Argo.”
The surging success of “SLP” means that by February 24th, Oscar audiences will really have seen all nine nominated Best Pictures and care about them. That, plus the show itself, should add up to solid ratings for the Academy Awards telecast.
to read more go to www.showbiz411.com
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CONCUSSION is snapped by TWC in Sundance

TWC proudly announced that it has acquired North American rights to CONCUSSION, one of the most provocative and well received films at this year’s Festival that is drawing endless comparisons to BELLE DE JOUR.
Written and directed by Stacie Passon in an auspicious directing debut effort, and produced by Rose Troche, CONCUSSION is a poignant sexual examination of Abby (Robin Weigert in a star making breakout turn), a forty something married wealthy, lesbian housewife who, after suffering a blow to the head from getting smacked by her son’s baseball—walks around every corner of her suburban life to confront a mounting desire for something else. She takes on a new project and purchases a pied-à-terre in Manhattan. Walking around the city streets reminds Abby what it feels like to be sexy, and her pent-up libido shakes off its inhibitions. Her newfound desire though is not a take-home item, so Abby inaugerates a double life as a high end escort. Palpably sensual and deliciously contained, CONCUSSION is a keen observation of the complicated contours of midlife crisis.
According to RADiUS co-presidents Tom Quinn and Jason Janego: “We were mesmorized by CONCUSSION and the job Stacie did in creating such rich, relatable characters. This film made an indelible impression anchored by Robin’s exceptional performance – – one of the best we’ve seen on screen in a very long time.”
Stacie Passon goes on to say: “RADiUS is continuing to define itself as a home for artists. We are thrilled with the passion and dedication of Tom Quinn and Jason Janego and their exceptional team. We know we are in excellent hands.”
RADiUS has slated an early fall 2013 release.
In 2012, CONCUSSION was chosen for the Independent Feature Project’s narrative lab. Additionally, CONCUSSION received the Adrienne Shelly Director’s Grant and the Calvin Klein Spotlight on Women Filmmakers Live the Dream Grant at the Gotham Awards.
In addition to Reigert (DEADWOOD), CONCUSSION also stars Maggie Siff, Johnathan Tchaikovsky, Julie Fain Lawrence, Emily Kinney and Laila Robins. The executive producers are Anthony Cupo and Cliff Chenfeld. Rose Troche Is the producer.
Quinn and Janego negotiated the deal with Paradigm’s Ben Weiss and attorney Andre Des Rochers both of whom brokered the deal on behalf of the film.
ABOUT RADiUS-TWC
RADiUS-TWC, the multi-platform label from the Weinstein Company (TWC) is the first studio division dedicated to multi-platform distribution. Utilizing both traditional and digital media, RADiUS-TWC brings the highest quality film and […]

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