October 24, 2016
        Hollywood Contenders: New Oscar Predictions for October                Nicole Kidman, Hugh Grant, Naomie Harris, Lily Collins get Honors at 20th Annual Hollywood Film Awards                "Manchester by the Sea" leads the Gotham Award nominations                Tom Ford, Marc Platt and Kenneth Lonergan to be Honored at 20th Annual Hollywood Film Awards                Tom Cruise is in his action hero comfort zone with "Jack Reacher: Never Go Back"                "Moonlight" could be A24's big Oscar horse this year                Ewan McGregor steps behind the camera with "American Pastoral"                Hollywood Contenders: A second crack at Golden Globe predictions for 2016                "The Accountant" seeks to help give Ben Affleck another blockbuster                85 countries will be competing for Best Foreign Language Feature nominations at the Oscars                Tom Hanks to receive Hollywood Actor Award for "Sully" @ Hollywood Film Awards                "Certain Women" showcases Laura Dern, Kristen Stewart, and Michelle Williams                Ben Affleck is perhaps Hollywood's biggest and most diverse superstar                "The Birth of a Nation" looks to survive controversy and contend for awards                "The Girl on the Train" hopes to transport Emily Blunt to the Oscar race        

Tag Archives: Web site Enter Under Penalty

Exclusive “Let Me In” clip sinks its teeth into Internet

By Sean O’Connell
Hollywoodnews.com: We’re keeping a close eye on Matt Reeves’ “Let Me In,” a remake of Tomas Alfredson’s killer vampire flick that stars Kodi Smit-McPhee of “The Road” as a lonely young boy who befriends a young girl in his apartment complex (Chloe Moretz) and eventually learns her deadly secret.
The film will play Toronto next week before heading to Austin to hold court at Fantastic Fest. This morning, though, we have an exclusive clip from the film courtesy of the cleverly titled Web site Enter Under Penalty of Death.
Click here to view it.
Reeves certainly has his work cut out for him. The tremendous original, titled “Let the Right One In,” has a relatively strong cult audience. And it only came out in 2008, meaning it’s still very fresh in people’s mind, so comparisons – positive and negative – will be easy to make.
That being said, if Reeves can duplicate the mood of the first film, he has a chance to introduce a tender and terrifying story to a larger, American audience who don’t like reading subtitles.
“Let Me In” opens everywhere on Oct. 1.
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