September 05, 2015

Tag Archives: USD

Tom Cruise: “Mission Impossible 5″ wins Foreign Box Office

“Parmount’s ‘Mission: Impossible Rogue Nation’ continues to “Cruise” to new heights of global popularity, adding 18 new markets this weekend as it earns $94.9 million worldwide with $265.35 million to date. ‘Rogue Nation’ remains the number one movie for the second consecutive weekend in both the international territories and the U.S. while Fox’s ‘Fantastic Four’ makes its debut, taking second place in the global marketplace with $60.3 million” said Rentrak’s Senior Media Analyst Paul Dergarabedian
The top 12 worldwide weekend box office estimates, listed in descending order, per data collected as of Sunday, August 9, 2015, are below.
1. Mission: Impossible Rogue Nation – Paramount Pictures – $94.9M
2. Fantastic Four – 20th Century Fox – $60.3M
3. Minions – Universal – $25.6M
4. Jurassic World – Universal – $17.0M
5. Ant-Man – Disney – $17.0M
6. Monster Hunt – Multiple – $16.4M
7. Veteran – CJ Entertainment – $15.2M
8. Pixels – Sony – $14.6M
9. Inside Out – Disney – $13.5M
10. Gift, The – Multiple – $12.9M
11. Trainwreck – Universal – $11.5M
12. Vacation – Warner Bros. – $9.1M.
The top 12 domestic weekend box office estimates, listed in descending order, per data collected as of Sunday, August 9, 2015, are below.
1. Mission: Impossible Rogue Nation – Paramount – $29.4M
2. Fantastic Four – 20th Century Fox – $26.2M
3. Gift, The – STX Entertainment – $12.0M
4. Vacation – Warner Bros. – $9.1M
5. Ant-Man – Disney – $7.8M
6. Minions – Universal – $7.4M
7. Ricki And The Flash – Sony – $7.0M
8. Trainwreck – Universal – $6.3M
9. Pixels – Sony – $5.4M
10. Southpaw – The Weinstein Company – $4.8M
11. Shaun The Sheep Movie – Lionsgate – $4.0M
12. Inside Out – Disney – $2.7M
To read more WWW>RENTRAK.COM

‘Minions’ No. 1 With $116.4 in Global Box Office

“It’s fitting that Universal’s ‘Minions’ tops the global box office chart this weekend since the studio is celebrating yet another record with the fastest spring to $5 billion in worldwide revenue in industry history. For Disney it is another great weekend as well with their debut of Marvel’s ‘Ant-Man’ to a not very ant-like $114.4 million performance in 38 territories around the globe including North America,” said Rentrak’s Paul Dergarabedian.
The top 12 worldwide weekend box office estimates, listed in descending order, per data collected as of Sunday, July 19, 2015, are below.
1. Minions – Universal – $116.4M
2. Ant-Man – Disney – $114.4M
3. Monster Hunt – Multiple – $72.0M
4. Jian Bing Man – Multiple – $61.0M
5. Inside Out – Disney – $33.0M
6. Trainwreck – Universal – $30.2M
7. Terminator Genisys – Paramount Pictures – $27.6M
8. Jurassic World – Universal – $23.7M
9. Monkey King: Hero is Back – Multiple – $22.5M
10. Magic Mike XXL – Warner Bros. – $10.3M
11. Ted 2 – Universal – $10.2M
12. Gallows – Warner Bros. – $6.1M
The top 12 domestic weekend box office estimates, listed in descending order, per data collected as of Sunday, July 19, 2015, are below.
1. Ant-Man – Disney – $58.0M
2. Minions – Universal – $50.2M
3. Trainwreck – Universal – $30.2M
4. Inside Out – Disney – $11.7M
5. Jurassic World – Universal – $11.4M
6. Terminator Genisys – Paramount – $5.4M
7. Magic Mike XXL – Warner Bros. – $4.5M
8. Gallows – Warner Bros. – $4.0M
9. Ted 2 – Universal – $2.7M
10. Mr. Holmes – Roadside Attractions – $2.5M
11. Bajrangi Bhaijaan – Eros Entertainment – $2.4M
12. Self/Less – Focus Features – $2.3M
To read more go to WWW.RENTRAK.COM

‘Jurassic World’ has the biggest opening of all time at the box office

Over the weekend dinosaurs ruled the planet once again. Yes, Jurassic World shattered every single one of the box office predictions, actually becoming the Opening Weekend all time champion, dethroning The Avengers. It now has the record for not just Domestic, but International and Worldwide as well, making this a smash hit that very few saw coming. Perhaps we should have though, considering how both Jurassic Park as well as The Lost World: Jurassic Park set Opening Weekend records at the time. Sure, Jurassic Park III didn’t do that kind of business, but we ignored some clues with Jurassic World, making this possibly a much bigger surprise than it actually is.
Numbers wise here in the states, Jurassic World made an estimated $208.8 million, good enough to beat The Avengers’ $207.4 from merely three years ago. Initially, predictions has Jurassic World coming up just short with $204.6, but obviously that turned out to be on the lower end of the spectrum. It’s only the second film to open to more than $200 million, which is a staggering number however you slice it. The fact that it managed to eek out Marvel’s big juggernaut is probably just icing on the cake for the folks at Universal today. If nothing else, I bet filmmaker Colin Trevorrow and his partner Derek Connelly now have their pick of what they’d like to make next. Who would deny them at this point? Also, as if he wasn’t on the A-list already, Chris Pratt is now one of the biggest movie stars in Hollywood, it’s just that simple.
For some perspective on this record being broken, here’s what the top ten Opening Weekends of all time look like now, domestically:
1. Jurassic World – $208.8
2. The Avengers – $207.4
3. Avengers: Age of Ultron – $191.2
4. Iron Man 3 – $174.1
5. Harry Potter and the Deathly Hallows Part 2 – $169.1
6. The Dark Knight Rises – $160.8
7. The Dark Knight – $158.4
8. The Hunger Games: Catching Fire – $158
9. The Hunger Games – $152.5
10. Spider-Man 3 – $151.1
The opening that Jurassic World had, about or slightly more than double what was initially expected, pushed the recently released Furious 7 out of the top ten, showing that, combined with Avengers: Age of Ultron rounding out the top three, this year the box office certainly knows how to catch fire. The other interesting thing to look at on this list is how […]

‘Furious 7′ Box Office A Whopping $800.5M

“Universal’s ‘Furious 7′ in its second week of release remains a relentless and dominant box office force, topping the worldwide charts with an astonishing $255.6 million for the weekend & a whopping $800.5 million after just 12 days of release.’Furious 7′ is now the highest grossing of the franchise and raises the cumulative theatrical global revenues of the entire series to more than $3.18 billion.”
The top 12 worldwide weekend box office estimates, listed in descending order, per data collected as of Sunday, April 12, 2015, are below.
1. Furious 7 – Universal – $255.6M
2. Home – 20th Century Fox – $34.2M
3. Cinderella – Disney – $19.8M
4. Wolf Warriors – Multiple – $18.0M
5. Longest Ride, The – 20th Century Fox – $16.5M
6. Divergent Series: Insurgent, The – Multiple – $14.8M
7. Kingsman: The Secret Service – 20th Century Fox – $10.3M
8. Get Hard – Warner Bros. – $10.0M
9. Let’s Get Married – Multiple – $8.6M
10. Woman In Gold – Multiple – $7.3M
11. Pourquoi j’ai (pas) mange mon pere – Pathe – $3.5M
12. Spongebob Squarepants: Sponge Out Of Water – Paramount – $3.4M
The top 12 domestic weekend box office estimates, listed in descending order, per data collected as of Sunday, April 12, 2015, are below.
1. Furious 7 – Universal – $60.6M
2. Home – 20th Century Fox – $19.0M
3. Longest Ride, The – 20th Century Fox – $13.5M
4. Get Hard – Warner Bros. – $8.6M
5. Cinderella – Disney – $7.2M
6. Divergent Series: Insurgent, The – Lionsgate – $6.8M
7. Woman In Gold – The Weinstein Company – $5.9M
8. It Follows – Radius-TWC – $2.0M
9. Danny Collins – Bleecker Street – $1.6M
10. While We’re Young – A24 Films – $1.4M
11. Kingsman: The Secret Service – 20th Century Fox – $1.3M
12. Do You Believe? – Pure Flix – $0.9M
www.rentrak.com

The ten films most likely to lead the 2015 box office

As much as I clearly obsess myself with trying to accurately predict the Oscars, I also have a slight fascination with attempting to figure out which film will wind up as the most successful at the box office, even if the actual numbers are incredibly difficult to pinpoint. Sadly, most of the time the movies in contention for that crown are iffy at best in terms of quality, but his year might very well be different. 2015 offers up a number of potentially very strong flicks that will vie to be number one at the box office, including a couple that might actually contend for the all time crown. That’s pretty rare (though with the numbers we see year in and year out, it’s slowly getting less and less rare), making the next nine months or so possibly very interesting…
As a quick refresher, this was what the top ten box office hauls of 2014 were, including what some of these made after the calendar changed over:
1. American Sniper ($341,380,905) *and counting
2. The Hunger Games: Mockingjay – Part 1 ($337,103,873) *and counting
3. Guardians of the Galaxy ($333,176,600)
4. Captain America: The Winter Soldier ($259,766,572)
5. The LEGO Movie ($257,760,692)
6. The Hobbit: The Battle of the Five Armies ($254,916,285) *and counting
7. Transformers: Age of Extinction ($245,439,076)
8. Maleficent ($241,410,378)
9. X-Men: Days of Future Past ($233,921,534)
10. Big Hero 6 ($221,690,346) *and counting
Here now are the ten most likely films to run away with the 2015 box office crown:
10. The Good Dinosaur – The first of two Pixar releases on this list (as well as the first of two to involve dinosaurs), you know that an animated feature is going to rake it in during 2015…the question is just, which one? This has been a slightly troubled production, so that might be an issue, but if it’s not, watch out. Marketing wise, this is a dream for Disney/Pixar.
9. Trainwreck – I spoke about this comedy yesterday, but there’s a chance that this could be even bigger than Bridesmaids. Consider this Judd Apatow flick a dark horse. I think it’s possibly the least likely, but it’s still one very much worth keeping at least one eye on. A comedy always seems to break out, so why not this one, particularly if it’s the critical favorite it’s shaping up to be?
8. Terminator: Genysis – Arnold Schwarzenegger is back as the Terminator in a franchise sequel/prequel/reboot that could bring in […]

‘Fifty Shades of Grey’ remains number one

“Universal’s ‘Fifty Shades of Grey’ remains a staggering worldwide phenomenon with $486.2 million to date after adding nearly $50 million from 60 global territories this weekend. The modestly budgeted erotic drama is expected to cross the $500 million mark later this week making it one of the most profitable films released over the past year. Notably, with $139.1 million to date, Warner Bros.’ ‘American Sniper’ now ranks as the highest grossing Clint Eastwood directed film internationally with a total that is closing in on the $500 million threshold worldwide,” said Rentrak’s Senior Media Analyst Paul Dergarabedian.
The top 12 worldwide weekend box office estimates, listed in descending order, per data collected as of Sunday, March 1, 2015, are below.
1. Fifty Shades Of Grey – Universal – $46.9M
2. Kingsman: The Secret Service – 20th Century Fox – $37.5M
3. Focus – Warner Bros. – $31.3M
4. American Sniper – Warner Bros. – $27.2M
5. Spongebob Squarepants: Sponge Out Of Water – Paramount – $25.4M
6. Big Hero 6 – Disney – $22.1M
7. From Vegas to Macau II – Multiple – $22.0M
8. Wolf Totem – Multiple – $17.0M
9. Dragon Blade – Multiple – $12.5M
10. Lazarus Effect, The – Multiple – $10.6M
11. Second Best Exotic Marigold Hotel, The – 20th Century Fox – $9.4M
12. McFarland, USA – Disney – $7.8M
The top 12 domestic weekend box office estimates, listed in descending order, per data collected as of Sunday, March 1, are below.
1. Focus – Warner Bros. – $19.1M
2. Kingsman: The Secret Service – 20th Century Fox – $11.8M
3. Spongebob Squarepants: Sponge Out Of Water – Paramount – $11.2M
4. Fifty Shades Of Grey – Universal – $10.9M
5. Lazarus Effect, The – Relativity Media – $10.6M
6. McFarland, USA – Disney – $7.8M
7. American Sniper – Warner Bros. – $7.7M
8. DUFF, The – Lionsgate – $7.2M
9. Still Alice – Sony Pictures Classics – $2.7M
10. Hot Tub Time Machine 2 – Paramount – $2.4M
11. Jupiter Ascending – Warner Bros. – $2.1M
12. Birdman – Fox Searchlight – $2.0M
For more box office numbers www.rentrak.com

Hollywood Costume Exhibition: Last chance to visit

The critically acclaimed exhibition Hollywood Costume, in the final days of its worldwide tour at Los Angeles’s historic Wilshire May Company building, will have extended hours through its closing on Monday, March 2. Presented by the Victoria and Albert Museum, London, and the Academy of Motion Picture Arts and Sciences, Hollywood Costume celebrates and examines costume design as an essential tool of cinematic storytelling. It brings together more than 150 iconic costumes from Hollywood’s Golden Age to the present, including such treasures as the Academy’s pair of the original ruby slippers from “The Wizard of Oz,” (Adrian, 1939) shown with Dorothy’s blue and white gingham pinafore dress.
Hollywood Costume is sponsored by Swarovski and curated by Deborah Nadoolman Landis, Academy Award®-nominated costume designer and founding director of UCLA’s David C. Copley Center for the Study of Costume Design.
EXTENDED HOURS FOR FINAL DAYS:
Thursday, February 26, 11 a.m.–7 p.m.
Friday, February 27, 11 a.m.–8 p.m.
Saturday, February 28, 10 a.m.–7 p.m.
Sunday, March 1, 10 a.m.–7 p.m.
Monday, March 2, 11 a.m.–5 p.m.
Visitors who purchase tickets to Hollywood Costume will receive free admission to Hollywood Costume-related public programs held on the same day at the Bing Theater, a short walk from the exhibition on the LACMA campus.
EXHIBITION-RELATED PUBLIC PROGRAMS:
The Art of the Costume Designer: Spotlight on James Acheson
Friday, February 27, 7:30 p.m.
The Academy celebrates the work of three-time Oscar®-winning costume designer James Acheson (“Monty Python’s The Meaning of Life,” “The Last Emperor,” “Dangerous Liaisons,” “Spider-Man”) with an evening tribute to his remarkable career. Acheson will engage in a far-ranging discussion with Hollywood Costume curator Deborah Nadoolman Landis about his body of work.
Two Sides of a Costume Designer: Irene Sharaff
Saturday, February 28
“Meet Me in St. Louis” – 5 p.m.
“West Side Story” – 7:30 p.m.
The Academy’s Saturday evening series concludes with a double feature highlighting the impressive and varied work of five-time Oscar winner Irene Sharaff in two of her most beloved films from strikingly different eras of filmmaking.
TICKETING
Exhibition tickets for Hollywood Costume are on sale now at www.oscars.org/HC. Admission: $20 Adults ? $15 Seniors (62+) ? $10 for students with ID and children under 13.
Visitors who purchase tickets to Hollywood Costume will receive free admission to Hollywood Costume public programs held on the same day. Visitors must present their Hollywood Costume ticket at a LACMA Ticket Office to redeem their complimentary public program ticket.
Public program tickets are $5 for the general public, $3 for Academy members, LACMA […]

Terrence Malick’s “Voyage of Time” to the screen: Broad Green pictures and IMAX join Sophisticated Films and Wild Bunch

IMAX Corporation, together with Broad Green Pictures, today announced they are joining Sophisticated Films and Wild Bunch to complete financing of Terrence Malick’s VOYAGE OF TIME. Broad Green will have the first opportunity to distribute the feature film version in North America following the exclusive IMAX release.
Gabriel and Daniel Hammond of Broad Green Pictures are executive-producing the film along with Tanner Beard, Mary Bing, Yves Chevalier, Christos V. Konstantakopoulos, Jacques Perrin, Ryan Rettig, and Donald Rosenfeld. Dede Gardner, Nicolas Gonda, Sarah Green, Grant Hill, Brad Pitt, Bill Pohlad and Sophokles Tasioulis are producing.
VOYAGE commenced international sales at the 2014 Cannes Film Festival, with GAGA (JPN), MARS (FR), Lumière (BENELUX) and EDKO (HK) among the first to secure distribution rights.
VOYAGE OF TIME is a celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet. Malick is working first in the IMAX format for a 40-minute version with scientific narration by Brad Pitt, followed by a 35mm feature-length version with narration by Cate Blanchett.
VOYAGE OF TIME is the first recipient of financing from IMAX’s Original Film Fund, announced in May. The Fund, capitalized at $50-plus million, will co-finance a portfolio of 10 original IMAX films that will enable IMAX?s worldwide network to provide new digital content to its institutional partners in the form of documentaries that employ cutting-edge techniques, innovative filmmakers such as Malick, and embrace fresh new perspectives in documentary storytelling.
“Terrence Malick is one of the most innovative filmmakers in the world, and has literally been designing and making this movie with large-format cameras for over 30 years,” said Greg Foster, Senior Executive Vice President, IMAX Corp. and CEO of IMAX Entertainment. “To be able to launch our Film Fund portfolio with Malick and his imaginative style of filmmaking is capturing lightning in a bottle. We look forward to working with Terry and his producing partners on this groundbreaking film.”
“Terrence Malick is an innovator of epic scope,” said Gabriel and Daniel Hammond of Broad Green Pictures. “We have long admired his work and could not be more excited to partner with him on this project.”
“We are thrilled to partner with IMAX and Broad Green, who, along with our […]

Joey Berlin’s Goldmine – Critics Choice Awards

Joey Berlin, who co-founded the Broadcast Film Critics Assn. in 1995 and continues to oversee its day-to-day operations and its televised Critics’ Choice Movie Awards each year, likes to say that his membership seems to be satisfied with the job he’s doing because he’s been repeatedly re-elected every two years as its president.
To read article about CRACKPOT OF THE MONTH – DAVID POLAND – BFCA
The nonprofit group’s latest tax filings show that Berlin also is handsomely paid for his work. The BFCA’s latest IRS Form 990 tax filing shows that Berlin Entertainment, Inc., a company 100 percent owned by Berlin, received $859,077 for production services in 2012, a jump from $376,270 listed on tax forms the previous year.
To read article about CRACKPOT OF THE MONTH – DAVID POLAND – BFCA

Between 2009 and 2012, Berlin Entertainment was paid a total of $1,851,347, according to federal tax documents filed by the nonprofit.
Meanwhile, Berlin’s base compensation and benefits totaled $478,350 in 2012, according to the IRS filing. That compares with $455,230 the previous year.
TO CHECK TAX RETURNS FOR BFCA
The BFCA touts itself as the largest film critics organization in the U.S. and Canada, representing more than 280 television, radio and online critics.
To read prior story about Joey Berlin’s Goldmine and Critics Choice Awards.
To read about CRACKPOT OF THE MONTH – DAVID POLAND – BFCA
The boom in Oscar media coverage has propelled nonprofits like the BFCA into prominence in the run-up to the Academy Awards. Other shows like the Golden Globe Awards, the Palm Springs International Film Festival and the Santa Barbara Film Festival actively court potential Oscar nominees and the studios and independent distributors gladly lend their help in supplying stars for their glitzy events hoping to generate Oscar buzz.
In recent years, the Critics’ Choice Awards has attracted numerous stars to its red carpet gala, including George Clooney, Sandra Bullock, Leonardo di Caprio, Brad Pitt and Meryl Streep. They mix and mingle and dine along with broadcast critics from around North America.
In 2012, the year covered by the tax returns, the Critics’ Choice Awards were held at the Hollywood Palladium and broadcast by VH1. The winners that year were “The Artist” for best picture, George Clooney for best actor in “The Descendants” and Viola Davis for best actress in “The Help.” Michel Hazanavicius won best director for “The Artist.”
This year’s Critics’ Choice Awards was broadcast live on the CW Network from […]

“Annie Hall”: The Top 25 (Best Picture)

All good things must come to an end at some point. Yes folks, this is the final installment of this series of mine, and as such, it’s (hopefully) a bit of a doozy…the Best Picture field. Without a doubt, this is the big one, so it’s the one where the list will be the most important and I hope interesting to look at as well. Obviously, I could go on and on in preparation right now, waxing poetic and teasing, but at this point I know how the game works here for everyone. You all just want to see the lists that I do anyhow, so I have no problem obliging you good people there in that particular regard one more time. All you have to do is just be patient over the next paragraph or so and you’ll get the goods front and center for your reading pleasure…
One last time, try not to bury the lead and I’ll jump right into discussing my top ten a bit here now. To me, the best winner of this category so far to date has been Woody Allen’s Annie Hall. The best romantic comedy of all time, Allen’s Best Picture winner is a perfect film to me, so it’s not even close between this one and all the rest. That being said, the next two runners up aren’t miles behind. They’re Steven Spielberg’s heartbreaking Schindler’s List and Jonathan Demme’s The Silence of the Lambs. Two very different works, but also two basically perfect ones. Rounding out the top five I have Billy Wilder’s The Apartment and Sam Mendes’ American Beauty, the latter of which is likely too high for some, but hey…it’s my list, right? Exactly. That’s a strong top five in my eyes, and the top ten consists of Ben Affleck’s Argo, John G. Avildsen’s Rocky, Kathryn Bigelow’s The Hurt Locker, Clint Eastwood’s Million Dollar Baby, and Milos Forman’s One Flew Over the Cuckoo’s Nest. There’s not a weak one in that lot, and I’d especially say that Argo is still moving upwards for me. I could see it pushing towards the top five in the next decade, but again, that’s just me. There’s really no way to not come up with an amazing top ten, just like there’s no way not to leave off a ton of worthy contenders in a top 25. You could easily go 30 or 40 […]

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