July 27, 2016
        A Teaser Trailer for "Justice League" suggests a really fun blockbuster                "Blair Witch" and "Wonder Woman": Comic-Con unleashes a ton of buzz worthy Trailers                Hollywood Contenders: Looking at potential Best Actress contenders                "Star Trek Beyond" is a rare success for the 2016 summer movie season                The 2016 New York Film Festival will open with Ava Duvernay's documentary "The 13th"                Ryan Gosling and Emma Stone make us swoon as "La La Land" drops a luminous Teaser Trailer                "Loving" announces itself as an awards player with a great Trailer                Hollywood Contenders: New Oscar Predictions for July                Woody Allen has another crowd pleaser on his hands with "Cafe Society"                Hollywood Contenders: Looking at potential Best Actor contenders                Kristen Stewart shines in the sci-fi love story "Equals"                'Ghostbusters' is an excellent re-invention of the classic franchise                Hollywood Contenders: Looking at potential Best Director contenders                "Captain Fantastic" is one of the year's most pleasant surprises                This week brings an adorable bit of animation in "The Secret Life of Pets"        

Tag Archives: Web site Enter Under Penalty

Exclusive “Let Me In” clip sinks its teeth into Internet

By Sean O’Connell
Hollywoodnews.com: We’re keeping a close eye on Matt Reeves’ “Let Me In,” a remake of Tomas Alfredson’s killer vampire flick that stars Kodi Smit-McPhee of “The Road” as a lonely young boy who befriends a young girl in his apartment complex (Chloe Moretz) and eventually learns her deadly secret.
The film will play Toronto next week before heading to Austin to hold court at Fantastic Fest. This morning, though, we have an exclusive clip from the film courtesy of the cleverly titled Web site Enter Under Penalty of Death.
Click here to view it.
Reeves certainly has his work cut out for him. The tremendous original, titled “Let the Right One In,” has a relatively strong cult audience. And it only came out in 2008, meaning it’s still very fresh in people’s mind, so comparisons – positive and negative – will be easy to make.
That being said, if Reeves can duplicate the mood of the first film, he has a chance to introduce a tender and terrifying story to a larger, American audience who don’t like reading subtitles.
“Let Me In” opens everywhere on Oct. 1.
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